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Dans les années 2000, plusieurs adaptations en séries télévisées de romans du XIXe siècle marqués par une relation incestueuse dans une parenté élective ont aménagés cet élément du récit (Le comte de Monte Cristo, Les Misérables, Le Bossu). L'auteure mène une enquête sociologique sur ce phénomène, montrant le rôle de la télévision dans les évolutions des sensibilités collectives. ©Electre 2021 Au début des années 2000, les adaptations télévisuelles du Comte de Monte-Cristo, des Misérables et du Bossu font émerger la question de l'inceste dans une parenté élective. Tout se passe comme si le mariage du tuteur avec sa pupille qui constituait l'issue heureuse du roman populaire était devenu problématique : l'adaptation des Misérables tourne autour de l'amour impossible de Jean Valjean pour Cosette ; celle du Comte de Monte-Cristo réaménage le scénario pour éviter de laisser partir Monte-Cristo avec Haydée ; celle du Bossu, donne à Lagardère une autre épouse que la jeune Aurore de Nevers, l'enfant qu'il a recueillie et élevée. Vingt ans après, le terme « inceste » est introduit dans le Code pénal et la question du consentement est au coeur de l'espace public.Ce livre est une vaste enquête sociologique sur les adaptations littéraires à la télévision. Fondé sur des entretiens auprès des scénaristes, des réalisateurs, des producteurs et sur une analyse des oeuvres, il apporte une contribution déterminante à l'histoire des programmes de la télévision française et permet de comprendre comment la télévision a pris en charge, à travers les adaptations télévisuelles des romans populaires du XIXe siècle, les transformations de la famille et de la parenté. La succession des adaptations est un excellent indicateur de la transformation des sensibilités collectives. Cet ouvrage montre le pouvoir d'anticipation de la fiction et le rôle de la télévision dans une dynamique de changement social. Ces oeuvres ont été écrites sous forme de romans ou de feuilletons. Elles ont ensuite été adaptées au cinéma. La télévision leur donne un troisième souffle.
Film adaptations --- Kinship in literature --- Sex in literature
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The refusal to recognize kinship relations among slaves, interracial couples, and same-sex partners is steeped in historical and cultural taboos. In Kindred Specters', Christopher Peterson explores the ways in which non-normative relationships bear the stigma of death that American culture vehemently denies. Probing Derrida's notion of spectrality as well as Orlando Patterson's concept of "social death," Peterson examines how death, mourning, and violence condition all kinship relations. Through Charles Chesnutt's The' Conjure Woman', Peterson lays bare concepts of self-possession and dispossession, freedom and slavery. He reads Toni Morrison's Beloved' against theoretical and historical accounts of ethics, kinship, and violence in order to ask what it means to claim one's kin as property. Using William Faulkner's Absalom, Absalom!' he considers the political and ethical implications of comparing bans on miscegenation and gay marriage. Tracing the connections between kinship and mourning in American literature and culture, Peterson demonstrates how racial, sexual, and gender minorities often resist their social death by adopting patterns of affinity that are strikingly similar to those that govern normative relationships. He concludes that socially dead "others" can be reanimated only if we avow the mortality and mourning that lie at the root of all kinship relations. Christopher Peterson is visiting assistant professor of literature at Claremont McKenna College.
Death in literature. --- Kinship in literature. --- Mourning customs in literature.
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Spanish literature --- -Kinship in literature --- Family in literature --- History and criticism --- Kinship in literature. --- Thematology --- anno 1500-1799 --- Families in literature --- Kinship in literature --- Families in literature. --- History and criticism.
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The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. These vast works unfold genealogically, tracing the lives of several generations. New storylines, often written by different authors, follow the lives of the descendants of the original protagonists, offering encyclopedic accounts of domestic life cycles and relationships. Elite women transcribed these texts-which span tens and even hundreds of volumes-in exquisite vernacular calligraphy and transmitted them through generations in their families.In Kinship Novels of Early Modern Korea, Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature. She demonstrates women's centrality to the creation of elite vernacular Korean practices and argues that domestic-focused genres such as lineage novels, commemorative texts, and family tales shed light on the emergence and perpetuation of patrilineal kinship structures. The proliferation of kinship narratives in the Chosŏn period illuminates the changing affective contours of familial bonds and how the domestic space functioned as a site of their everyday experience. Drawing on an archive of women-centered elite vernacular texts, Chizhova uncovers the structures of feelings and conceptions of selfhood beneath official genealogies and legal statutes, revealing that kinship is as much a textual as a social practice. Shedding new light on Korean literary history and questions of Korea's modernity, this book also offers a broader lens on the global rise of the novel.
