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Schubert, Franz --- Liszt, Franz --- Liszt, Franz --- Leiden --- (Produktform)Electronic book text --- Bearbeitung --- Klaviermusik --- Liszt --- Musikwissenschaft --- Schubert --- Transkription --- (VLB-WN)9593

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This symposium offers an account of the development of solo keyboard music from the earliest known examples to the present day. By "keyboard" we imply the piano and its predecessors, excluding organ music (which has its own niche) and duets for one or two keyboards (though these may be mentioned in passing when they have some bearing on the solo works). The solo repertoire, even the familiar repertoire, is vast enough to raise severe editorial problems, and against any apology for omissions (intentional or accidental) may be mentioned the danger of reducing discussion to a mere catalogue. Nevertheless it is hoped to provide a useful listener's guide, parallel to the Penguin volumes on chamber music, choral music, the symphony and the concerto--Introduction.

Keyboard instrument music --- Piano music --- Harpsichord music --- Instrument à clavier, Musique d' --- Piano, Musique de --- Clavecin, Musique de --- Klaviermusik --- History and criticism. --- Histoire et critique --- Histoire et critique.

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Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos , concertinas and Klavierstücke. Brown first establishes that Haydn was an effective performer on the keyboard instruments of his day. Then, drawing on the latest findings, he devotes two essays to questions of authenticity and dating of keyboard works attributed to Haydn, and another to the central issue for eighteenth- century keyboard music: which instrument is most appropriate for a given work? In investigating the possible influences on Haydn of the Viennese tradition and of C. P. E. Bach, the author concludes that Haydn learned from both but put his own stamp on everything to which he was exposed. In the last three essays, Brown traces the development of Haydn's musical language, describing the relationship of certain genres in the composer's oeuvre and providing a chronological examination of the structure and style of the works in each category. Haydn's contributions to the symphony and the string quartet have long been acknowledged. This meticulously documented study now celebrates Haydn's accomplishments in the realm of keyboard music.

Klaviermusik --- Pianomuziek. --- Keyboard instrument music. --- Concertos. --- Chamber music. --- Concerto --- Musique de chambre --- Instrument à clavier, Musique d' --- Concertos --- Chamber music --- Keyboard instrument music --- Histoire et critique. --- History and criticism. --- Haydn, Joseph. --- Haydn, Joseph, --- Haydn --- Klaviermusik. --- Keyboard music (Haydn, Joseph) --- Concertos (Haydn, Joseph) --- Chamber music (Haydn, Joseph) --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Concerti --- Concertinos --- Simphonies concertantes --- Sinfonie concertanti --- Sinfonies concertantes --- Symphonies concertantes --- Concertino --- Sinfonia concertante --- Symphonie concertante --- Musical form --- Concertante style --- History and criticism --- Complete works for wind ensemble (Haydn, Joseph) --- Historical anthology of music (Haydn, Joseph) --- Historical anthology of music. --- Concerto (Haydn, Joseph) --- Art music, orchestral & formal music