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Ishigami's design takes inspiration from roofs, the most common architectural feature used around the world. The design of the 2019 Serpentine Pavilion is made by arranging slates to create a single canopy roof that appears to emerge from the ground of the surrounding park. Within, the interior of the Pavilion is an enclosed cave-like space, a refuge for contemplation. For Ishigami, the Pavilion articulates his 'free space' philosophy in which he seeks harmony between man-made structures and those that already exist in nature.00Exhibition: Serpentine Gallery, London, UK (21.06. - 06.10.2019).
Pavilions --- Buildings, Temporary --- Architects --- Ishigami, Jun'ya, --- Serpentine Gallery Pavilion (Architecture programme) --- 2000-2099 --- England --- Japan --- 72.07 --- 741:72 --- Ishigami, Junya °1974 (°Kanagawa, Japan) --- Serpentine Gallery Pavilion ; jaarlijkse architectuurseries --- Buildings, Demountable --- Demountable buildings --- Temporary buildings --- Kiosks --- Kiosques --- Buildings --- Professional employees --- Architecten. Stedenbouwkundigen A - Z --- Tekenkunst ; architectuurtekeningen --- 石上純也, --- Ishigami, Junya --- Serpentine Pavilion (Architecture programme) --- Paviljoenen ; Londen ; Serpentine Gallery ; 2019 ; Junya Ishigami --- Architectuur ; tijdelijke --- Pavillons (Constructions légères) --- Constructions provisoires --- Architectes --- Pavillon --- Ishigami, Junya, --- Ishigami, Junya, 1974
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'A Japanese Constellation' showcases a group of contemporary architects who work in Japan but whose influence extends throughout the world. This book, published in conjunction with the first exhibition to feature three generations of practitioners orbiting Pritzker Architecture Prize laureates Toyo Ito and SANAA, moves beyond the limited framework of the architectural "star system" to illuminate how shared themes may spawn cross-generational lines of descent and influence. Highlighting forty-four designs realized since the year 2001, the volume reveals how structural invention, ceaseless experimentation, nonhierarchical thinking, and novel uses of transparency and lightness inform and strengthen the identity of linked local practices, even as their impact is global. With 336 illustrations as well as essays by Perdo Gadanho, Terunobu Fujimori, Taro Igarashi, and Julian Worrall.
Architecture --- History --- Exhibitions. --- Histoire --- Expositions --- Architecture, Japanese --- 72.071 --- architecten --- Japan --- architectuur --- Toyo Ito --- Kazuyo Sejima --- SANAA --- Ryue Nishizawa --- Sou Fujimoto --- Akihisa Hirata --- Junya Ishigami --- Japanese architecture --- buitenlandse architecten --- Itō, Toyoo, --- Sejima, Kazuyo, --- Nishizawa, Ryūe, --- Fujimoto, Sōsuke, --- Hirata, Akihisa, --- Ishigami, Junʾya, --- 平田晃久, --- 藤本壮介, --- Fujimoto, Sou, --- 西沢立衛, --- 妹島和世, --- 妺島和世, --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Exhibitions --- Sejima and Nishizawa and Associates Ltd. --- Nishizawa, Ryūe --- Sejima, Kazuyo --- Kazuyo Sejima and Associates --- Sejima, Kazuyo. --- Nishizawa, Ryūe. --- Fujimoto, Sōsuke --- 藤本壮介 --- 石上純也, --- Ishigami, Junya
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