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Linking Willa Cather to "the modern" or "modernism" still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-century modern culture, and the clean, classical sentences in her fiction contrast starkly with the radically experimental prose of prominent modernists. Nevertheless, her representations of place in the modern world reveal Cather as a writer able to imagine a startling range of different cultures. Divided into two sections, the essays in Cather Studies, Volume 9 examine Willa Cather as an author with an innovative receptivity to modern cultures and a powerful affinity with the visual and musical arts. From the interplay between modern and antimodern in her representations of native culture to the music and visual arts that animated her imagination, the essays are unified by an understanding of Cather as a writer of transition whose fiction meditates on the cultural movement from Victorianism into the twentieth century.

American literature --- History and criticism. --- Cather, Willa, --- Criticism and interpretation. --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Cather, Willa Sibert --- Criticism and interpretation

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Explores Willa Cather's iconic status and its problems within popular and literary culture. This work states that not only are Cather's own life and work subject to enshrinement, but as a writer, she herself often returned to the motifs of canonization and to the complex relationship between the onlooker and the idealized object.

Cather, Willa, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Criticism and interpretation.

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Cather, Willa, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Criticism and interpretation.

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With a focus on Cather's artistic principle of "the thing not named," Goldberg illuminates the contradictions and complexities inherent in notions of identity and shows how her fiction transforms the very categories--regarding gender, sexuality, race, and class--around which most recent Cather scholarship has focused. The "others" referred to in the title are women, for the most part Cather's contemporaries. They include the Wagnerian diva Olive Fremstad, renowned for her category-defying voice; Blair Niles, an ethnographer and novelist of jazz-age Harlem and the prisons of New Guinea; Laura Gilpin, photographer of the American Southwest; and Pat Barker, whose Regeneration trilogy places World War I writers--and questions of sexuality and gender--at its center. In comparing their artistic projects to Cather's, Goldberg offers innovative insights into a wide range of her novels.--From publisher description.

Women and literature --- History --- Cather, Willa, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Contemporaries. --- Criticism and interpretation.

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Women and literature --- Imagination. --- History --- Cather, Willa, --- Criticism and interpretation. --- Imagination --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Cather, Willa --- Cather, Willa Sibert --- Criticism and interpretation --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Cather, Willa (1873-1947) --- Critique et interprétation