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"This anthology presents substantial selections from the work of twenty Manchu women poets of the eighteenth and nineteenth centuries. The poems, inspired by their daily life and reflections, provide fascinating insights into the experiences and emotions of these women, most of whom belonged to the elite families of Manchu society. Each selection is accompanied by biographical material that illuminates the life stories of the poets. The volume's introduction describes the printing history of the collections from which these poems are drawn, the authors' practice of poetry writing, ethnic and gender issues, and comparisons with the poetry of women in South China and of male authors of the Qing dynasty (1644-1911)." --publisher description.

Chinese poetry --- Chinese literature --- Women authors --- S22/0450 --- North-eastern provinces (Manchuria)--Literature --- Chinese poetry. --- Übersetzung --- Schriftstellerin --- Qingdynastie --- Mandschurisch --- Lyrik --- Frauenlyrik --- Chinesisch --- Women authors. --- Englisch, ... --- Mandjurisch --- Mandschusprache --- Mandschu --- Manchu --- Mandschu-tungusische Sprachen --- Guoyu --- Kuo-yü --- Putonghua --- P'u-t'ung-hua --- Mandarin --- Guanhua --- Kuanhua --- Nationalsprache --- Sinotibetische Sprachen --- Frauenliteratur --- Gedicht --- Poem --- Dichtung --- Poesie --- Lyrisches Werk --- Lyrikwerk --- Gedichtwerk --- Literatur --- <> Lyrische --- Ch'ingdynastie --- Ch'ing-Zeit --- Qing --- Ch'ing --- Mandschudynastie --- Ts'ingdynastie --- Ts'ing --- 1644-1911 --- Dichterin --- Autorin --- Schriftsteller --- Sprachübersetzung --- Translation --- Textübersetzung --- Übersetzen --- Übertragung --- Sprachmitteln --- Sprachmittlung --- Übersetzungswissenschaft --- Zielke-Nadkarni, Andrea --- Hövener, Andreas --- 2013

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Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist. Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems. Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."

S16/0170 --- S16/0195 --- S06/0436 --- China: Literature and theatrical art--General works on modern literature --- China: Literature and theatrical art--Thematic studies --- China: Politics and government--Policy towards literature and art --- Chinese literature --- 20th century --- History and criticism --- Socialism and literature --- China --- Literature and society --- LITERARY CRITICISM / Asian / Chinese --- Litterature et societe --- Socialisme et litterature --- Litterature chinoise --- Chinesisch --- Politik --- Gesellschaft --- Literatur --- Sozialismus --- Socialism and literature. --- Literature and society. --- Chinese literature. --- Histoire et critique. --- History and criticism. --- China. --- Chinesisch. --- Akhmatova, Anna. --- Alyoshin, Samuil. --- Anhui province. --- Bai Hua. --- Bai Xianyong. --- Bell Tower Society. --- Bureau of Drama Reform. --- Cao Guanlong. --- Cao Xueqin. --- Chen Guokai. --- Chinese Academy of Sciences. --- Chinese Progress (journal). --- Christianity. --- Confucius. --- Dai minority people. --- Democracy Wall. --- Ehrenburg, Ilya. --- Fadeyev, Alexander. --- Feng Menglong. --- Gao Xiaosheng. --- Guo Moruo. --- Han Shaogong. --- Heavy Wings (Zhang Jie). --- Hiroshima. --- Hu Yaobang. --- Jiang Zilong. --- Jin Jingmai. --- Khrushchev Remembers. --- Khrushchev, Nikita. --- Kong Jiesheng. --- Li Yingru. --- Mao Zedong. --- Marxism-Leninism. --- May Fourth movement. --- Napoleon. --- Paustovsky, Konstantin. --- alienation. --- bookstores. --- bureaucratism. --- calligraphy. --- cartoonists. --- conservatives. --- corruption. --- decadence. --- democracy. --- engineering, literary. --- existentialism. --- feudalism. --- filmscripts. --- liberalism. --- neorealism. --- pluralism. --- Literature and socialism --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Sozialistisches Gesellschaftssystem --- Gesellschaftsordnung --- Kommunismus --- Sozialistische Bewegung --- Sozialist --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- Sein --- Staatspolitik --- Politische Lage --- Politische Entwicklung --- Politische Situation --- Guoyu --- Kuo-yü --- Putonghua --- P'u-t'ung-hua --- Mandarin --- Guanhua --- Kuanhua --- Nationalsprache --- Sinotibetische Sprachen --- Littérature et socialisme --- Communisme et littérature --- Marxisme et littérature --- Politique et littérature --- Socialisme et culture --- Littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Aspect social --- 1949 --- -BNKhAU --- Chung-hua min kuo --- Jhonggu --- Khi͡atad --- Kin --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- National Government --- Republic --- Republic of China --- Zhonghuaminguo --- Rotchina --- Zhongguo-Diguo --- Kaiserreich Zhongguo --- Zhonghua-minguo --- Chung-hua-min-kuo --- Zhonghua-Renmin-Gongheguo --- Kaiserreich China --- Shinkoku --- Chung-hua-jen-min-kung-ho-kuo --- Zhonghua --- Volksrepublik China --- Zhonghua renmin gongheguo --- République populaire de Chine --- Kytajsʹkaja Narodnaja Respublika --- Chinese People’s Republic --- Chinesen --- Taiwan