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"1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live.""--Publisher's description.
Popular music --- Concerts --- Music and technology --- #SBIB:39A8 --- #SBIB:39A5 --- #SBIB:39A75 --- #SBIB:309H142 --- K9765 --- K9372.80 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Technology and music --- Technology --- Recitals (Music) --- Amusements --- History and criticism --- Performances --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Azië --- Populaire muziek: functies, muziekgenres, historiek --- Korea: Performing and media arts -- music --- Korea: Culture, customs and folklore - cultural trends and movements -- popular culture --- Performance --- K-pop (Subculture) --- Subculture --- History and criticism.
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"This book examines popular culture-associated marketing practices, specifically the use of Korean television dramas and K-pop music to promote urban and rural places in South Korea"--
Popular culture --- History --- Place marketing --- Television plays, Korean --- Popular music --- K9372.80 --- K9335 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Korean television plays --- Korean drama --- Boosterism (Place promotion) --- Destination marketing --- Place promotion --- Placemarketing --- Marketing --- Publicity --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History and criticism --- Korea: Culture, customs and folklore - cultural trends and movements -- popular culture --- Korea: Communities, social classes and groups -- local communities --- K-pop, K-Drama, K-pop Tourism, K-Drama Industry, K-Star Road, K-Beauty. --- Social Science / Anthropology / Cultural & Social --- Social sciences --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- K-pop (Subculture) --- K-pop (Music) --- Subculture
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K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music-the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization-but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.
Music and globalization --- Popular music --- K-pop (Subculture) --- Globalization and music --- Globalization --- Dissemination of music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Subculture --- Social aspects --- Economic aspects --- History and criticism. --- Popular music -- Korea (South) -- History and criticism.. --- Popular music -- Economic aspects -- Korea (South). --- Popular music -- Social aspects -- Korea (South). --- Music and globalization -- Korea (South). --- 21st century popular music. --- bands. --- contemporary music. --- contemporary pop music. --- cultural production. --- cultural studies. --- cultural transformation. --- dance. --- economic transformation. --- economics. --- economy. --- export oriented music. --- japanese colonial influence. --- k pop. --- korean pop music. --- korean pop. --- music studies. --- music. --- musicians. --- popular music. --- popular. --- post liberation american impact. --- premodern background. --- recent globalization. --- south korea. --- south korean culture. --- south korean history.
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