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Documentary photography --- Christo, --- Jeanne-Claude, --- Shunk, Harry --- Kender, Janos --- Photograph collections --- Photograph collections --- National Gallery of Art (U.S.). --- National Gallery of Art (U.S.)
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Documentary photography --- Christo, --- Jeanne-Claude, --- Shunk, Harry --- Kender, Janos --- Photograph collections --- Photograph collections --- National Gallery of Art (U.S.). --- National Gallery of Art (U.S.)
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From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography. In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect. The immediate trauma of war can be seen in the eyes of Don McCullin's Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk's Afghanistan: Chronotopia 2001. Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski's 1960 photographs of the Wolf's Lair / Adolf Hitler's War Headquarters, Shomei Tomatsu's images of objects found in Nagasaki, Kikuji Kawada's epic project The Map made in Hiroshima in the 1960s, Michael Schmidt's Berlin streetscapes from 1980 and Nick Waplington's 1993 close-ups of cell walls from a Prisoner of War camp in Wales. The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.--Tate website.
fotografie --- documentaire fotografie --- reportagefotografie --- oorlogsfotografie --- landschapsfotografie --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- Delahaye Luc --- Broomberg Adam --- Chanarin Oliver --- McCullin Don --- Fukada Toshio --- Norfolk Simon --- Eiichi Matsumoto --- Andrieu Jules --- Antony-Thouret Pierre --- Fenton Roger --- Ristelhueber Sophie --- Peter Richard --- Matar Diana --- Lhuisset Emeric --- Barnard George N. --- Ractliffe Jo --- Goldberg Jim --- Khelif Kamel --- Friedrich Ernst --- Raad Walid --- Vaux Marc --- Domon Ken --- Lewczynski Jerzy --- Simon Taryn --- Tomatsu Shohei --- Lê An-My --- Shunk-Kender --- Shunk Harry --- Kender Janos --- Kawada Kikuji --- Virilio Paul --- Schulz-Dornburg Ursula --- Meiselas Susan --- Ishiguro Kenji --- Schmidt Michael --- Tsuchida Hiromi --- Waplington Nick --- Rosefeldt Julian --- Penalva Joao --- Wilson Jane --- Wilson Louise --- Serpytytè Indrè --- Araki Nobuyoshi --- Shore Stephen --- Madejska Agata --- Sarkissian Hrair --- Dewe Mathews Chloe --- 766.6 --- reportagefotografie (documentaire fotografie) --- Oorlogsfotografie --- 77.044 --- persfotografie en fotoreportage --- Barnard George N
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Performing for the camera' examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Featuring many of the most compelling and experimental photographers in history, it explores the works by artists such as Yves Klein, Yayoi Kusama, Nadar, Merce Cunningham, Charles Ray, Boris Mikhailov, Samuel Fosso, Cindy Sherman, Keith Arnatt and Masahisa Fukase. Edited by curator Simon Baker, this book provides fresh insight into the inter-relationship between performance and photography. With over 300 illustrations, this is the definitive publication on two of the most popular and intriguing art forms of our time.0Exhibition: Tate Modern, London, UK (18.02-12.06.2016).
Photography, Artistic --- Art and photography --- fotografie --- kunst --- performance art --- performances --- portretfotografie --- zelfportret --- Ai Weiwei --- Shunk Harry --- Antin Eleanor --- Arnatt Keith --- Bayard Hippolyte --- Benglis Lynda --- Benohoud Hicham --- Beuys Joseph --- Brisley Stuart --- Haslam Leslie --- Brown Trisha --- Kender Janos --- Cahun Claude --- Cunningham Merce --- Dater Judy --- Day F. Holland --- DeSana Jimmy --- Eijkelboom Hans --- Valie Export --- Fosso Samuel --- Friedlander Lee --- Fukase Masahisa --- Graham Dan --- Gravlejs Ivars --- Hirata Minoru --- Hosoe Eikoh --- Hijikata Tatsumi --- Yotsjuya Simmon --- Imai Norio --- Klein Yves --- Komar Vitaly --- Melamid Alexander --- Koons Jeff --- Krims Les --- Kusama Yayoi --- Lamelas David --- Linder --- Lucas Sarah --- Mader Romain --- Mailaender Thomas --- Man Ray --- Ray Man --- Mandel Mike --- Mangolte Babette --- Mapplethorpe Robert --- Maurer Dora --- McCarthy Paul --- Mikhailov Boris --- Minujin Marta --- Morimura Yasumasa --- Nadar --- Tournachon Gaspar-Félix --- Nadar Paul --- Otsuji Kiyoji --- Outerbridge Paul --- de Saint-Phalle Niki --- Sawada Tomoko --- Schneemann Carolee --- Sherman Cindy --- Siskind Aaron --- Stehli Jemima --- Uematsu Keiji --- Ulman Amalia --- Warhol Andy --- Wilke Hannah --- Wojnarowicz David --- Woodman Francesca --- Wurm Erwin --- 7.038/039 --- Exhibitions --- 760.4 --- performance --- conceptuele kunst --- 705.8 --- fotografie als kunst --- kunstgeschiedenis, 20e eeuw --- Photography, Artistic - 20th century - Exhibitions --- Photography, Artistic - 21st century - Exhibitions --- Art and photography - Exhibitions --- Photographie
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