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Klee, Paul --- Art, Swiss --- 75.07 --- 741.07 --- Schilderkunst ; 1ste helft 20ste eeuw ; Paul Klee --- 75.037 --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Schilderkunst ; Bauhaus --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Catalogues raisonnés --- Swiss art --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; 1900 - 1950 --- Klee, Paul, --- קליי, פאול, --- Klee, Paul.
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Paul Klee was endowed with a rich and many-sided personality that was continually spilling over into forms of expression other than his painting and that made him one of the most extraordinary phenomena of modern European art. These abilities have left their record in the four intimate diaries in which he faithfully recorded the events of his inner and outer life from his nineteenth to his fortieth year. Here, together with recollections of his childhood in Bern, his relations with his family and such friends as Kandinsky, Marc, Macke, and many others, his observations on nature and people, his trips to Italy and Tunisia, and his military service, the reader will find Klee's crucial experience with literature and music, as well as many of his essential ideas about his own artistic technique and the creative process.
Artists --- Diaries. --- Schilderkunst ; 1ste helft 20ste eeuw ; Paul Klee --- Kunsttheorie ; dagboeken ; brieven ; essays ; Paul Klee --- Dagboeknotities ; reflecties over kunst en architectuur --- Dagboeken ; dagboeknotities --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- 75.07 --- Schilderkunst ; schilders A-Z --- dagboeken (genre) --- Klee, Paul --- anno 1900-1999 --- KLEE (PAUL), PEINTRE ET THEORICIEN ALLEMAND, 1879-1940 --- ARTISTES ECRIVAINS --- PEINTURE MODERNE --- 20E SIECLE
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Paul Klee --- schilderkunst --- schilders --- 75.071 --- Painting --- art [fine art] --- kunst --- painting [image-making] --- Klee, Paul --- anno 1900-1999 --- Klee, Paul ( 1879-1940 ). --- 737.8 --- Kunst ; geschiedenis --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Schilderkunst ; 1ste h. 20ste eeuw ; Paul Klee --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Schilderkunst ; Bauhaus --- Schilderkunst ; Surrealisme --- 75.07 --- Eu-duit 737.8 --- Schilderkunst ; schilders --- art [discipline]
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The youngest member of the Blauer Reiter group was overshadowed for a long time by fellow painters such as Wassily Kandinsky, Franz Marc, August Macke, and Paul Klee. But in recent years, Heinrich Campendonk has enjoyed an unparalleled rediscovery and a new critical assessment of his extensive oeuvre. In the 1921 edition of the Jahrbuch der jungen Kunst, the art historian and publisher Georg Biermann described Campendonk’s early work as a unique symphony of color and rhythm. Just a few years later, his pictures would be defamed as “degenerate,” driving him into exile in the Netherlands, where he remained until his death in 1957. In this beautiful volume, the author reveals Campendonk to be one the most fascinating artists of the last century, bringing to life the extraordinary overlap of his artist development with his life and times.
Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Macke, August --- Marc, Franz --- Kandinsky, Wassily (Vassily) 1866-1944 (°Moskou, Rusland) --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Duits Expressionisme ; Der Blaue Reiter --- Campendonk, Heinrich --- 75.07 --- Schilderkunst ; schilders A-Z --- Aesthetics of art --- Painting --- paintings [visual works] --- art criticism --- Campendonck, Heinrich --- Der Blaue Reiter [München]
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879-1940) brought his expressive blend of color and line to the school ; and, with the second volume in the 'Bauhausbücher' series, beyond its walls. In his legendary 'Pedagogical Sketchbook', Paul Klee takes a theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies. And while Klee's method is deeply personal, in the context of the fundamentally multivocal Bauhaus, his individual approach to abstract form is typical in its idiosyncrasy. In this book, he presents his own theory about the relationships between line, shape, surface, and color in the visual space. In the present volume, the 1953 English translation by Sibyl Moholy-Nagy is combined with the design and physical qualities of the original German edition from 1925.
Compostion (Art) --- Design --- Bauhaus --- Klee, Paul --- Gropius, Walter --- Moholy-Nagy, László, --- 737.8 --- Klee, Paul (1879-1940) --- bauhaus --- Blaue Vier --- kunsttheorie --- kunst --- Kunstonderwijs --- compositie --- schetsen --- schilderkunst --- tekenkunst --- Tekenen --- schetsboeken --- Klee Paul --- 7.01 --- 373.67 --- kunstpedagogie --- pedagogie --- vakdidactiek --- tekenonderwijs --- kunstonderwijs --- 741.07 --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Bauhaus ; architectuur ; design ; onderwijsmethoden --- Tekenen ; schetsen ; handboeken --- Creation (Literary, artistic, etc.) --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Tekenkunst ; tekenkunstenaars A - Z --- Drawing --- sketches --- Moholy-Nagy, László, 1895-1946
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