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Is there a non-Western form of tragedy? This volume argues that the Korean concept of han should be considered an Eastern tragic vision which is gaining prominence in the West through the critically acclaimed works of diasporic writers such as Nobel Prize-nominee Richard E. Kim, Theresa Hak Kyung Cha, and Chang-rae Lee. Through close readings of the works of leading Korean American authors, the book explicates the philosophical, historical, and postcolonial roots of 'han' and its distinctive aesthetics in contrast to classical Western tragedy. It then examines how specific authors deploy this
American literature --- Korean American authors. --- Korean American authors --- History and criticism.
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American literature --- Autobiography in literature --- Autobiography --- Korean Americans in literature --- Korean Americans --- Korean American authors --- History and criticism --- Biography
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"There is a tendency to think of Korean American literature--and Asian American literature writ large--as a field of study involving only two spaces, the United States and Korea, with the same being true in Asian studies of Korean Japanese (Zainichi) literature involving only Japan and Korea. This book posits that both fields have to account for three spaces: Korean American literature has to grapple with the legacy of Japanese imperialism in the United States, and Zainichi literature must account for American interventions in Japan. Comparing Korean American authors such as Younghill Kang, Chang-rae Lee, Ronyoung Kim, and Min Jin Lee with Zainichi authors such as Kaneshiro Kazuki, Yi Yang-ji, and Kim Masumi, Minor Transpacific uncovers their hidden dialogue and imperial concordances, revealing the trajectory and impact of both bodies of work. Minor Transpacific bridges the fields of Asian studies and Asian American studies to unveil new connections between Zainichi and Korean American literatures. Working in Japanese and English, David S. Roh builds a theoretical framework for articulating those moments of contact between minority literatures in a third national space and proposes a new way of conceptualizing Asian American literature"--
American fiction --- Japanese fiction --- Imperialism in literature --- Korean American authors --- History and criticism --- Korean authors --- United States --- Japan --- Korea --- In literature.
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There is a tendency to think of Korean American literature—and Asian American literature writ large—as a field of study involving only two spaces, the United States and Korea, with the same being true in Asian studies of Korean Japanese (Zainichi) literature involving only Japan and Korea. This book posits that both fields have to account for three spaces: Korean American literature has to grapple with the legacy of Japanese imperialism in the United States, and Zainichi literature must account for American interventions in Japan. Comparing Korean American authors such as Younghill Kang, Chang-rae Lee, Ronyoung Kim, and Min Jin Lee with Zainichi authors such as Kaneshiro Kazuki, Yi Yang-ji, and Kim Masumi, Minor Transpacific uncovers their hidden dialogue and imperial concordances, revealing the trajectory and impact of both bodies of work. Minor Transpacific bridges the fields of Asian studies and Asian American studies to unveil new connections between Zainichi and Korean American literatures. Working in Japanese and English, David S. Roh builds a theoretical framework for articulating those moments of contact between minority literatures in a third national space and proposes a new way of conceptualizing Asian American literature.
American fiction --- Japanese fiction --- Imperialism in literature. --- Korean American authors --- History and criticism. --- Korean authors --- United States --- Japan --- Korea --- In literature.
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