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Cage, John, --- Criticism and interpretation --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- Criticism and interpretation.
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Cage, John --- 526 --- Monografieën componisten --- Keĭdzh, Dzhon --- J. C. --- C., J. --- Kēji, Jon --- Keidž, Džon --- Cage, John Milton, --- Criticism and interpretation. --- Cage, John,
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Conversing with Cage draws on over 150 interviews with John Cage conducted over four decades to draw a full picture of his life and art. Filled with the witty aphorisms that have made Cage as famous as an esthetic philosopher as a composer, the book offers both an introduction to Cage's way of thinking and a rich gathering of his many thoughts on art, life, and music. John Cage is perhaps this century's most radical classical composer. From his famous ""silent"" piece (4'33"") to his proclamation that ""all sound is music,"" Cage stretched the aesthetic boundaries of what could be performed i
Composers --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- 78.07 --- Musici, componisten, zangers --- Cage, John.
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Cage, John --- Prepared piano music --- -Piano music --- Luthéal music --- History and criticism --- Keĭdzh, Dzhon --- J. C. --- C., J. --- Kēji, Jon --- Keidž, Džon --- Criticism and interpretation. --- History and criticism. --- -History and criticism --- Cage, John Milton, --- Piano music
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Cage, John, --- Cage, John --- Criticism and interpretation --- Keĭdzh, Dzhon --- J. C. --- C., J. --- Kēji, Jon --- Keidž, Džon --- Criticism and interpretation. --- Cage, John Milton, --- Cage, John - Criticism and interpretation
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John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles.
Composers --- Pianists --- Cage, John Milton, --- Tudor, David, --- Cage, John --- Criticism and interpretation. --- Performances. --- Fortepianists --- Piano players --- Keyboard players --- C., J. --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon
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"John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage's own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage's 'green-Zen' in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired "nothing" which resides at the heart of Cage's poetics, and which so clearly intersects with his ecological writing."--Bloomsbury Publishing.
Authorship --- Buddhism and literature. --- Ecology in literature. --- Philosophy of nature in literature. --- Buddhism and the arts --- Literature --- Religious aspects --- Buddhism. --- Cage, John. --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- Cage, John
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Composers --- Correspondence --- Boulez, Pierre, --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- Boulez, Pierre --- Correspondence. --- Muziekkritiek --- 20e eeuw --- Analyses
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Theatrical science --- Cage, John --- Music --- Composition (Music) --- Musique --- Composition (Musique) --- History and criticism. --- Histoire et critique --- Criticism and interpretation. --- Composition (Music). --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- History and criticism --- Composition --- Keĭdzh, Dzhon --- J. C. --- C., J. --- Kēji, Jon --- Keidž, Džon --- Cage, John Milton, --- Stage history --- Criticism and interpretation
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Music --- anno 1900-1999 --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Cage, John. --- Keĭdzh, Dzhon --- J. C. --- C., J. --- Kēji, Jon --- Keidž, Džon --- History and criticism. --- -History and criticism --- Cage, John Milton, --- Cage, John
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