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video art --- Film --- Painting --- mixed media --- toys [recreational artifacts] --- Iconography --- Art --- installations [visual works] --- light art --- economics --- painting [image-making] --- digital prints --- terrorism --- Kahrs, Johannes --- Kusolwong, Surasi --- Sæthre, Børre --- Korpys-Löffler --- Pop, Susi --- Rehberger, Tobias --- Frenck, Gerdine --- Lienbacher, Ulrike --- Bove, Carol --- Stollhans, Jürgen --- Korpys, Andree --- Löffler, Markus --- Kusolwong Surasi --- Saethre, Borre --- jaren 70 --- kunst en politiek --- video-stills

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Iconography --- Art --- terrorism --- violence --- political art --- Feldmann, Hans-Peter --- Friedl, Peter --- Immendorff, Jörg --- Kahrs, Johannes --- Antin, Eleanor --- Klein, Astrid --- Lévêque, Claude --- Meese, Jonathan --- Stih & Schnock --- Korpys-Löffler --- Allamoda, Bettina --- Arndt, Olaf --- Kippenberger, Martin --- Bernhardt, Ulrich --- Cosgrove, Erin --- Dammbeck, Lutz --- Beer, de, Sue --- Adams, Dennis --- Emigholz, Heinz --- Herz, Rudolf --- King, Scott --- Kirberg, Rainer --- Korpys, Andree --- Polke, Sigmar --- laBruce, Bruce --- Ligthart, Theo --- Löffler, Markus --- Meise, Michaela --- Mettig, Klaus --- Moonen, Rob --- Beuys, Joseph --- Niehus, Hans --- Oldenbach, Marcel --- Thiel, Frank --- Richter, Gerhard --- Wohnseifer, Johannes --- Worley, Matt --- Willem --- Schütte, Thomas --- Bayrle, Thomas --- Birnbaum, Dara --- Droese, Felix --- Ackermann, Franz --- Sonderborg, K.R.H. --- Draeger, Christoph --- Grimonprez, Johan --- Melián, Michaela --- Ruff, Thomas --- Sieverding, Katharina --- Staeck, Klaus --- Vostell, Wolf --- Weibel, Peter --- Metzel, Olaf --- Rote Armee Fraktion

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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.

Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art

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Art --- art [discipline] --- terrorism --- wars --- violence --- Jamie, Cameron --- Zobernig, Heimo --- Kriesche, Richard --- Rainer, Arnulf --- Geers, Kendell --- Nara, Yoshitomo --- Bartana, Yael --- Peintner, Max --- Matulu, Tshibumba Kanda --- Saul, Volker --- Boyce, Martin --- RothStauffenberg --- Cunningham, Chris --- Korpys-Löffler --- Alvim, Fernando --- Amorales, Carlos --- Aschenbrenner, Michael --- Kippenberger, Martin --- Barros, Mercedes --- Baulig, Elke --- Benayoun, Maurice --- Bijl, Marc --- Breuning, Olaf --- Brown, Glenn --- Burnett, Heather --- Camnitzer, Luis --- Crandall, Jordan --- David, Jirí --- Beer, de, Sue --- Devlin, Lucinda --- Dreier, Veronika --- Dzama, Marcel --- Erjautz, Manfred --- Ernst, Wolfgang --- Euba, Jon Mikel --- Fagen, Graham --- Feng Mengbo --- Forouhar, Parastou --- Gostner, Martin --- Greene, Stanley --- Hoffmann, Peter Gerwin --- Jantjes, Gavin --- Kaern, Simone Aaberg --- Keane, John --- Kitson, Linda --- Kuwertz, Evelyn --- Levinthal, David --- Mach, Ernst & Ludwig --- Eames, Charles --- Nachtwey, James --- Nestler, Norbert --- Nestler-Rebeau, Friederike --- Niedringhaus, Anja --- Norfolk, Simon --- Pietrangeli, Paolo --- Raad, Walid --- Ramadan, Khaled --- Rasulo, Prospero --- Schilling, Alfons --- Schuster, Michael --- Seric-Soba, Nebojsa --- Smith, Paul M. --- Sokov, Leonid --- Stamm, Hermann --- Sulzer-Kleinemeier, Erika --- Tasset, Tony --- Heijne, ter, Mathilde --- Theodorou, Lina --- Mendini, Alessandro --- Tisdale, Danny --- Tomić, Milica --- Tsjernisjov, Michail --- Wagg, Jamie --- Wähner, Matthias --- Welzenbach, Andreas --- Wessings, Piet --- Woods, Lebbeus --- Chen Danqing --- Rosenbach, Ulrike --- Rubins, Nancy --- Virilio, Paul --- Hatoum, Mona --- Export, Valie --- McCarthy, Paul --- Beecroft, Vanessa --- Kelley, Mike --- Uecker, Günther --- Holzer, Jenny --- Longo, Robert --- Tillmans, Wolfgang --- Chapman, Jake --- Dean, Tacita --- Hirst, Damien --- Nauman, Bruce --- Ristelhueber, Sophie --- Moffatt, Tracey --- Rosler, Martha --- Banner, Fiona --- Burden, Chris --- Coe, Sue --- Golub, Leon Albert --- Grimonprez, Johan --- Hansen, Al --- Klossner, Franticek --- Mendieta, Ana --- Oursler, Tony --- Ruff, Thomas --- Strode, Thaddeus --- Visser, Barbara --- Vostell, Wolf --- Weibel, Peter --- Ken Lum --- Farocki, Harun --- Huber, Stephan --- Seawright, Paul --- Sierra, Santiago --- Fainaru, Belu-Simion --- IRWIN [Ljubljana] --- Art in Ruins --- Futurefarmers [San Francisco, Calif.] --- G.R.A.M.