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"The Warburg Institute, founded in the 1920s in Hamburg by art and cultural historian Aby Warburg, is a pioneering institution that has greatly shaped the fields of art, myth, religion, medicine, philosophy, and intellectual history. When, in 1933, the institute was moved to London to escape the Nazis, its research and legacy was protected and further developed by a network of researchers dispersed throughout the UK, the US, and Canada."-- "The first interdisciplinary study of the Warburg network as an arena of intellectual transmission, transformation, and exchange, this volume reveals the dynamics, agencies, and actors at play in the development of the Warburg Institute's program and output, with a specific focus on the role of Raymond Klibansky (1905 2005) in the institute's major ventures. Among these collective projects of the institute are the famous Saturn and Melancholy, which blends art history with philosophical and cultural history, and the Latin and Arabic Corpus Platonicum Medii Aevi series, which contributed to research on the continuity of Platonic thought. Consulting published and unpublished sources including correspondences, memories, and diaries of affiliated scholars, the essays explore the history of the Warburg Library as a vital cultural institution and the personal and intellectual relationships of the researchers devoted to it. From Hamburg to London to Montreal, Raymond Klibansky and the Warburg Library Network takes readers on a journey into more than forty years of intellectual life at one of the most prestigious cultural research institutes."--
Klibansky, Raymond, --- Klibansky, Raymundus, --- Warburg Institute. --- Bibliothek Warburg --- London. --- Kulturwissenschaftliche Bibliothek Warburg --- History. --- Humanities --- PHILOSOPHY / General. --- Humanities research --- Learning and scholarship --- Classical education --- Research --- History --- Research.
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Religion --- History. --- Histoire --- Warburg, Aby, --- Warburg Institute. --- -Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- History --- Warburg, Aby --- Warburg Institute. Library --- -History --- Religious history --- Warburg, Aby Moritz, --- Bibliothek Warburg --- London. --- Kulturwissenschaftliche Bibliothek Warburg --- Religion - History.
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Les enjeux de la bibliothèque et de la collection photographique mises en œuvre par Aby Warburg, en tant que « laboratoire » de recherches collectives sur les formes de transmission des images depuis l'Antiquité. Une étude de cas exceptionnel, traversée par la question : quel a été l'impact de la photographie dans le tournant que Warburg marque dans l'histoire de l'art et de la culture ?La Kulturwissenschaftliche Bibliothek Warburg fonctionna, dans les années 1920, comme un véritable laboratoire de recherche sur les formes de transmission des images depuis l'Antiquité. Si son fondateur Aby Warburg (1866-1929) en fut la figure centrale, cette bibliothèque pionnière fut toujours imaginée comme une entreprise collective, et serait impensable sans l'apport essentiel d'autres personnalités (Fritz Saxl et Gertrud Bing notamment) dont l'importance commence enfin à être reconnue. Laboratoire à la croisée des disciplines, la KBW fut aussi et avant tout un espace de pensée intermédiale, où se conjuguent autant de gestes techniques : photographier et collecter, cartographier et mettre en série, construire des voisinages, projeter, exposer enfin. Seuls ces modes de visualisation autorisent à comprendre toute la portée des concepts warburgiens connus (« formule de pathos », « vie posthume », « migration des images »...). C'est l'articulation dynamique de ces opérations, au cœur desquelles se trouve la reproduction photographique, qui distingue la Bibliothèque et sa collection d'images en tant que dispositif plurimédial de connaissance. Sa reconstruction détaillée explicite ici les conditions de possibilité de l'« espace de pensée » ouvert par l'instrumentaire warburgien, la singularité de son anthropologie visuelle, ainsi que son potentiel toujours critique.
Kulturwissenschaftliche Bibliothek Warburg --- bibliothèque universitaire --- centre de documentation --- histoire --- culture --- Allemagne --- Warburg institute --- Photographs --- Libraries --- Library buildings --- Collectors and collecting --- Special collections --- Pictures --- Photography --- History. --- Warburg Institute. --- Diffusion de la culture. --- Culture diffusion. --- Images, Transmission des. --- Image transmission. --- Photothèques. --- Photograph collections.
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"Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofsky's method could be of use for general questions in the epistemology of the historical sciences that examine human works. Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofsky's work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art."--Bloomsbury Publishing.
Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Historiography. --- Philosophy. --- Analysis, interpretation, appreciation --- Panofsky, Erwin, --- Philology. --- Panofsky, Erwin --- Panofsky, Erwin. --- Panofsky, E. --- Panofskij, Ėrvin --- Panofskij, E. --- Panofski, Ėrvin --- Panofski, E. --- Synkop, A. F. --- Kunsthistoriker --- Schriftsteller --- Hochschullehrer --- Prof. Dr. --- Hannover --- Princeton, NJ --- USA --- Kulturwissenschaftliche Bibliothek Warburg --- Universität Hamburg --- Institute for Advanced Study --- Princeton University --- Panofsky, Dora Mosse --- Panofsky, Hans A. --- Panofsky, Wolfgang Kurt Hermann --- Panofsky-Soergel, Gerda --- Heimann, Adelheid --- 30.03.1892-14.03.1968 --- 1892-1968
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7.045 --- 7 <08> --- Institution libraries --- -Humanities --- -Romanicists --- -Learned institutions and societies --- -Academies (Learned societies) --- Scholarly societies --- Associations, institutions, etc. --- Societies --- Learning and scholarship --- Romance philologists --- Romanists (Philologists) --- Philologists --- Classical education --- Learned institutions and societies --- Special libraries --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Verzamelwerken. Reeksen --- History --- -Study and teaching --- -History --- -Correspondence --- -Libraries --- Curtius, Ernst Robert --- Warburg Institute --- Warburg Institute. Library --- -University of London. --- London. --- History. --- Humanities --- Romanicists --- Study and teaching --- Correspondence. --- 7 <08> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Verzamelwerken. Reeksen --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- -History. --- -Iconografie: allegorieen; symbolen; dodendansen; emblemata --- -Curtius, Ernst Robert --- -7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Academies (Learned societies) --- Correspondence --- Libraries --- Curtius, Ernst Robert, --- Warburg Institute. --- Bibliothek Warburg --- Kulturwissenschaftliche Bibliothek Warburg --- Learned societies --- University of London. Warburg Institute --- London. University. Warburg Institute
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