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Painting --- History --- Kessel, van, Jan [Elder] --- anno 1600-1699 --- Flanders
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cabinet pictures [paintings] --- vier werelddelen --- Kessel, van, Jan [Elder]
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copper [metal] --- Vlaamse school --- vier werelddelen --- Kessel, van, Jan [Elder]
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Art --- Painting --- History --- vier werelddelen --- Kessel, van, Jan [Elder] --- anno 1600-1699 --- Flanders
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Catalogue raisonné of the Flemish still life painter Jan van Kessel the Elder (Antwerp 1626-1679). He is best known for his small, jewel-like pictures, often on copper, of insects or shells against a light background. This catalogue will include about 800 entries, 100 colour and about 1000 black-and-white illustrations.
Painting --- painting [image-making] --- oeuvre --- Kessel, van, Jan --- Kessel, van, Jan [Elder] --- Kessel, van, Jan [Younger]
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The curious art of Jan van Kessel provides an intriguing lens through which to explore the intersections between craft practices, collecting, and the pursuit of natural knowledge in early modern Antwerp. The Antwerp artist Jan van Kessel the Elder (1626-1679) was esteemed throughout Europe for producing finely-wrought, miniature paintings on copper that depict a wide range of flora and fauna, exotic landscapes, and objects of natural artistry (e.g. shells, coral, precious stones). The ‘natural’ world presented in Van Kessel’s art was not a transparent window onto nature, however, but instead was ambitiously crafted through the artist's reappropriation of Antwerp's artistic traditions, material culture, and artisanal knowledge practices. Through a combination of wit, technical virtuosity, self-referentiality, and allusions to local art-historical lineage, Van Kessel’s paintings encourage viewers to simultaneously think about art, in terms of collecting, connoisseurship, citation, and media, and think anew about nature. This study uses Van Kessel’s art as a distinctive lens through which to examine the relationship between craft, curiosity, and the pursuit of natural knowledge in the early modern period. Each chapter situates Van Kessel within a particular context where art and natural history intersected in late seventeenth-century Antwerp. Taken together, these investigations reveal how his production responded to a unique convergence of circumstances in that city which included the growth of a popular, commercial strand of natural history, a thriving culture of art collecting and connoisseurship focused on local artists, and a burgeoning luxury industry. Van Kessel’s material and conceptual interventions into the representation of nature, such as his innovative, painted “cabinets without drawers” and witty signatures formed from insects and snakes, enabled him to redefine the scope of natural historical illustration and negotiate the value and status of the small-format cabinet picture
Netherlandish Renaissance-Baroque styles --- Kessel, van, Jan [Elder] --- Painting, Flemish --- Painters --- Peinture flamande --- Peintres --- Kessel, Jan van, --- van Kessel I, Jan, --- Painting --- van Kessel I, Jan, - 1626-1679
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Art --- prints [visual works] --- Ostade, van, Adriaen --- Drawing --- drawing [image-making] --- Hollandse school --- landscapes [representations] --- Ruisdael, van, Jacob Isaacksz. --- Kessel, van, Jan [Elder] --- Rembrandt --- anno 1600-1699
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Art --- Antwerpse school --- genre, Nederlanden --- stilleven, Nederlanden --- Snyders, Frans --- Kessel, van, Jan [Elder] --- Jordaens, Jacob --- Rombouts, Theodoor --- Vos, de, Paul --- Bruegel, Jan [Elder] --- Jordaens, Jacques
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fables --- magpies --- Pavo [genus] --- Snyders, Frans --- Kessel, van, Jan [Elder] --- Boel, Pieter --- Vos, de, Paul --- Hondecoeter, d', Melchior --- Kessel, van, Jan [Younger]
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