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Bandstands --- Kiosques à musique --- 78.45.9 --- 78.86.1
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History of civilization --- Belgium --- Vending stands --- French fries --- Food habits --- Kiosques (Petites boutiques) --- Frites --- Habitudes alimentaires
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ARRÊTS D'AUTOBUS --- CABANES --- CHAPELLES --- CHASHITSU --- CONSTRUCTIONS PROVISOIRES --- CONSTRUCTIONS TRANSPORTABLES --- KIOSQUES --- MICROARCHITECTURE --- PAVILLONS DE JARDIN --- PROJETS D'ARCHITECTURE --- VENDEURS DE JOURNAUX --- ALLEMAGNE --- 21e SIECLE
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The pavilion is the architectural form of the moment, enabling emerging architects to make their mark. Often ephemeral and orientated to a specific function, they are less expensive than their more permanent architectural cousins, which allows for more experimentation or inventiveness than in larger structures. Tents, bandstands, displays, places for sitting, listening, seeing, and being seen, pavilions have myriad forms and as many functions. For architects and designers, they offer unique opportunities to experiment with form, construction, material, structure, surface, and texture, often as prototypes for larger buildings or as purely artistic pursuits. A pavilion's particular location also offers rich possibilities for interaction with the landscapes, streetscapes, and peoplescapes around it. Pavilions can be temples to digital interaction or provide oases of calm and isolation. The New Pavilions features a selection of the best examples produced in recent years, more than eighty projects, chosen by Philip Jodidio, one of the most widely knowledgeable writers on global architecture. From the cutting-edge forms of Sou Fujimoto to Zaha Hadid's Chanel pavilion, from small structures created entirely out of farm waste to a mirrored carapace conceived by Olafur Eliasson, each pavilion provides a lesson in the extreme possibilities of built form and demonstrates that many of the biggest ideas in architecture start small.
buildings [structures] --- art [fine art] --- outbuildings --- exhibition buildings --- Architecture --- architecture [discipline] --- Pavilions --- Pavillons de jardins --- Kiosques de jardins --- Fabriques de jardins --- Pavilions. --- Architecture, Modern --- Arts, Modern --- 725.91 --- Kiosks --- Kiosques --- Buildings --- Openbare gebouwen ; tentoonstellingsgebouwen --- 728.7 --- Paviljoenen ; architecturale installaties ; 21ste eeuw ; 2000-2016 --- Tijdelijke tentoonstellingen ; gallerijen ; musea ; biennales --- Architectuur ; tijdelijke of permanente paviljoenen --- Woningbouw ; verplaatsbare en tijdelijke woningen, transformeerbare woningen --- Pavillons de jardins. --- Kiosques de jardins. --- Fabriques de jardins. --- 718.9 --- architectuur --- paviljoenen --- installaties --- folly (folie) --- tentoonstellingsgebouwen --- architecturale kunst --- expo's --- tentoonstellingen --- tentoonstellingsopbouw --- fotografie --- architectuurfotografie --- architectuur, geschiedenis volgens genres/doeleinden, overige bouwwerken --- art [discipline]
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"...Presents all conceivable types and forms of shade-providing designs made ofa host of different materials such as wood, fabrics, concrete, and a great number of synthetic materials. The collection includes elegant pergolas, extravagant pavilions, and roofed piazzas, as well as a fascinating solution for a canopy over a Roman excavation site and the spectacular Metropol Parasol in Seville. Outstanding serial products are presented along with individually constructed creations."--Cover.
Pavilions --- Pergolas --- Architecture, Modern --- 72.017 --- 692.4 --- 69.07 --- Modern architecture --- Architecture, Domestic --- Landscape architecture --- Kiosks --- Kiosques --- Buildings --- Design and construction --- Schaduw (architectuur) --- Overkappingen --- Koepelconstructies --- Toits-terrasses --- Places --- Conception et construction. --- Roofs --- Shades and shadows. --- Urban landscape architecture. --- Pergolas.
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De publicatie 'De KIOSK in de stad' presenteert de resultaten van een uitgebreid onderzoek door auteurs Thomas Rouw en Jacques Beljaars naar de ontstaansgeschiedenis van de verkoopkiosk. De publicatie bestaat uit twee onderdelen. Een chronologisch geordend essay (de hoofdtekst), waarin de geschiedenis van de kiosk wordt beschreven in het licht van belangrijke maatschappelijke ontwikkelingen. En twaalf kioskverhalen, waarin aan de hand van casestudies wordt laten zien dat de kiosk een architectonische en vooral ook stedenbouwkundige opgave kan zijn. Enkele hedendaagse kiosken worden daartoe geanalyseerd op architectonische, stedenbouwkundige en stadssociologische waarde en betekenis voor de stad. Daarnaast belichten de casestudies specifieke thema's in verschijningsvorm of productaanbod en anekdotische ervaringen van ontwerpers, uitbaters, klanten en beleidsmakers. Zo is de publicatie niet alleen relevant voor ruimtelijk ontwerpers, maar ook interessant voor andere professionals en geïnteresseerden in stedelijke ontwikkeling.
