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The artist novel occupies a prominent place in literary history. Although research into this genre, which is usually perceived as especially rigid, may seem to be exhausted at a first glance, a closer look at the development of the artist novel reveals its sheer incomparable malleability and resilience. In this book Orla Flock turnes her attention to those types of artist novels, which she calls dual artist novels, which depict the artistic and personal development of both a male and a female artist. The juxtaposition of the male and the female artist narratives reveals both the rootedness of the genre in literary tradition and subverts established but outdated notions of genre and gender. On both a structural and a narrative level, the dual artist novel challenges established but confining views and demonstrates that even incremental, nuanced development over time can ultimately lead to vast transformation. By reshaping the formerly rigid genre of the artist novel to include numerous and diverse voices while staying true to the thematic tradition, the dual artist novel subverts both the notion of static genre definitions as well as limiting conceptions of gender. About the author Orla Flock graduated from the University of Konstanz with a PhD in American Literature in 2022.
Artists in literature. --- Künstlerromane --- Sex role in literature. --- History and criticism.
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This study of the poetics of the Romantic K nstlerinroman (female artist novel) brings to the foreground its salient metafictional discourse on the aesthetics of the sublime, ever since its beginnings in Madame de Sta l's "Corinne ou L'Italie". The book presents detailed readings of H.D.'s "Palimpsest", Christa Wolf's "Nachdenken ber Christa T." and Marguerite Duras' "L'Amant" in a dialogue with Kant, Freud, Lacan, Cixous, Derrida and other philosophers, theorists, literary critics and writers. Each novel is explored in terms of its generic affiliations, its reflections on the role of literature and the writer in society and its aesthetic discourse on the sublime. The book stages an inquiry into the relation between genre, the sublime, gender and literary history from which emerge insights into the conditions of subjectivity underlying the experience and communication of the sublime.
European fiction --- Künstlerromane --- Women and literature --- Women artists in literature. --- Women authors --- History and criticism. --- Roman européen --- Femmes écrivains européennes --- Femmes écrivains --- Histoire et critique
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In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Spanish fiction --- Künstlerromane, Spanish --- Artists in literature. --- Art in literature. --- Spanish Künstlerromane --- Spanish literature --- History and criticism. --- Kunst --- Literatur --- Künstlerroman --- Künstler --- Kunsthistoriker --- Spanisch --- Kastilisch --- Spanische Sprache --- Iberoromanisch --- Kunstschriftsteller --- Kunstwissenschaftler --- Kunstgeschichtsschreibung --- Kunsthistorikerin --- Motiv --- Künstler --- Roman --- Künstlernovelle --- Künstlererzählung --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- Bildende Kunst --- Kunstdenkmal --- Künste --- Kunstwerk --- Creative economy, Künstlerroman, Artist novel, Cultura de la Transición, Cultural labor, Art-Commerce Relation, novel, post-transition, Francisco Franco, financial crisis.
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The Age of Goethe is widely viewed as the apogee of German culture. Its writers and thinkers, especially Goethe, have been exalted as role models for life and art, particularly after 1945. Yet in the 1970s, a new generation of German writers in both East and West rebelled against the postwar hagiography, taking up a tradition of imaginatively engaging with the giants of the period, casting them in major roles in their works in order to critique the nation's past and its present, a tradition that has been carried on by more contemporary writers. This is the first book-length study devoted to modern German 'author-as-character' fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the 'Goethezeit' continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture. The book will be of interest to both scholars of the 'Goethezeit' and of contemporary German literature and culture. John D. Pizer is Professor of German and Comparative Literature at Louisiana State University.
Authors in literature. --- Biographical fiction, German --- German literature --- Historical drama, German --- Historical fiction, German --- Künstlerromane --- Künstlerromane --- History and criticism. --- Appreciation --- Goethe, Johann Wolfgang von, --- In literature. --- German biographical fiction --- German fiction --- Goethe, Johann Wolfgang --- Goethe --- Goethe, Johann Wolfgang von --- Von Goethe, Johann Wolfgang --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- ゲエテ --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Age of Goethe. --- German culture. --- author-as-character fiction. --- globalization. --- inner-German dialogue. --- mass American culture. --- modern German literature. --- Kunstlerromane
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