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State Museum of Art (Riga) --- constructivisme --- fotomontages --- Klucis, Gustav
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This title highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, nascent mass media, and urban popular culture.
avant-garde --- modernisme --- dagelijks leven --- propaganda --- Heartfield, John --- Klucis, Gustav --- El Lissitzky --- Sutnar, Ladislav --- Teige, Karel --- Zwart, Piet --- Europa --- avant-garde. --- modernisme. --- dagelijks leven. --- propaganda. --- Heartfield, John. --- Klucis, Gustav. --- El Lissitzky. --- Sutnar, Ladislav. --- Teige, Karel. --- Zwart, Piet. --- Europa.
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Klucis, Gustavs --- Constructivism (Art) --- Politics in art --- Constructivisme (Art) --- Politique dans l'art --- Exhibitions. --- Expositions --- Klutsis, Gustav Gustavovich, --- Klucis, Gustav --- Exhibitions --- Klut͡sis, Gustav Gustavovich,
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verzameling David King --- sociaal realisme --- geschiedenis --- typografie --- affiche --- propaganda --- Wereldoorlog II --- Wereldoorlog I --- Russische revolutie --- vrouw --- wereldtentoonstelling 1925 (Parijs) --- wereldtentoonstelling 1939 (New York) --- King, David --- Vatolina, Nina --- Kulagina, Walentina Nikiforowna --- Klucis, Gustav --- 1905 - 1955 --- 20ste eeuw --- Rusland
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Arts, Russian --- Avant-garde (Esthétique) --- Arts russes --- Popowa, Ljubow --- Ermilov, Vasilii --- Rodchenko, Aleksandr Mikhailovich --- Klucis, Gustav --- Kandinsky, Wassily --- El Lissitzky --- 1910 - 1930 --- Avant-garde (Esthétique) --- avant-garde --- architecture [discipline] --- Art --- Architecture --- Russia --- Art styles --- anno 1900-1999 --- anno 1910-1919 --- anno 1920-1929 --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Russian arts --- Sintez (Group of artists) --- beeldende kunsten --- theater --- literatuur --- fotografie --- poëzie --- Malevich, Kasimir --- 20ste eeuw --- Rusland --- Exhibitions. --- Exhibitions --- Expositions --- theater, toneel, toneelvoorstelling --- Malevich, Kasimir. --- Popowa, Ljubow. --- Ermilov, Vasilii. --- Rodchenko, Aleksandr Mikhailovich. --- Klucis, Gustav. --- Kandinsky, Wassily. --- El Lissitzky. --- 1910 - 1930. --- 20ste eeuw. --- Rusland. --- stijlen in Westerse kunst
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avant-garde --- modernisme --- geschiedenis --- propaganda --- politiek --- sociaal realisme --- Klucis, Gustav --- Filonov, Pavel --- Tatlin, Vladimir Yevgrafovitch --- Miturich, Pyotr --- Babel, Isaak --- Kharms, Daniil --- Vvedensky, Aleksandr --- Pilnyak, Boris --- Meyerhold, Vsevolod --- Akimov, Nikolay --- Ilf, Ilya --- Petrov, Yevgeny --- Zoshchenko, Mikhail --- Platonov, Andrey --- Prokofiev, Sergey --- Shostakovich, Dmitry --- 1917 - 1945 --- 20ste eeuw --- Rusland
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fotomontage --- photomontages --- artistieke fotografie --- Photography --- Intr. par Michel Frizot --- fotografie --- twintigste eeuw --- Hausmann Raoul --- Höch Hannah --- Schwitters Kurt --- Citroen Paul --- Umbo --- Heartfield John --- Hajek-Halke Heinz --- Loew heinz --- Lex-Nerlinger Alice --- Steiner André --- Vertov Dziga --- Baumeister Willi --- Stankowski Anton --- Domela César --- Zwart Piet --- Rodchenko Alexander --- Lissitzky El --- Klucis Gustav --- Lengyel Lajos --- Brzeski Janusz Maria --- Podsadecki Kazimierz --- Kaasak Lajos --- Moholy-Nagy Laszlo --- Wulz Wanda --- Paladini Vinicio --- Demanins Ferruccio A. --- Parry Roger --- Ernst Max --- Tabard Maurice --- Bayer Herbert --- Ray Man --- Dali Salvador --- Bauhaus --- dadaïsme --- constructivisme --- futurisme --- surrealisme --- fotocollage --- beeldmanipulatie --- 77.05 --- Demanins Ferruccio A --- photomontages [visual works]
