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Aprovechar las enseñanzas de la Historia, recurrir al pasado remoto o reciente para mostrar en sus héroes, recreados por el teatro, su dimensión arquetípica y modélica, tales son los propósitos de la dramatización de la materia histórica durante el Siglo de Oro español. La Historia no sólo sirvió de mero marco temporal para ubicar la acción dramática de las piezas en un contexto preciso. Las variaciones, anacronismos evidentes o sincronismos implícitos, a partir dde las fuentes manejadas debe...

Spanish drama --- Spanish drama. --- Spanisch --- Siglo de oro --- Drama --- History and criticism --- Classical period. --- 1500-1700 --- Dramatik --- Schauspiel --- Theaterstück --- Dramen --- Dramatisches Werk --- Literatur --- <> Dramatische --- Sprechtheater --- Goldenes Zeitalter --- Spanien --- 1500-1680 --- Kastilisch --- Spanische Sprache --- Iberoromanisch --- Spanish literature --- Classical Period --- Early Modern Period --- poética --- siclo de Oro --- historia --- temporalidad --- español --- dramatización --- tiempo --- estética

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Periodicals --- Spaanse taal. --- Spaanse taalkunde. --- Arts and Humanities --- Language & Linguistics --- Spanish language --- Pragmatics --- Sociolinguistics --- Spanisch. --- Pragmatics. --- Sociolinguistics. --- Spanish language. --- Castilian language --- Romance languages --- Language and languages --- Language and society --- Society and language --- Sociology of language --- Language and culture --- Linguistics --- Sociology --- Integrational linguistics (Oxford school) --- Pragmalinguistics --- General semantics --- Logic, Symbolic and mathematical --- Semantics (Philosophy) --- Kastilisch --- Spanische Sprache --- Iberoromanisch --- Discourse analysis --- Social aspects --- Discourse analysis. --- Social aspects. --- Sociological aspects --- Philosophy

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In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Spanish fiction --- Künstlerromane, Spanish --- Artists in literature. --- Art in literature. --- Spanish Künstlerromane --- Spanish literature --- History and criticism. --- Kunst --- Literatur --- Künstlerroman --- Künstler --- Kunsthistoriker --- Spanisch --- Kastilisch --- Spanische Sprache --- Iberoromanisch --- Kunstschriftsteller --- Kunstwissenschaftler --- Kunstgeschichtsschreibung --- Kunsthistorikerin --- Motiv --- Künstler --- Roman --- Künstlernovelle --- Künstlererzählung --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- Bildende Kunst --- Kunstdenkmal --- Künste --- Kunstwerk --- Creative economy, Künstlerroman, Artist novel, Cultura de la Transición, Cultural labor, Art-Commerce Relation, novel, post-transition, Francisco Franco, financial crisis.