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Singers --- Biography. --- Kelly, Michael, --- King's Theatre (London, England).
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Singers --- Chanteurs --- Biographies --- Kelly, Michael, --- King's Theatre (London, England)
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A catalogue of scores, manuscripts, books, playbills, and ephemera relating to ballets and operas performed at the King's Theatre, its antecedent the Queen's Theatre, and its descendent Her Majesty's Theatre, as well as the Royal Italian Opera.
Ballet --- Opera --- Theater --- Harvard Theatre Collection --- Her Majesty's Theatre (London, England) --- John Milton and Ruth Neils Ward Collection (Harvard Theatre Collection) --- King's Theatre (London, England) --- Queen's Theatre (London, England : 1705-1714) --- Royal Italian Opera (London, England)
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Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is professor of musicology at the School of Music, Memorial University of Newfoundland.
Castrati --- Music --- Castrats --- Musique --- Biography --- History and criticism. --- Biographies --- Histoire et critique --- Rauzzini, Venanzio, --- Great Britain --- 18th century --- History and criticism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Evirati --- Eunuchs --- Singers --- Rauzzini, V. --- Bath subscription concerts. --- Britain. --- King's Theatre. --- Memorial University of Newfoundland. --- Mozart. --- Paul F. Rice. --- Venanzio Rauzzini. --- castrato soprano. --- composer. --- cultural leader. --- eighteenth-century Britain. --- music. --- social and political conditions.
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In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.
English literature --- Theatrical science --- Drama --- anno 1700-1799 --- London --- Theater management --- Opera --- Gestion de théâtre --- Opéra --- King's Theatre (London, England) --- Management --- England --- London (England) --- 18th century --- 78.77.0 --- Management. --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Dramatic music --- Singspiel --- Theater administration --- Theater --- History and criticism --- Production and direction --- Queen's Theatre (London, England : 1705-1714) --- Her Majesty's Theatre (London, England)
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