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Dongen, van, Kees --- grafiek --- Dongen, Kees van --- Kees van Dongen 1877-1968 (° Delfshaven, Nederland) --- Grafiek ; 1ste h. 20ste eeuw ; Kees Van Dongen --- Fauvisme ; Expressionisme --- Boekillustraties --- Affiches --- 76.07 --- Grafische kunst ; grafische kunstenaars A-Z --- prints [visual works] --- Art --- graphic artists --- Dongen, Kees van, --- Dongen, Cornelius Theodorus Marie Kees van, --- Van Dongen, Kees, --- Dongen, Cornelis Theodorus Maria van, --- van Dongen, Kees. --- van Dongen, Kees
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Dongen, Kees van, --- Exhibitions. --- Dongen, van, Kees --- Cornelis Theodorus Marie (Kees) van Dongen 1877-1968 (°Delfshaven, voorstadje van Rotterdam). Vestigde zich vanaf 1899 in Parijs. --- Schilderkunst 1ste h. 20ste eeuw Kees van Dongen --- Tentoonstellingscatalogi Rotterdam : Museum Boymans-van Beuningen --- Fauvisme Expressionisme --- Schilderkunst schilders --- Dongen, Kees van --- Painting --- (069) --- 75.07 --- Cornelis Theodorus Marie (Kees) van Dongen 1877-1968 (°Delfshaven, voorstadje van Rotterdam). Vestigde zich vanaf 1899 in Parijs --- Fauvisme ; Expressionisme --- Schilderkunst ; 1ste h. 20ste eeuw ; Kees van Dongen --- Tentoonstellingscatalogi ; Rotterdam : Museum Boymans-van Beuningen --- (Musea. Collecties) --- Schilderkunst ; schilders --- Dongen, Cornelius Theodorus Marie Kees van, --- Van Dongen, Kees, --- Dongen, Cornelis Theodorus Maria van, --- Painting, Dutch --- CDL --- 75.071 VAN DONGEN --- van Dongen, Kees. --- van Dongen, Kees
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Tekenkunst Fauvisme Kees van Dongen --- Tentoonstellingscatalogi Rotterdam : Museum Boymans-van Beuningen --- 741.07 --- (069) --- Tekenkunst tekenkunstenaars A - Z --- (Musea. Collecties) --- Dongen, van, Kees --- tekeningen --- avant-garde --- symbolisme --- realisme --- Dongen, Kees van --- Fauve --- draftsmen [artists] --- Tekenkunst ; Fauvisme ; Kees van Dongen --- Tentoonstellingscatalogi ; Rotterdam : Museum Boymans-van Beuningen --- Tekenkunst ; tekenkunstenaars A - Z --- Painting --- tekeningen. --- avant-garde. --- symbolisme. --- realisme. --- van Dongen, Kees. --- van Dongen, Kees --- 1895 - 1912 --- 19de eeuw --- 20ste eeuw --- Parijs --- Rotterdam --- fauvisme
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The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists-Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others-for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society-and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism's most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
Painting --- schilderkunst --- Art styles --- painting [image-making] --- History of civilization --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Paris --- Painting, French --- Modernism (Art) --- Modernism (Aesthetics) --- Anarchism and art --- Art --- History --- Political aspects --- Vivelapeinture (Group of artists) --- Ziniars (Group of artists) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Art, Primitive --- art, history, paris, modernism, anarchism, avant-garde, radical politics, anarchist aesthetics, form, kees van dongen, maurice de vlaminck, frantisek kupka, juan gris, pablo picasso, abstract, political cartoons, salon paintings, social commentary, critique, freedom, individual, liberation, equality, caricature, cubism, collage, war, revolution, les demoiselles davignon, lart negre, colonialism, nonfiction.
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"The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers"--Inside front jacket flap.
Rouge dans l'art. --- Symbolisme des couleurs --- Couleur --- Rouge. --- Red in art. --- Symbolism of colors --- Color --- Red. --- Histoire. --- Aspect social --- Aspect psychologique --- History. --- Social aspects --- Psychological aspects --- Anthony van Dyck. --- Athanasius Kircher. --- Bestiary. --- Blason. --- Brought to Light. --- Cassone. --- Chaperon (headgear). --- Charles the Bald. --- Church Fathers. --- Cinnabar. --- Classical Latin. --- Clothing. --- Coat of arms. --- Cochineal. --- Cosmetics. --- Couleur. --- Council of Constance. --- Dionysus. --- Dyeing. --- Early modern period. --- Einhard. --- Emblem. --- Enjolras. --- Etymology. --- Flemish painting. --- Georges de La Tour. --- Giovanni Arnolfini. --- Good and evil. --- Grisaille. --- Hebrews. --- Hematite. --- Heraldry. --- Hieronymus Bosch. --- Hussites. --- Iconography. --- Invidia. --- Jacques Fabien Gautier d'Agoty. --- Kees van Dongen. --- Lacquer. --- Little Red Riding Hood. --- Lucas Cranach the Elder. --- Maurice Quentin de La Tour. --- Middle French. --- Minium (pigment). --- Mithraism. --- Museo del Prado. --- Natural History (Pliny). --- On the Eve. --- Orcein. --- Otto Dix. --- Paul Klee. --- Persecution. --- Phrygian cap. --- Pigment. --- Politique. --- Pope Leo III. --- Prostitution. --- Red Army Faction. --- Red hair. --- Reynard. --- Ridicule. --- Roman de Fauvel. --- Suetonius. --- Sumptuary law. --- Symbolic power. --- Talc. --- The Other Hand. --- Vestment. --- Victor Hugo. --- Vinegar.
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