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"'Barbara Kasten: Stages' is the highly anticipated, first major museum survey of the artist's work. Spanning five decades of Kasten's ongoing engagement with abstraction, light, and structure, the exhibition positions her well-known photographic explorations within an expansive arc of painting, theater, textile, architecture, and installation, and situates her practice within current conversations around sculpture and photography."--

Photography, Artistic --- Sculpture, American --- Video art --- Photography, Abstract --- Kasten, Barbara

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In 2015, the Graham Foundation, in partnership with the Chicago Architecture Biennial, presented Barbara Kasten: Stages, the first major survey of the work of the Chicago-based artist. The exhibition spanned her nearly five-decade engagement with abstraction, light, and architectural form. Since the 1970s, Kasten (b. 1936) has developed her expansive photographic practice through the lens of sculpture, painting, theatre, textile, and installation. Well-known within photographic and contemporary art discourse, the artist has recently begun to be reconsidered within the broader context of architectural theory. This book, Barbara Kasten: Architecture & Film (2015?2020), concretizes this legacy within the artist?s practice and contextualizes her ongoing investigations into how moving images and perception play within and through architectural forms.Departing from Stages, the publication includes texts that encompass Kasten?s work and exhibitions within the last five years while connecting to the artist?s history of experimentations with light, including the influence of architect Le Corbusier, as well as site-specific responses to Shigeru Ban and Mies van der Rohe. Replete with full-colour plates, this book features a long-form interview with Hans Ulrich Obrist, whose Chicago Marathon stage in 2019 was designed by Kasten; a two-part essay by artist Irena Haiduk on the construction of the camera and the artist?s collaborations with corporate entities such as Polaroid; a feminist examination of the Bauhaus from architecture critic and curator Mimi Zeiger; relationships between Kasten?s constructions and mid-century architects from Mexico and Brazil by Humberto Moro; and a speculative investigation into historical moments that provide a ?stage? through which to consider Kasten?s formulations of space as cinema by editor Cristello.Bron : https://www.amazon.co.uk/Barbara-Kasten-Architecture-Film-2015-2020/dp/8857247198/ref=sr_1_1?crid=I5FLEJYN9RJA&dib=eyJ2IjoiMSJ9.2kf8jUBda2s9R6AqVuayp3Pv6zbSeKKjWNiQHGimxnN0yEsQhmBuPFK00rQJ7wjM.i49chOY_3B_GjlZrpPBgrRv64miViNJ-IaPXm9Q-9Ew&dib_tag=se&keywords=Barbara+Kasten%3A+Architecture+%26+Film&nsdOptOutParam=true&qid=1729509648&s=books&sprefix=barbara+kasten+architecture+%26+film%2Cstripbooks%2C116&sr=1-1

Geometrische abstractie --- Vierkant (meetkunde) --- Rechthoek --- Abstracte kunst --- Kasten, Barbara --- Architectuur --- Tentoonstelling --- Kunstenaar --- Bewegingsanalyse --- Beeld (afbeelding) --- Ruimte (gebouw)

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Heinecken, Robert ; Shore, Stephan ; Epstein, Mitch ; Levitt, Helen ; Meyerowitz, Joel ; Sonneman, Eve ; Slavin, Neal ; Krims, Les ; Sternfeld, Joel ; Christenberry, William ; Eggleston, William ; Groover, Jan ; Kasten, Barbara ; Divola, John ; Pfahl, John ; Misrach, Richard ; Callahan, Harry ; Rubinfien, Leo

Color photography --- 77.038 --- Callahan Larry --- Christenberry William --- Divola John --- Eggleston William --- Epstein Mitch --- fotografie --- Groover Jan --- Heinecken Robert --- Kasten Barbara --- kleurfotografie --- Krims Les --- Levitt Helen --- Meyerowitz Joel --- Misrach Richard --- Pfahl John --- Rubinfien Leo --- Shore Stephen --- Slavin Neal --- Sonneman Eve --- Sternfeld Joel --- twintigste eeuw --- Verenigde Staten --- Chromophotography --- Heliochromy --- Photography, Color --- Photography --- History

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This visual manifesto explores the notion of ‘the photographic’, an analysis of the effects the technical image has on the visual culture as a whole. The glossy photo essay focuses on contemporary artistic practises and experimental approaches to photography, divided into four themes: The Photographic Fossil, Chemical Matter, Optical Confusion, and Performing the Image. The accompanying text insert engages a discourse among artists and intellectuals on defining photography and technique. ‘Off Camera’ is the conclusion of a research project carried out by Belgian researcher Steven Humblet’s group, Thinking Tools, at the Royal Academy of Fine Arts, Antwerp.

