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Thematology --- King, Grace Elizabeth --- Cable, George Washington --- Chopin, Kate --- American fiction --- Authors, American --- Stereotypes (Social psychology) in literature. --- African American women in literature. --- Racially mixed people in literature. --- Passing (Identity) in literature. --- Louisiana --- Creoles in literature. --- History and criticism. --- White authors --- Homes and haunts --- In literature. --- Cable, George Washington, --- King, Grace Elizabeth, --- Chopin, Kate, --- Characters --- Women. --- Intellectual life.
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This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.
American literature --- Literature --- History --- literatuur --- vrouwen --- literatuurgeschiedenis --- King, Grace Elizabeth --- Bower, Bathsheba --- Prince, Lucy Terry --- Webster, Hannah --- Johnston, Jane --- Sedgwick, Catharina Maria --- Corpi, Lucha --- Hammad, Suheir --- Bell, Gabrielle --- Ozeki, Ruth --- Greenwood, Grace --- America
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Etats du Sud (Etats-Unis) dans la littérature --- Southern States -- In literature --- Southern States in literature --- Zuidelijke Staten (Verenigde Staten) in de literatuur --- American literature --- Authors, American --- History and criticism --- Theory, etc. --- History and criticism. --- Homes and haunts --- Southern States --- Intellectual life. --- In literature. --- Twain, Mark --- Criticism and interpretation --- Brown, William Wells --- Dickey, James --- Tate, Allen --- Garrett, George Palmer, Jr. --- Walker, Alice --- King, Grace Elizabeth --- Hurston, Zora Neale --- Harris, Joel Chandler --- Poe, Edgar Allan --- Faulkner, William --- Chesnutt, Charles Waddell --- Littérature américaine --- Histoire et critique --- Littérature américaine
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Southern States in literature --- Women authors, American --- Etats du Sud (Etats-Unis) dans la littérature --- Southern States -- In literature --- Zuidelijke Staten (Verenigde Staten) in de literatuur --- American fiction --- Women in literature --- Roman américain --- Femmes dans la littérature --- Women authors --- History and criticism --- Femmes écrivains --- Histoire et critique --- Fiction --- American literature --- anno 1800-1999 --- USA: South --- Women and literature --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Women authors&delete& --- Intellectual life --- Southern States --- In literature. --- Women authors [American ] --- Wilson, Augusta Jane Evans --- Criticism and interpretation --- King, Grace Elizabeth --- Chopin, Kate O'Flaherty --- Johnston, Mary --- Glasgow, Ellen Anderson Gholson --- Mitchell, Margaret --- Newman, Frances
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"Race and Culture in New Orleans Stories posits that the Crescent City and the surrounding Louisiana bayous were a logical setting for the literary exploration of crucial social problems in America. Race and Culture in New Orleans Stories is a study of four volumes of interrelated short stories set in New Orleans and the surrounding Louisiana bayous: Kate Chopin's Bayou Folk; George Washington Cable's Old Creole Days; Grace King's Balcony Stories; and Alice Dunbar-Nelson's The Goodness of St. Rocque and Other Stories. James Nagel argues that the conflicts and themes in these stories cannot be understood without a knowledge of the unique historical context of the founding of Louisiana, its four decades of rule by the Spanish, the Louisiana Purchase and the resulting cultural transformations across the region, Napoleonic law, the Code Noir, the plaçage tradition, the immigration of various ethnic and natural groups into the city, and the effects of the Civil War and Reconstruction. All of these historical factors energize and enrich the fiction of this important region. The literary context of these volumes is also central to understanding their place in literary history. They are short-story cycles--collections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the "local color" tradition in fiction, a movement that has been much misunderstood. Nagel maintains that "local color" literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature. Finally, Nagel shows that New Orleans provided a profoundly rich and complex setting for the literary exploration of some of the most crucial social problems in America, including racial stratification, social caste, economic exploitation, and gender roles, all of which were undergoing rapid transformation at the end of the nineteenth century and the beginning of the twentieth"--
LITERARY CRITICISM / American / General. --- Social problems in literature. --- Social change in literature. --- Social structure in literature. --- Local color in literature. --- American literature --- English literature --- Agrarians (Group of writers) --- History and criticism. --- Cable, George Washington, --- Dunbar-Nelson, Alice Moore, --- King, Grace Elizabeth, --- Chopin, Kate, --- Cable, G. W. --- Dunbar, Paul Laurence, --- Nelson, Alice Ruth Moore Dunbar, --- Dunbar, Alice, --- Dunbar, Alice Moore, --- Dunbar-Nelson, Alice, --- Nelson, Alice Moore Dunbar-, --- Moore, Alice Ruth, --- Chopin, Kate O'Flaherty, --- Chopin, Katherine O'Flaherty, --- O'Flaherty, Catherine, --- Criticism and interpretation. --- New Orleans (La.) --- Big Easy (La.) --- Crescent City (La.) --- La Nouvelle-Orléans (La.) --- NOLA (La.) --- Nawlins (La.) --- Neu Orleans (La.) --- Nieuw Orleans (La.) --- Nouvelle-Orléans (La.) --- Neuva Orleans (La.) --- Nueva Orleans (La.) --- Nuova Orleans (La.) --- City of New Orleans (La.) --- Cité d'Orléans (La.) --- Orleans Parish (La.) --- In literature.
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