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Copland, Aaron, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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Copland, Aaron --- Copland, Aaron, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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Copland, Aaron, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Criticism and interpretation. --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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This is the first book devoted to the correspondence of composer Aaron Copland, covering his life from age eight to eighty-seven. The chronologically arranged collection includes letters to many significant figures in American twentieth-century music as well as Copland's friends, family, teachers, and colleagues. Selected for readability, interest, and the light they cast upon the composer's thoughts and career, the letters are carefully annotated and each published in its entirety.Copland was a gifted and natural letter writer who revealed much more about himself in his letters than in formal writings in which he was conscious of his position as spokesman for modern music. The collected letters offer insights into his music, personality, and ideas, along with fascinating glimpses into the lives of such other well-known musicians as Leonard Bernstein, Carlos Chávez, William Schuman, and Virgil Thomson.
Composers --- Copland, Aaron, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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Introduction. 1. Expanding Americaural Front. 3. Creating Community. 4. ""The Dancing of an Attitude"". 5. In Wartime. Conclusion
Composers --- Copland, Aaron, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison closely analyzes selected works to discern the specific compositional techniques Copland used, and to understand the degree to which they derived from European models, particularly the influence of Igor Stravinsky. Murchison examines how Copland both Americanized these models and made them his own, thereby finding his own compositional voice. Murchison also discusses Copland's aesthetics of music and his ideas about its purpose and social function.
Copland, Aaron, --- Stravinsky, Igor, --- Criticism and interpretation. --- Influence. --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron, --- Music / History & Criticism --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Reveals how Aaron Copland's complex relationship with the music of Gustav Mahler shaped his vision for American music in the twentieth century
Music --- History and criticism. --- Copland, Aaron, --- Mahler, Gustav, --- Mahler, Gustav --- Maler, Gustav, --- Maler, G. --- Mārā, Gusutafu, --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron, --- Criticism and interpretation. --- Influence.
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One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison closely analyzes selected works to discern the specific compositional techniques Copland used, and to understand the degree to which they derived from European models, particularly the influence of Igor Stravinsky. Murchison examines how Copland both Americanized these models and made them his own, thereby finding his own compositional voice. Murchison also discusses Copland's aesthetics of music and his ideas about its purpose and social function.
Music --- History and criticism. --- Copland, Aaron, --- Stravinsky, Igor, --- Criticism and interpretation. --- Influence. --- Stravinsky, Igor --- Stravinskij, Igor' Fëdorovič --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron,
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The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach - and edify - the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition.
Film composers --- Motion picture music. --- Background music for motion pictures --- Film music --- Film scores --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Cinema composers --- Film score composers --- Film scorers --- Motion picture composers --- Movie composers --- Scorers, Film --- Composers --- Copland, Aaron, --- Eisler, Hanns, --- Eisler, Johannes, --- Ėĭsler, Gans, --- Eissler, Hanns, --- Eisler, Hans, --- Eisler, H. --- Kopland, Aaron, --- Koplend, Aaron, --- Копланд, Аарон, --- コープランド, アーロン, --- Kōpurando, Āron, --- Kūpland, Ārūn, --- کوپلند، آرون --- Copland, Aron, --- Criticism and interpretation. --- Los Angeles- Hollywood --- USA --- United States of America --- Vereinigte Staaten von Amerika --- Nordamerika --- Amerika --- United States --- Etats Unis --- Etats-Unis --- Vereinigte Staaten --- Estados Unidos de America --- EEUU --- Vereinigte Staaten von Nordamerika --- Soedinennye Štaty Ameriki --- SŠA --- Stany Zjednoczone Ameryki Północnej --- Hēnōmenai Politeiai tēs Boreiu Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- HēPA --- Ēnōmenes Politeies tēs Amerikēs --- ĒPA --- Meiguo --- Etats-Unis d'Amérique --- US --- Amerikaner --- Konföderierte Staaten von Amerika --- LosAngeles-Hollywood --- Hollywood, Calif. --- Los Angeles-Hollywood, Calif. --- Los Angeles, Calif. --- Los Angeles- Hollywood, Calif. --- Los Angeles- Hollywood. --- USA.
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