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Reminiscences of Michael Kelly : of the King's Theatre and Theatre Royal Drury Lane
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Year: 1968 Publisher: New York (N.Y.) : Da Capo press,

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Reminiscences of Michael Kelly of the King's theatre and Theatre Royal Drury Lane
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Year: 1968 Publisher: New York : Da Capo Press,

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The King's theatre collection : ballet and Italian opera in London, 1706-1883.
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ISBN: 0976547228 9780976547228 Year: 2006 Publisher: Cambridge (Mass.) Harvard university press

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A catalogue of scores, manuscripts, books, playbills, and ephemera relating to ballets and operas performed at the King's Theatre, its antecedent the Queen's Theatre, and its descendent Her Majesty's Theatre, as well as the Royal Italian Opera.


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Venanzio Rauzzini in Britain : castrato, composer, and cultural leader
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ISBN: 9781580465328 1580465323 9781782046097 1782046097 Year: 2015 Volume: 125 Publisher: Rochester, NY : University of Rochester Press,

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Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is professor of musicology at the School of Music, Memorial University of Newfoundland.

Opera and drama in eighteenth-century London: the King's Theatre, Garrick and the business of performance
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ISBN: 0521800129 0521028833 0511105487 1107122376 0511175582 0511015984 0511156030 0511329032 0511481756 1280433086 0511047398 9780511481758 9780511015984 9780511047398 9780511156038 9780521800129 9780521028837 Year: 2001 Volume: *6 Publisher: Cambridge Cambridge University Press

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In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.

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