Kinship in literature --- Families in literature --- Genealogy in literature --- Korea --- Social life and customs --- Kinship in literature. --- Families in literature. --- Genealogy in literature.
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What do novels such Annie Proulx's The Shipping News, Michael Cunningham's A Home at the End of the World, and Jayne Anne Phillips' MotherKind have in common with films such as Smoke and Mrs Doubtfire? This study explores the intersection of masculinity and domesticity in contemporary film and literature. It argues that these texts, produced since the 1990s, address with some urgency the notion of "new fatherhood" in the United States. They offer explorations of the idea that American father...
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The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. These vast works unfold genealogically, tracing the lives of several generations. New storylines, often written by different authors, follow the lives of the descendants of the original protagonists, offering encyclopedic accounts of domestic life cycles and relationships. Elite women transcribed these texts-which span tens and even hundreds of volumes-in exquisite vernacular calligraphy and transmitted them through generations in their families.In Kinship Novels of Early Modern Korea, Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature. She demonstrates women's centrality to the creation of elite vernacular Korean practices and argues that domestic-focused genres such as lineage novels, commemorative texts, and family tales shed light on the emergence and perpetuation of patrilineal kinship structures. The proliferation of kinship narratives in the Chosŏn period illuminates the changing affective contours of familial bonds and how the domestic space functioned as a site of their everyday experience. Drawing on an archive of women-centered elite vernacular texts, Chizhova uncovers the structures of feelings and conceptions of selfhood beneath official genealogies and legal statutes, revealing that kinship is as much a textual as a social practice. Shedding new light on Korean literary history and questions of Korea's modernity, this book also offers a broader lens on the global rise of the novel.
Kinship in literature. --- Families in literature. --- Genealogy in literature. --- Korea --- Social life and customs
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Masculinity in literature. --- Housekeeping in literature. --- Kinship in literature. --- Littérature américaine --- 20e siècle --- Littérature américaine --- 20e siècle
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In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.
American fiction --- Domestic fiction, American --- Literature and society --- Sympathy in literature. --- Kinship in literature. --- Families in literature. --- Family in literature --- History and criticism. --- History --- Arts and Humanities --- Literature
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Cet ouvrage propose une enquête à travers l'ensemble de l'œuvre de Diderot, à partir d'un motif central, tant littéraire que philosophique, à la fois propre à l'auteur et topique des Lumières. Il s'agit de tenter de cerner sous un angle nouveau la poétique diderotienne qui joue de cet écart entre la référence universelle et l'intériorisation de la pensée. Le questionnement sur la paternité et la filiation innerve toute une partie de la pensée et de la poétique de Diderot, et il cristallise l'imbrication des réponses les plus diverses et leurs contradictions les plus profondes. Plus qu'une figure paradoxale, le père est une figure prismatique constituée de paradoxes et qui les réfléchit sans cesse, amenant de perpétuelles inflexions dans la constitution de la pensée de Diderot. Enfin, elle touche une question ontologique, celle de la constitution d'une identité propre, d'un Moi qui puisse être sa propre référence une fois affranchi de toute tutelle, ce qui se manifeste forcément dans le choix d'une écriture placée sous le signe du divers.
Paternité --- Filiation --- Littérature --- Fatherhood in literature. --- Kinship in literature. --- Dans la littérature. --- Thèmes, motifs --- Diderot, Denis --- Diderot, Denis, --- Criticism and interpretation. --- Littérature --- Thèmes, motifs
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Amours dans la littérature. --- Courtship in literature. --- Courtship in literature. --- Japanese literature --- Japanese literature --- Kinship in literature. --- Kinship in literature. --- Littérature japonaise --- Parenté dans la littérature. --- Heian period. --- History and criticism --- Histoire et critique --- Murasaki Shikibu, --- Genji monogatari (Murasaki Shikibu). --- 794-1185.
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