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Numéro 58 -2018/1 de la revue DoCoMoMo consacré à Louis Isidore Kahn
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Bibliothèque --- Architecte --- Kahn, Louis Isidore, 1901-1974
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Pourquoi avoir choisi ce sujet et ces trois philosophies ?Pour être architecte, il est nécessaire de connaître la société dans laquelle on construit, d'appréhender ses besoins.La pérennité de l'architecture est une question existentielle liée à l'architecte. Est-ce que ce que je dessine aujourd'hui va durer ? Héritage et transmission de la matiére, des idées... Un vaste sujet. Louis I. Kahn, Peter Zumthor et le groupe Archigram ont tout les trois un avis francs et direct au sujet de la pérennité de leurs architectures.Kahn s'inscrit clairement dans une démarche historique et confére à son œuvre un caractére intemporel fondé sur une lecture des œuvres passées.Zumthor, lui envisage le futur de ses constructions en s'assurant qu'elles conviennent au plus grand nombre et également qu'elles puissent répondre à diverses interprétations et remises en questions.Archigram remet en cause le caractére permanent de l'architecture en partant d'un constat actuel et d'une lecture critique de l'environnement présent.Quoi qu'il en soit, l'important est d'avoir un avis à propos de la durée de vie d'un édifice que l'on dessine. Soyons responsables.
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This is a collection of drawings and statements by a master architect. They mirror the vigor and perception manifest in his buildings and personal teachings. The book is divided into two sections. The first is a group of sketches produced during his European travels, which are reproduced here actual size. The second section consists of early sketches as well as finished renderings of some of Kahn's buildings and visions. They are arranged as close to chronological order as overlapping projects allow. The text is based largely on transcriptions of unpublished speeches delivered by Kahn. He completely reworked these speeches for the book, transforming them from the spoken to the written word. There are also selections from his Voice of America broadcast, a Universal Atlas Cement folder, the Museum of Modern Art booklet on the A. N. Richards Medical Research Building at the University of Pennsylvania, as well as an introduction written for the book. There Kahn states that "The editors chose sketches of mood and development of a few projects rather than isolated drawings of a greater number of projects. Such a decision appeals to the architect who starts, like the writer and the painter, with a blank piece of paper, upon which he imprints the gradual steps in the development of something he wants to make exist." The drawings in the first section were made in Karnak, Luxor, Delphi, Athens, Albi, Florence, Pisa, and Venice. Those in the second show stages in the development of the following projects: the sculpture court of the Yale University Art Gallery; studies for the Philadelphia center city (1956 and 1962); the A. N. Richards Medical Research Building; the General Motors Exhibition Building, 1964 World's Fair, New York; the Meeting House and laboratory complex, Salk Institute of Biological Studies; and the Mikveh Israel Synagogue, Independence Mall, Philadelphia.
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