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705.8 --- conceptuele kunst --- Cornell, Joseph --- kunstgeschiedenis --- surrealisme --- kunstgeschiedenis, 20e eeuw --- Kōneru, Jozefu, --- Criticism and interpretation. --- catalogues raisonnés --- boxes [containers] --- assemblage [sculpture technique] --- peepshows --- display cabinets --- collagists --- Kōneru, Jozefu

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Art --- Cornell, Joseph --- Cornell,Joseph --- Joseph Cornell 1903-1972 (° Nyack, New York, VS) --- Beeldende kunst ; kijkdozen ; 1930-1969 ; Joseph Cornell --- Assemblages ; collages --- Experimentele film --- Kunst en illusie ; trompe-l'oeils --- Surrealisme --- Pre-pop --- 7.07 --- 7.038 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- peepshows --- Kōneru, Jozefu --- Criticism and interpretation. --- Kōneru, Jozefu,

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""Poetry was declining/ Painting advancing/ we were complaining/ it was '50,"" recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the

Art and society --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Moore, Marianne, --- Ashbery, John, --- Cornell, Joseph --- Brainard, Joe, --- Kōneru, Jozefu, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Moore, Marianne Craig, --- Criticism and interpretation.

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Art, Modern --- Art --- Surrealism --- Superrealism --- Surrealism in art --- Arts, Modern --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Catalogs --- Private collections&delete& --- Bergman, Edwin --- Bergman, Lindy --- Cornell, Joseph --- Kōneru, Jozefu, --- Lindenberger, Betty Lindy --- Lindenberger, Lindy --- Bergman, Betty Jane --- Art collections --- Catalogs. --- Art Institute of Chicago --- Chicago. Art Institute --- Art Institute Chicago --- Musée de Chicago --- Shikago Bijutsukan --- Chicago Academy of Fine Arts (1879-1882) --- Art styles --- collages [visual works] --- boxes [containers] --- assemblages [sculpture] --- drawing [image-making] --- painting [image-making] --- private collections --- Surrealist --- Arp, Hans --- Magritte, René --- Richier, Germaine --- Chirico, de, Giorgio --- Dubuffet, Jean --- Ernst, Max --- Bellmer, Hans --- Picasso, Pablo --- Llorens i Artigas, Josep --- Fini, Léonor --- Graham, John D. --- Morise, Max --- Penrose, Roland --- Balthus --- Brauner, Victor --- Mesens, E.L.T. --- Tsjelitsjev, Pavel --- Vail, Laurence --- Miró, Joan --- Lam, Wifredo --- Masson, André --- Tanguy, Yves --- Lindner, Richard --- Breton, André --- Picabia, Francis --- Dalí, Salvador --- Delvaux, Paul --- Motherwell, Robert --- Gorky, Arshile --- Carrington, Leonora --- Schwitters, Kurt --- Matta, Roberto --- Man Ray --- Calder, Alexander --- anno 1900-1999 --- Private collections --- Art, Primitive --- Kōneru, Jozefu --- private collections [object groupings]