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Les disciplines scientifiques et littéraires sont généralement perçues dans ce qui les différencie, les divise et parfois même les oppose. Pensée scientifique et pensée poétique s’expriment dans des modes de discours bien distincts. Il arrive pourtant qu’elles se rejoignent : c’est quand la pensée ne peut plus s’exprimer dans le mode qui lui était propre et que, recourant à une mise en forme directe, elle grave dans un schéma – du plus simple au plus complexe – le chemin qui la ramènera vers la parole. On dit bien souvent : « une image vaut 100 000 mots » ou bien encore, plus familièrement : « je fais vous faire un dessin" . Parmi les « auteurs » nous retrouvons Goethe, Darwin, Leibnitz, Freud, P. Valery, W. Benjamin, J. Malaurie, C. Simon, F. Lang, I. Nabokov, R. Queneau, un schéma présentant Internet…
Thought and thinking in art --- Thought and thinking --- Drawing --- Pensée dans l'art --- Pensée --- Dessin --- Psychological aspects --- Aspect psychologique --- Sémiologie de l'image --- Sémiologie --- Croquis --- Processus de conception --- kunst --- tekenkunst --- schetsen --- ontwerp --- kunst en wetenschap --- Agassiz Jean Louis Rodolphe --- Averty Jean-Christophe --- Axelos Kostas --- Barr Alfred H. --- Belyj Andrej --- Benjamin Walter --- kunst en filosofie --- kunst en literatuur --- Beuys Joseph --- Cache Bernard --- Cunningham Merce --- Czapski Joseph --- Darwin Charles --- De Jonckheere Philippe --- Descartes René --- Dreyfus Alfred --- Fischli Peter --- Florenski Pavel --- Freud Sigmund --- Geve Thomas --- Goethe Johann Wolfgang --- Gould Augustus Addison --- Griaule Marcel --- Hirschhorn Thomas --- Hundertwasser Friedensreich --- Itten Johannes --- Kahn Louis I. --- Kentridge William --- Klee Paul --- Klucis Gustav --- Korzyksbi Alfred --- Lang Fritz --- Langlois Henri --- Lombardi Mark --- Malaurie Jean --- Marinetti Filippo Tommaso --- Martin Etienne --- Mendeleïev Dimitri --- de Montgolfier Jospeh Michel --- Nabokov Vladimir --- Nelson Theodor H. --- Ogotemmêli --- Otlet Paul --- Pairault Pierre --- Perec Georges --- Queneau Raymond --- Rekacewicz Philippe --- Rice Peter --- Ricoeur Paul --- Simon Claude --- Steiner Rudolf --- Steinweg Marcus --- Strickland Hugh E. --- Valéry Paul --- Vertov Dziga --- Vig Lars --- Villani Cedric --- Weiss David --- Wolfram Stephen --- Wul Stefan --- Xenakis Iannis --- Zanzotto Andrea --- 741.03 --- 741.036 --- Pensée dans l'art --- Pensée --- Barr Alfred H --- Kahn Louis I --- Nelson Theodor H --- Strickland Hugh E --- Mind --- Thinking --- Thoughts --- Educational psychology --- Philosophy --- Psychology --- Intellect --- Logic --- Perception --- Psycholinguistics --- Self --- Art
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architectuur --- Sculpture --- Painting --- film --- vormgeving --- Film --- film [performing arts] --- beeldende kunst --- Architecture --- design [discipline] --- architecture [discipline] --- fine arts --- Architecture, Modern --- Art, Modern --- Art --- Exhibitions. --- Expositions --- Palazzo ducale (Genoa, Italy) --- edited by Germano Celant --- kunst --- design --- kunst en architectuur --- schilderkunst --- beeldhouwkunst --- fotografie --- film en architectuur --- schilderkunst en architectuur --- fotografie en architectuur --- beeldhouwkunst en architectuur --- naslagwerk --- abstracte kunst --- abstractie --- twintigste eeuw --- Bauhaus --- constructivisme --- dadaïsme --- expressionisme --- futurisme --- informele kunst --- pittura metafisica --- neoplasticisme --- new dada --- purisme --- rationalisme --- suprematisme --- surrealisme --- de Chirico Giorgio --- De Stijl --- neorealisme --- situationisme --- Boccioni Umberto --- Balla Giacomo --- Depero Fortunato --- Marchi Virgilio --- Pannaggi Ivo --- Prampolini Enrico --- Sant'Elia Antonio --- Sartoris Alberto --- Malevich Kazimir --- Al'tman Nathan --- Chashnik Ilya --- Chernikhov Yakov --- Gabo Naum --- Pevsner Antoine --- Kassak Lajos --- Klucis Gustav --- Lissitzky El --- Yermolaevna Vera --- Kogan Nina --- Mansurov Pavel --- Melnikov Konstantin --- Rodchenko Alexander --- Medunetskii Konstantin --- Stenberg Vladimir --- Stenberg Georgi --- Suetin Nikolai --- Tatlin Vladimir --- Vesnin Victor --- Mondrian Piet --- Mondriaan Piet --- van Doesburg Theo --- Gorin Jean --- Oud J.J.P. --- Rietveld Gerrit --- van der Leck Bart --- van Eesteren Cornelis --- Vantongerloo Georges --- Taut Bruno --- Finsterlin Hermann --- Scharoun Hans --- Schwitters Kurt --- Arp Hans --- Tzara Tristan --- Spengemann Christoph --- Kiesler Frederick --- Gropius Walter --- Stölz Gunta --- Kandinsky Wassily --- Klee Paul --- Moholy-Nagy Laszlo --- Schlemmer Oskar --- Mies van de Rohe Ludwig --- Le Corbusier --- Ozenfant Amédée --- CIAM --- Léger Fernand --- Loos Adolf --- Abbott Berenice --- Ferriss Hugh --- Goff Bruce --- Constant --- Debord Guy --- Fontana Lucio --- Kahn Louis --- Tobey Mark --- Veodva Emilio --- Venturi Robert --- Klein Yves --- Manzoni Piero --- Oldenbur Claes --- Schöffer Nicolas --- Soleri Paolo --- concept art --- conceptuele kunst --- deconstructie --- minimalisme --- pop art --- postmodernisme --- Oldenburg Claes --- 7.036 --- 72.036 --- Palazzo ducale (Genoa, Italy). --- fine arts [discipline] --- Oud J.J.P --- Ducal Palace (Genoa, Italy) --- Doge's Palace (Genoa, Italy) --- film [discipline]
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Sur plus de 2000 m2, l’exposition plonge dans le rêve d’Icare et offre, à travers près de 500 œuvres en dialogue (peintures, photographies, dessins, films, maquettes d’architecture, installations, livres et revues…), un panorama inédit et spectaculaire de l’art moderne et contemporain. Depuis quelques années, la vue aérienne suscite un regain d’intérêt. Du succès de La Terre vue du ciel de Yann Arthus-Bertrand à la popularité de Google Earth, la vue à vol d’oiseau fascine, tant par la beauté des paysages dévoilés que par le sentiment de toute-puissance qu’elle inspire. L’exposition Vues d’en haut prend appui sur cette actualité pour remonter aux origines de la photographie aérienne et explorer son impact sur la création artistique et, de fait, sur l’histoire de l’art. Les premiers clichés aériens pris par Nadar depuis un aérostat, dans les années 1860, marquent le début de l’émancipation du regard. Voir le monde, non plus à hauteur d’yeux, mais depuis une machine volante, revient à briser le modèle de perspective issu de la Renaissance. Désormais le corps, mobile et flottant, n’est plus le point d’ancrage de la vision de l’espace. C’est un monde sans relief, dénué de saillies et de creux, qui s’offre au regard, devenu panoramique. Progressivement, la terre se mue en une surface plane où les repères se confondent et se perdent. Depuis plus de 150 ans, peintres, photographes, architectes et cinéastes ne cessent d’explorer les enjeux esthétiques et sémantiques de ce renversement perspectif. L’exposition Vues d’en haut propose de retracer ce cheminement passionnant qui, pour la première fois, fait l’objet d’une grande exposition pluridisciplinaire. L’exposition se déploie en huit sections thématiques – basculement, planimétrie, extension, distanciation, domination, topographie, urbanisation, supervision – qui s’inscrivent dans la chronologie des temps modernes, ponctuée par la Première et la Seconde Guerres mondiales. Une scénographie inédite fait évoluer le visiteur dans le temps comme dans l’espace : au fil du parcours, la vision s’élève, du balcon au satellite.
