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Kepes, György --- Malina, Frank J.

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Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszlo Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation: the Cold War avant-garde.

Art and science --- kunst --- twintigste eeuw --- 7.01 --- kunsttheorie --- 7.071 KEPES --- 373.67 --- kunst en wetenschap --- kunstonderwijs --- Verenigde Staten --- Duitsland --- New Bauhaus --- Bauhaus --- Hongarije --- Science and art --- Science --- Kepes, Gyorgy, --- Kepes, George, --- Kepes, Gregory, --- Criticism and interpretation. --- Criticism and interpretation --- Kepes, Gyorgy, - 1906-2001 - Criticism and interpretation --- Kepes, Gyorgy, - 1906-2001

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Art styles --- Bauhaus --- anno 1900-1999 --- America --- avant-garde --- beweging --- hedendaagse kunst --- licht --- Albers, Jozef --- Hirschfeld-Mack, Ludwig --- Kandinsky, Wassily --- Kepes, György --- Moholy-Nagy, László --- Schawinsky, Xanti --- Schlemmer, Oskar --- Weininger, Andor --- 20ste eeuw --- 21ste eeuw --- Duitsland --- Verenigde Staten --- Bauhaus. --- licht. --- beweging. --- avant-garde. --- hedendaagse kunst. --- Albers, Jozef. --- Kandinsky, Wassily. --- Schawinsky, Xanti. --- Schlemmer, Oskar. --- Weininger, Andor. --- Hirschfeld-Mack, Ludwig. --- Moholy-Nagy, László. --- Kepes, György. --- 20ste eeuw. --- 21ste eeuw. --- Verenigde Staten. --- Duitsland.

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fotografie --- fotografietheorie --- Verenigde Staten --- twintigste eeuw --- landschap --- landschapsfotografie --- documentaire fotografie --- New Topographics --- Adams Robert --- Gohlke Frank --- Baltz Lewis --- O'Sullivan Timothy H. --- Deal Joe --- Schort John --- Shore Stephen --- Stackpole Peter --- Smithson Robert --- Jackson William Henry --- Adams Ansel --- Becher Bernd & Hilla --- Ruscha Ed --- Graham Dan --- Wessel Henry --- Black James Wallace --- Nixon Nicholas --- Garnett William --- Lawrence George --- Antonioni Michelangelo --- Godard Jean-Luc --- Kepes Gyorgy --- Alajalov Constantin --- Orloff Deborah --- Burtynsky Edward --- Hanson David T. --- 77.047 --- Landscape photography --- New topographics (Photography) --- Hanson David T --- O'Sullivan Timothy H

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Iconography --- Art --- assemblages [sculpture] --- holography --- photography [process] --- sound [acoustics] --- laser art --- light art --- kunst en technologie --- Kracke, Bernd --- Lueg, Konrad --- Reuterswärd, Carl Frederik --- Luther, Adolf --- Warhol, Andy --- Watts, Robert --- Monocle Grouping --- Takis --- Picasso, Pablo --- Johns, Jasper --- Begleiter, Eric --- Benton, Stephen A. --- Berkhout, Rudie --- Bonk, Ecke --- Burgess, Lowry --- Casdin-Silver, Harriet --- Fontana, Lucio --- Earls, Paul --- Eylath, Dov --- Geldmacher, Klaus --- Goldring, Elisabeth --- Grabill, Vin --- Janney, Christopher --- Jung, Dieter --- Kepes, Gyorgy --- Lowe, Edward --- Moree, Sam --- Moss, Joe --- Nuñez, Ruben --- Powell, John --- Schweitzer, Dan --- Seaman, Bill --- Sebring, Ellen --- Siegel, Arthur --- Siña, Alejandro --- Tyler, Douglas --- Boltanski, Christian --- Veronesi, Luigi --- Moholy-Nagy, László --- Chryssa --- Klein, Yves --- Merz, Mario --- Colombo, Gianni --- Graevenitz, von, Gerhard --- Mack, Heinz --- Parc, le, Julio --- Piene, Otto --- Uecker, Günther --- Monet, Claude --- Sonnier, Keith --- Rosenquist, James --- Anselmo, Giovanni --- Flavin, Dan --- Kounellis, Jannis --- Nauman, Bruce --- Barry, Robert --- Maria, de, Walter --- Man Ray --- Knoebel, Imi --- Kosuth, Joseph --- Center for Advanced Visual Studies --- anno 1900-1999