Listing 1 - 2 of 2 |
Sort by
|
Choose an application
Christian art and symbolism --- Art, Byzantine --- Church decoration and ornament --- Mosaics, Byzantine --- Byzantine mosaics --- Church ornament --- Ecclesiastical decoration and ornament --- Byzantine art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Kariye Camii (Istanbul, Turkey) --- Istanbul (Turkey). --- Istanbul. --- Kariye Djami (Istanbul, Turkey) --- Chora (Istanbul, Turkey) --- Kariye Museum (Istanbul, Turkey) --- Kariye Müzesi (Istanbul, Turkey) --- Erlöserkirche in Chora (Istanbul, Turkey) --- Chora-Kirche (Istanbul, Turkey) --- Church of St. Saviour in Chora (Istanbul, Turkey) --- Chora-Kloster (Istanbul, Turkey) --- Decoration and ornament --- Interior decoration --- Religious articles --- Art, Medieval --- Religious art --- Symbolism --- Chora (Church : Istanbul, Turkey) --- Kariye Müzesi --- Symbolism in art
Choose an application
Patristic thinking is the bedrock of the uniformity of Byzantine culture, legitimization of image use in the Eastern Church, as well as Byzantine aesthetics, Karahan argues. The synergy in Late Byzantine holy images of "meta-images" for God's inexplicability, and elaborated dramatized narration for God's immanence epitomize orthodox tradition in general, and in particular fourth-century Cappadocian modes and models of thought on Christology, trinitarian theology and the Theotokos. The incomprehensible, uncircumscribed invisible Trinity, and the comprehensible God-man born of the Theotokos, circumscribed in flesh but not in divinity is a one-God reality of transcendent ontology and actions in the world of the two-natured image of God, Christ. Explanations in words or in images can not ignore these orthodox axioms without turning into false images or heretic idols. This book explores why and how the idiosyncratic use of color, form, kinetics, light, and brilliance in Late Byzantine aesthetics concur with the tradition of the Fathers. How narration in image as well as literature is orthodoxos, "of right belief, orthodox".
Mural painting and decoration, Byzantine --- Mosaics, Byzantine --- Christian art and symbolism --- Peinture et décoration murales byzantines --- Mosaïque byzantine --- Art et symbolisme chrétiens --- Kariye Camii (Istanbul, Turkey) --- Academic collection --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Peinture et décoration murales byzantines --- Mosaïque byzantine --- Art et symbolisme chrétiens --- Byzantine mural painting and decoration --- Byzantine mosaics --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Istanbul (Turkey). --- Istanbul. --- Kariye Djami (Istanbul, Turkey) --- Chora (Istanbul, Turkey) --- Kariye Museum (Istanbul, Turkey) --- Kariye Müzesi (Istanbul, Turkey) --- Erlöserkirche in Chora (Istanbul, Turkey) --- Chora-Kirche (Istanbul, Turkey) --- Church of St. Saviour in Chora (Istanbul, Turkey) --- Chora-Kloster (Istanbul, Turkey) --- Kariye camii (Istanbul, Turquie) --- Mural painting and decoration [Byzantine ] --- Turkey --- Istanbul (Turkey) --- Mosaics [Byzantine ] --- Chora (Church : Istanbul, Turkey) --- Kariye Müzesi --- Symbolism in art --- Mural painting and decoration, Byzantine - Turkey - Istanbul --- Mosaics, Byzantine - Turkey - Istanbul --- Christian art and symbolism - Turkey - Istanbul
Listing 1 - 2 of 2 |
Sort by
|