steden --- topografie --- modernisme --- kubisme --- De Stijl --- avant-garde --- Wereldoorlog I --- Wereldoorlog II --- stadsontwikkeling --- fotografie --- film --- architectuur --- vogelvluchtperspectief --- Devambez, André --- Mondriaan, Piet --- Moholy-Nagy, László --- Kandinsky, Wassily --- Klee, Paul --- Albers, Jozef --- Bayer, Herbert --- Petschow, Robert --- Le Corbusier (pseud.) --- Bourke-White, Margaret --- Desvigne, Michel --- Storr, Marcel --- Ruscha, Ed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Photographie aérienne --- Histoire de la peinture --- Histoire de la photographie --- Paysage --- Urbanisation --- Aerial photography --- Bird's-eye views in art --- Cities and towns in art --- Views --- Art --- Dans l'art --- kunst --- luchtfotografie --- vogelperspectief --- kunst en fotografie --- Nadar --- Tissandier Gaston --- Devambez André --- schilderkunst --- Mondriaan Piet --- Mondrian Piet --- utopie --- Moholy-Nagy Laszlo --- Kandinsky Wassily --- Klee Paul --- Albers Josef --- Le Corbusier --- Smithson Robert --- stedenbouw --- Ristelhueber Sophie --- Dallaporta Raphaël --- Abbott Berenice --- Abdessemed Adel --- Almendra Wilfrid --- ArT errOriste --- Arthus-Bertrand Yann --- Atkinson Lawrence --- Bay Didier --- Bayer Herbert --- Bayrle Thomas --- Bel Geddes Norman --- Berkeley Busby --- Black James Wallace --- Boulade Antonin --- Boulade Léo --- Bourke-White Margaret --- Braque Georges --- Bridges Marilyn --- Büchel Christoph --- Buckminster Fuller Richard --- Burkhard Balthasar --- Caillebotte Gustave --- Carline Richard --- Chashnik Ilya --- Closky Claude --- Coburn Alvin Langdon --- Cognée Philippe --- Daumier Honoré --- De Palma Brian --- Debord Guy --- Delaunay Robert --- Deutsch David --- Desvigne Michel --- Diebenkorn Richard --- van Doesburg Theo --- Dürer Albrecht --- Eames Charles --- Eames Ray --- van Eesteren Cornelis --- Estève Maurice --- Farocki Harun --- Feininger Andreas --- Ferrari Leon --- Francis Sam --- François Michel --- Freedland Thornton --- Friedman Yona --- Frize Bernard --- Gefeller Andreas --- Gehr Ernie --- Gerster Georg --- Giacomelli Mario --- Gimpel Léon --- Goldblatt David --- Gorin Jean --- Gowin Emmet --- Grandville --- Graubner Oscar --- Griaule Marcel --- Gropius Walter --- Gursky Andreas --- Hadjithomas Joana --- Joreige Khalil --- Hallo Charles-Jean --- Haviland Paul --- Heartfield John --- Henner Mishka --- Hine Lewis W. --- Hoover H. Earl --- Hutchinson Peter --- Ichac Pierre --- Ignatovitch Boris --- Johnson Dano --- Travis Jeffrey --- Kertesz André --- Klier Michael --- Klucis Gustav --- Konrad Aglaia --- Koolhaas Rem --- Krull Germaine --- Lalanne François-Xavier --- Landau Ergy --- Léger Fernand --- Leonard Zoe --- Lewis Mark --- LeWitt Sol --- Lissitzky El --- Lotar Eli --- Lumière Auguste --- Lumière Louis --- MacLean Alex --- Malevich kazimir --- Ray Man --- Man ray --- Marinetti Filippo Tommaso --- Masoero Filippo --- Mattheuer Wolfgang --- Mole Arthur S. --- Thomas John D. --- Monet Claude --- Morris Robert --- Namuth Hans --- Napangardi Ruby Rose Yardaya --- Neubronner Julius --- Nevinson Christopher --- Noguchi Isamu --- O'Keeffe Georgia --- Oppenheim Dennis --- Otto Frei --- Oud J.J.P. --- Perrault Dominique --- Petschow Robert --- Picasso Pablo --- Polke Sigmar --- Pollock Jackson --- Richter Gerhard --- Riefenstahl Leni --- Roh Franz --- Rovner Michal --- Ruscha Ed --- Schelcher André --- Schiele Egon --- Schum Gerry --- Severini Gino --- Sheeler Charles --- Souietine Nikolaï --- Steichen Edward --- Stevens Albert William --- Storr Marcel --- Strand Paul --- Superstudio --- Tato --- Thiel Frank --- Tillmans Wolfgang --- Tobey Mark --- Umbo --- Sadahide Utagawa --- Valloton Félix --- Vantongerloo Georges --- Vostell Wolf --- Wadsworth Edward --- Weininger Andor --- Wenz Emile --- Wyler William --- 7.036/039 --- Exhibitions --- Hine Lewis W --- Mole Arthur S --- Thomas John D --- Oud J.J.P --- Aerial photography - Exhibitions --- Bird's-eye views in art - Exhibitions --- Cities and towns in art - Exhibitions --- Views - Exhibitions --- steden. --- topografie. --- modernisme. --- kubisme. --- De Stijl. --- avant-garde. --- Wereldoorlog I. --- Wereldoorlog II. --- stadsontwikkeling. --- film. --- architectuur. --- vogelvluchtperspectief. --- Devambez, André. --- Mondriaan, Piet. --- Moholy-Nagy, László. --- Kandinsky, Wassily. --- Klee, Paul. --- Albers, Jozef. --- Bayer, Herbert. --- Petschow, Robert. --- Le Corbusier (pseud.). --- Bourke-White, Margaret. --- Desvigne, Michel. --- Storr, Marcel. --- Ruscha, Ed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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