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Motion picture producers and directors --- Biography. --- Kieślowski, Krzysztof,
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The 'Three Colours Trilogy 'by Krzysztof Kieslowski (1941-1996) is generally regarded as a major triumph of European cinema. An examination of how the ideals of the French Revolution--liberty, equality and fraternity--have meaning in modern life, the trilogy combines visual elegance, narrative complexity, and virtuoso performances to extraordinary effect. In this highly personal appreciation of the trilogy, Geoff Andrew analyzes how Kieslowski used his command of the cinema to open up the inner lives of his characters and to chart the way in which these lives are ruled by unseen forces. For Andrew, the trilogy is a poignant, thrilling hymn to the resilience of compassion in the face of adversity. Tracing the links between the trilogy and Kieslowski's earlier work, he argues that 'Blue '(1993), 'White', and 'Red '(both 1994) are the summation of Kieslowski's art. This book, which concludes with one of the last interviews Kieslowski ever gave, is a tribute to an exceptional filmmaker.
Trois couleurs, blanc. --- Trois couleurs, bleu. --- Trois couleurs, rouge. --- Kieslowski, Krzysztof, --- Geoff Andrew --- Trois couleurs --- 791.471 KIESLOWSKI --- Motion pictures --- Cinéma --- History --- Histoire --- Kieślowski, Krzysztof, --- film --- filmgeschiedenis --- Kieslowski Krzysztof --- Polen --- Kieslowski, Krzysztof
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Kieslowski, Krzysztof --- Criticism and interpretation --- 791.471 KIESLOWSKI --- CDL --- Kieślowski, Krzysztof, --- Keslevskiĭ, Kshishtof, --- Criticism and interpretation. --- Dekalog (Television program) --- Décalogue (Television program) --- Decalogo (Television program) --- Kieslowski, Krzysztof - Criticism and interpretation
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Le Décalogue de Krzysztof Kieslowski (1941-1996) est une oeuvre phare du cinéma contemporain. Cette série de dix films illustre la manière dont les hommes brisent les interdits et pourquoi ils s'exposent alors à l'échec de leur projet. Guidé par l'intuition que chaque film repose sur une structure mimétique, Yves Vaillancourt montre en effet que les personnages du Décalogue, tout comme les gens dans la vie de tous les jours, s'imitent les uns les autres. Ainsi, dans un monde séculier comme le nôtre, les messages moraux ne viennent plus du Ciel, mais des effets miroirs des hommes dans leurs rapports mutuels à l'interdit.
Motion pictures --- Cinéma --- Kieslowski, Krzysztof, --- Dekalog (Motion picture) --- film --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- Polen --- filmregissuers --- Kieslowski Krzysztof --- 791.471 KIESLOWSKI --- CPP --- Kieślowski, Krzysztof, --- Keslevskiĭ, Kshishtof, --- Criticism and interpretation. --- Kieślowski, Krzysztof
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