728.98 --- Meubels ; stadsmeubels ; straatmeubels ; kiosken --- Woningbouw ; serres, oranjerieën, veranda's, kiosken --- 721 --- 721.3 --- 725 --- 725.2 --- 725.21 --- Kiosk --- Gebouwen (typologie) --- Kleine gebouwen --- Openbare, commerciële, industriële bouwwerken --- Commerciële gebouwen --- Winkels (architectuur) --- Kiosques (commerces)
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Following a number of successful competitions, Kaschka Knapkiewicz and Axel Fickert were able to construct some remarkable buildings resulting from the poetic nature of the area and the building task, in which they detach themselves from abstract, shrewd decision-making and move towards a pensive, critical romanticism inspired by art.
Architecture --- Architectes --- Gares routières de voyageurs --- Constructions métalliques --- Constructions en verre --- Kiosques (commerces) --- Habitations individuelles --- Habitations en bandes --- Immeubles d'habitation --- Immeubles de bureaux --- Bâtiments publics --- Conception et construction. --- Knapkiewicz, Kaschka, --- Fickert, Axel, --- Knapkiewicz & Fickert
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Habitat individuel --- Pavilions --- Chine --- Architecture --- -China --- 72.03 --- 72.032.11 --- 725.91 --- Werner Blaser --- architectuur --- architectuurgeschiedenis --- China --- paviljoenen --- Kiosks --- Kiosques --- Buildings --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- Chinese architectuur --- Paviljoenen (architectuur) --- Architectuur ; China --- 72.032.1 --- Architectuurgeschiedenis ; Oosterse en Aziatische architectuur --- Vernaculaire ; traditionele architectuur ; China --- Pavilions - China
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For several years, Marco Bakker and Alexandre Blanc have worked on reconstruction and conversion projects with extensions such as the Municipal Centre in Bussigny VD or the Glass Art Museum in Romont FR (both in 2006). In such projects, they always consider themselves to be participants in a long-term process, to which other architects have already contributed in the past and will continue to do so in the future. Their presentation of restoration work also includes new buildings, for example the three "Les Neigles" residential buildings in Fribourg, and planned buildings such as the Swiss Embassy in Algiers and the spa in Crans-Montana.
Architecture --- Architectes --- Restaurants --- Musées (constructions) --- Immeubles d'habitation --- Maisons préfabriquées --- Constructions métalliques --- Constructions en bois --- Architecture littorale --- Restauration ambulante --- Petits commerces --- Kiosques (commerces) --- Centres de cure médicale --- Ambassades (constructions) --- Immeubles de bureaux --- Conservation et restauration. --- Conception et construction. --- Bakker, Marco, --- Blanc, Alexandre
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This catalogue is published on the occasion of the 19th Serpentine Pavilion designed by Junya Ishigami. The publication presents an overview of Ishigami’s past projects, together with an extensive documentation of sketches and research material for the Serpentine Pavilion. Isabelle Gaudefroy, Director of Programing at Fondation Cartier, introduces Ishigami’s projects from the past decades and makes connections between his past projects and the design for the Serpentine Pavilion. Beatrice Galilee has written about Ishigami’s key concepts and ideas that he has been exploring in his practice. An interview between Hans Ulrich Obrist and Junya Ishigami offers the unfiltered voice of the architect, in which he talks about past and future projects as well as architecture in general.
Pavilions --- Buildings, Temporary --- Architects --- Ishigami, Jun'ya, --- Serpentine Gallery Pavilion (Architecture programme) --- 2000-2099 --- England --- Japan --- 72.07 --- 741:72 --- Ishigami, Junya °1974 (°Kanagawa, Japan) --- Serpentine Gallery Pavilion ; jaarlijkse architectuurseries --- Buildings, Demountable --- Demountable buildings --- Temporary buildings --- Kiosks --- Kiosques --- Buildings --- Professional employees --- Architecten. Stedenbouwkundigen A - Z --- Tekenkunst ; architectuurtekeningen --- 石上純也, --- Ishigami, Junya --- Serpentine Pavilion (Architecture programme) --- Paviljoenen ; Londen ; Serpentine Gallery ; 2019 ; Junya Ishigami --- Architectuur ; tijdelijke --- Pavillons (Constructions légères) --- Constructions provisoires --- Architectes --- Pavillon --- Ishigami, Junya, --- Ishigami, Junya, 1974
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