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Architecture --- History --- Nishizawa, Ryūe, --- Sejima, Kazuyo, --- Kazuyo Sejima and Associates
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architectuur --- gebouwen --- Architecture --- Nishizawa, Ryue --- Sejima, Kazuyo --- Essen [Germany] --- Germany --- Kazuyo Sejima+Ryue Nishizawa --- SANAA --- Duitsland --- architecture [discipline] --- schoolhouses
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Nouvel, Jean --- Calatrava, Santiago --- Gehry, Frank O. --- De Portzamparc, Christian --- Kazuyo Sejima + Ryue Nishizawa --- SANAA --- de Portzamparc, Christian
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Women architects --- 72.07 --- Women as architects --- Architecten. Stedenbouwkundigen A - Z --- Sejima, Kazuyo, --- Nishizawa, Ryūe, --- Nishizawa, Ryūe --- Sejima, Kazuyo --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Sejima and Nishizawa and Associates Ltd. --- Architecture --- Nishizawa, Ryue, --- SANAA. --- Architects --- Kazuyo Sejima and Associates --- Sejima, Kazuyo. --- Nishizawa, Ryūe.
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"'A Japanese Constellation' showcases a group of contemporary architects who work in Japan but whose influence extends throughout the world. This book, published in conjunction with the first exhibition to feature three generations of practitioners orbiting Pritzker Architecture Prize laureates Toyo Ito and SANAA, moves beyond the limited framework of the architectural "star system" to illuminate how shared themes may spawn cross-generational lines of descent and influence. Highlighting forty-four designs realized since the year 2001, the volume reveals how structural invention, ceaseless experimentation, nonhierarchical thinking, and novel uses of transparency and lightness inform and strengthen the identity of linked local practices, even as their impact is global. With 336 illustrations as well as essays by Perdo Gadanho, Terunobu Fujimori, Taro Igarashi, and Julian Worrall."--Dust jacket.
Architecture --- History --- Exhibitions. --- Histoire --- Expositions --- Architecture, Japanese --- 72.071 --- architecten --- Japan --- architectuur --- Toyo Ito --- Kazuyo Sejima --- SANAA --- Ryue Nishizawa --- Sou Fujimoto --- Akihisa Hirata --- Junya Ishigami --- Japanese architecture --- buitenlandse architecten --- Itō, Toyoo, --- Sejima, Kazuyo, --- Nishizawa, Ryūe, --- Fujimoto, Sōsuke, --- Hirata, Akihisa, --- Ishigami, Junʾya, --- 平田晃久, --- 藤本壮介, --- Fujimoto, Sou, --- 西沢立衛, --- 妹島和世, --- 妺島和世, --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Exhibitions --- Sejima and Nishizawa and Associates Ltd. --- Nishizawa, Ryūe --- Sejima, Kazuyo --- Kazuyo Sejima and Associates --- Sejima, Kazuyo. --- Nishizawa, Ryūe. --- Fujimoto, Sōsuke --- 藤本壮介 --- 石上純也, --- Ishigami, Junya
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Coop Himmelblau --- Meier, Richard --- Holl, Steven --- Foster, Norman --- Kazuyo Sejima+Ryue Nishizawa --- SANAA --- Coop Himmelb(l)au --- Nishizawa, Ryue --- Sejima, Kazuyo
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Models are generally understood as filtered interpretations of the environment, without the distraction of a multitude of various stimulations. In architecture they lean toward the utopian, showing how much better things could be: neither details nor decay can obfuscate the splendor of the new development on display. My own association with models has often taken advantage of the untouched and timeless quality they can offer. Parallel to those efforts, the materiality and transitory potential of paper and cardboard as such - materials we are all rather familiar with, in terms of makeshift projects and provisional usefulness- have not only moved from the margins of my studio to the center of my attention, but have also prompted a different approach. Looking at the details and the little pockets, edges, and coincidental collocations of the objects in front of me allowed me to emphasize their sculptural potential in an abstracted composition, instead of reading them as identifiable renderings of buildings. Taking this detour, this may well be my most photographic work to date, looking closely at someone else's models and process in a workshop which could be my own - but isn't. (Thomas Demand)
Art --- photographs --- sculpture [visual works] --- maquettes [sculptures] --- preparatory studies --- Demand, Thomas --- Art, German --- Photography, Artistic --- Paper art --- Models and modelmaking --- fotografie --- kunst --- architectuur --- maquettes --- papier --- eenentwintigste eeuw --- Duitsland --- Demand Thomas --- 77.071 DEMAND --- Model-making --- Modelling --- Modelmaking --- Handicraft --- Manual training --- Miniature objects --- Modelmaking industry --- Simulation methods --- Paper work --- Demand, Thomas, --- Lautner, John, --- Demand, Thomas Cyrill, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Sejima and Nishizawa and Associates Ltd. --- Kazuyo Sejima and Associates --- Exhibitions --- Photography --- Architecture --- architecture [discipline] --- artistieke fotografie
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Ando, Tadao --- Coop Himmelblau --- Foster, Norman --- Gehry, Frank O. --- Hadid, Zaha --- Hara, Hiroshi --- Holl, Steven --- Isozaki, Arata --- Ito, Toyo --- Morphosis --- Nouvel, Jean --- OMA --- Perrault, Dominique --- Piano, Renzo --- Rogers, Richard --- Kazuyo Sejima + Ryue Nishizawa --- SANAA --- Tschumi, Bernard --- 72.037 --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur)
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Nouvel, Jean --- Libeskind, Daniel --- Yamamoto, Riken --- Kitagawara, Atsushi --- Hadid, Zaha --- World Stadium Team/ Norman Foster and HOK S+V+E --- Kazuyo Sejima+Ryue Nishizawa/ Sanaa --- Ito, Toyo --- World Stadium Team --- Foster, Norman --- HOK S+V+E --- Nishizawa, Ryue --- Sejima, Kazuyo --- SANAA
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