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In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds.
film --- filmtheorie --- geweld --- trauma --- twintigste eeuw --- eenentwintigste eeuw --- film en geschiedenis --- holocaust --- Hersonski Yaël --- Wajda Andrzej --- Konchalovsky Andrei --- Shepitko Larisa --- Guzman Patricio --- Panh Rithy --- Oppenheimer Joshua --- 791.41 --- Historical films --- Psychic trauma in motion pictures. --- Catastrophical, The, in motion pictures. --- Films historiques --- Traumatisme psychique --- Atrocités --- History and criticism. --- Histoire et critique --- Au cinéma --- Histoire et critique. --- Au cinéma. --- Motion pictures
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Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- History --- Histoire --- Préface de Gilles Jacob ; Edition établie par Antoine de Baecque --- film --- filmtheorie --- Frankrijk --- Angelopoulos Theo --- Chanine Youssef --- Delvaux André --- Forman Milos --- Frears Stephen --- Konchalovsky Andreï --- Moreti Nanni --- Pollack Sydney --- Rosi Francesco --- Schlöndorff Volker --- Sembene Ousmane --- Stone Oliver --- Tavernier Bertrand --- Varda Agnès --- Wenders Wim --- Kar-Wai Wong --- Wong Kar-Wai --- 791.471 AAA --- 791.41 --- Producteurs et réalisateurs de cinéma --- Cinéma --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Direction
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