Art --- Photography --- Contemporary [style of art] --- visual culture --- artistieke fotografie --- onderzoek in de kunsten --- kunst --- fotografie --- fotografietheorie --- eenentwintigste eeuw --- Barrow Thomas --- Beshty Walead --- Bonnot Sylvie --- Braeckman Dirk --- Brandt Matthew --- Breuer Marco --- Davey Moyra --- De Blieck Marc --- Deschenes Liz --- Dibbets Jan --- Downsbrough Peter --- Goudal Noémie --- Gröting Asta --- Grupping Liesbet --- Guyton Wade --- Hadjidjanos Spiros --- Hilliard John --- Howalt Nicolai --- Janssens Ann Veronica --- Kasten Barbara --- Kiwitt Stephanie --- Konrad Aglaia --- Onorato Taiyo --- Krebs Nico --- Kriemann Susanne --- Kuppel Edmund --- Lempert Jochen --- Lund Marie --- Mater Katja --- McCaw Chris --- Platéus Benoît --- Polke Sigmar --- Price Seth --- Probst Barbara --- Rauschenberg Robert --- Rautert Timm --- Renout Jannemarein --- Rossiter Alison --- Ruff Thomas --- Sasse Jörg --- Sepuya Paul Mpagi --- Somers Dominique --- Strand Clare --- Teufen Dominique --- Umbrico Penelope --- Van Menxel Sine --- Voïta Bernard --- Zaatari Akram --- 77.039 --- 77.04 --- 77.01 --- Onderzoek in de kunsten --- Fotografie ; 2000 - 2050 --- Fotografie ; artistieke fotografie --- Fotografie ; theorie, filosofie, esthetica

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Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. 

"Perhaps in the future," Man Ray suggested to Duchamp, "photography would replace all art." The Photography of Invention hints at that future by documenting a decade of startling new work in American photography: work that challenges the accepted hierarchy of the arts and, arguably, establishes photography as the equal of the other arts. Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. The selection of nontraditional pictures includes works by some of the decade's most interesting experimenters—Cindy Sherman, Sherrie Levine, Richard Prince, Barbara Kruger, William Christenberry, Louise Lawler, Stefan Roloff, and others who create or manipulate the subject photographed. Photography has traditionally been used to capture experience and create images; these works, however, examine preexisting images or image styles that dominate our culture. As Joshua Smith points out "mass media and popular culture advertising, fashion movies, television, video, and other electronic media have made the world photographic, become the common language, and shaped a generation's visual and critical viewpoint." Rather than commenting on or representing life, photography is now an independent art form that has expanded the creative vocabulary of contemporary artists. These "made" pictures encompass a variety of styles and techniques: the artists may fabricate or arrange the subject matter for the camera; invent or subvert traditional styles; present themselves in fictive roles invoking allegory or myth, fantasy and illusion; reassemble existing art objects in new contexts; make the psychic appear real and the real hyperreal. Many pictures are made in the usual optical/chemical manner, creating a tension between the obviously manipulated subject and the inherent "truth" of the photographic print; while others are made by the unconventional use of equipment, processes, and materials that intentionally deny the perfect print There are photograms, photocollages, light drawings, chemical images, marked or painted on negatives, photosilkscreens and photolithographs, and new high tech computer-generated imagery.

Photography, Artistic --- Stillman Steel --- Syrop Mitchell --- Thorne-Thomsen Ruth --- Tracey Andrée --- twintigste eeuw --- Verenigde staten --- Wasow Oliver --- Watts Todd --- Weiss Jeff --- Winokur Neil --- Witkin Joel-Peter --- Wodiczko Krzysztof --- Wood Brian --- 77.038 --- Adams Dennis --- Akin Gwen --- Augeri Lynne --- Barney Tina --- Bell Dianne --- Berman Zeke --- Bernard Cindy --- Brooks Ellen --- Bryant Elizabeth --- Bunn David --- Burson Nancy --- Callis Jo Ann --- Carey Ellen --- Carlson Lance --- Casebere James --- Charlesworth Bruce --- Charlesworth Sarah --- Chong Albert --- Christenberry William --- Clegg & Guttmann --- Coleman Judy --- Coplans John --- Cowin eileen --- Cypis Dorit --- De Sana James --- Divola John --- Dunning Jeanne --- Essay by Joshua P.Smith ; Intr. by Merry A. Foresta --- Ess Barbara --- Evergon --- Farrell John W --- fotografie --- Frailey Stephen --- Fuss Adam --- Galgiani Philip --- Gerlovina Rimma --- Goldring Nancy --- Gonzalez Maria --- Haber Sandra --- Hayden Jacqueline --- Hellebrand Nancy --- Jaar Alfredo --- Johnson Larry --- Kasten Barbara --- Kolbowski Sylvia --- Kruger Barbara --- Laster Paul --- Lawler Louise --- Leatherdale Marcus --- Legrady George --- Lemieux Annette --- Levine Sherrie --- Levinthal David --- Ludwig Allan --- Majore Frank --- Maul Tim --- McCollum Allan --- Nagatani Patrick --- Neidich Warren --- Novak Lorrie --- Perlman Hirsch --- Perna Luciano --- Potter Tina --- Prince Richard --- Rankaitis Susan --- Robbins David --- Rodan Ron --- Rodriguez Geno --- Roloff Stefan --- Rowland Anne --- Rubenstein Meridel --- Salinger Adrienne --- Sandrow Hope --- Schlesinger John --- Schrager Victor --- Schwartz Elliot --- Serrano Andres --- Sherman Cindy --- Simmons Laurie --- Skoglund Sandy --- Stark Sandra --- Starn Doug --- Starn Mike --- Exhibitions --- Photography --- photographers --- Smithsonian Institution [Washington, D.C.] --- anno 1980-1989 --- United States --- artistieke fotografie --- United States of America