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In der Reihe Slavistische Beiträge werden vor allem slavistische Dissertationen des deutschsprachigen Raums sowie vereinzelt auch amerikanische, englische und russische publiziert. Darüber hinaus stellt die Reihe ein Forum für Sammelbände und Monographien etablierter Wissenschafter/innen dar.
Literature & literary studies --- Joseph Brodsky --- Kunst --- Mandel --- Neoklassiker --- Osip --- Simonek --- štam --- ukrainischen --- Wechselbeziehung --- Zeit
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In der Reihe Slavistische Beiträge werden vor allem slavistische Dissertationen des deutschsprachigen Raums sowie vereinzelt auch amerikanische, englische und russische publiziert. Darüber hinaus stellt die Reihe ein Forum für Sammelbände und Monographien etablierter Wissenschafter/innen dar.
Joseph Brodsky --- Kunst --- Mandel --- Neoklassiker --- Osip --- Simonek --- štam --- ukrainischen --- Wechselbeziehung --- Zeit
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In der Reihe Slavistische Beiträge werden vor allem slavistische Dissertationen des deutschsprachigen Raums sowie vereinzelt auch amerikanische, englische und russische publiziert. Darüber hinaus stellt die Reihe ein Forum für Sammelbände und Monographien etablierter Wissenschafter/innen dar.
Literature & literary studies --- Joseph Brodsky --- Kunst --- Mandel --- Neoklassiker --- Osip --- Simonek --- štam --- ukrainischen --- Wechselbeziehung --- Zeit
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'Snapshots of the Soul' considers how photography has shaped Russian poetry from the early twentieth century to the present day. Drawing on theories of the lyric and the elegy, the social history of technology, and little-known archival materials, Molly Thomasy Blasing offers close readings of poems by Boris Pasternak, Marina Tsvetaeva, Joseph Brodsky, and Bella Akhmadulina, as well as by the late and post-Soviet poets Andrei Sen-Sen'kov, Arkadii Dragomoshchenko, and Kirill Medvedev, to understand their fascination with the visual language, representational power, and metaphorical possibilities offered by the camera and the photographic image.
Russian poetry --- Literature and photography --- History and criticism. --- History --- Photography and literature --- Photography --- Poetry and photography, 20th Century Russian poetry, Marina Tsvetaeva, BorisPasternak, Joseph Brodsky, Bella Akhmadulina. --- Photography in literature. --- History.
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Brodsky’s poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death in 1996.Kline translated more of Brodsky’s poems than any other single person, with the exception of Brodsky himself. The Bryn Mawr philosophy professor and Slavic scholar was a modest and retiring man, but on occasion he could be as forthright and adamant as Brodsky himself. “Akhmatova discovered Brodsky for Russia, but I discovered him for the West,” he claimed.Kline’s interviews with author Cynthia L. Haven before his death in 2015 include a description of his first encounter with Brodsky, the KGB interrogations triggered by their friendship, Brodsky's emigration, and the camaraderie and conflict over translation. When Kline called Brodsky in London to congratulate him for the Nobel, the grateful poet responded, “And congratulations to you, too, George!”
Translators --- Kline, George L. --- Brodsky, Joseph, --- A Halt in the Desert. --- Bryn Mawr. --- Joseph Brodsky. --- KGB. --- Leningrad. --- Ostanovka v pustyne. --- Russian literature. --- Selected Poems. --- Slavic Languages. --- Soviet Union. --- World War II. --- artists. --- biography. --- censorship. --- collaboration. --- culture. --- emigration. --- history. --- interviews. --- meter. --- philosophy. --- poetry. --- publishing. --- rhyme. --- scholarship. --- translation. --- writing.
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What madness meant was a fiercely contested question in Soviet society. State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death. State psychiatrists deployed set narratives of mental illness to pathologize dissenting politics and art. Dissidents such as Aleksandr Vol'pin, Vladimir Bukovskii, and Semen Gluzman responded by highlighting a pernicious overlap between those narratives and their life stories. The state, they suggested in their own psychiatrically themed texts, had crafted an idealized view of reality that itself resembled a pathological work of art. In their unsanctioned poetry and prose, the writers Joseph Brodsky, Andrei Siniavskii, and Venedikt Erofeev similarly engaged with psychiatric discourse to probe where creativity ended and insanity began. Together, these dissenters cast themselves as psychiatrists to a sick society. By challenging psychiatry's right to declare them or what they wrote insane, dissenters exposed as a self-serving fiction the state's renewed claims to rationality and modernity in the post-Stalin years. They were, as they observed, like the child who breaks the spell of collective delusion in Hans Christian Andersen's story "The Emperor's New Clothes." In a society where normality means insisting that the naked monarch is clothed, it is the truth-teller who is pathologized. Situating literature's encounter with psychiatry at the center of a wider struggle over authority and power, this bold interdisciplinary study will appeal to literary specialists; historians of culture, science, and medicine; and scholars and students of the Soviet Union and its legacy for Russia today.
Literature and mental illness --- Psychiatry --- Psychiatry in literature. --- Russian literature --- Mental illness --- Involuntary treatment --- Dissenters --- History. --- History and criticism. --- Political aspects --- USSR. --- Soviet Union. --- Sowjetunion --- Joseph Brodsky, Andrei Siniavskii, Venedikt Erofeev, Hans Christian Andersen, Emporer's New Clothes, psychiatry and literature, Soviet psychiatrists, unsanctioned prose, unsanctioned poetry.
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Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years, cited it in his 2001 novel, Austerlitz. Since then, a rediscovery of Adler has been under way. This volume of essays by international experts on Adler and Sebald investigates the connections between the two writers to reveal a new hybrid paradigm of writing about the Holocaust that advances our understanding of the relationship between literature, historiography, and autobiography. In doing so, the volume also reflects on the wider literary-political implications of Holocaust representation, demonstrating the shifting norms in German-language "Holocaust literature." Contributors: Jeremy Adler, Jo Catling, Peter Filkins, Helen Finch, Frank Finlay, Kirstin Gwyer, Katrin Kohl, Michael Krüger, Martin Modlinger, Dora Osborne, Ruth Vogel-Klein, Lynn L. Wolff. Helen Finch is an Academic Fellow in German at the University of Leeds. Lynn L. Wolff is an Alexander von Humboldt Research Fellow in German at the University of Stuttgart.
Holocaust, Jewish (1939-1945), in literature. --- Literature and history. --- Psychic trauma in literature. --- Memory in literature. --- Collective memory and literature. --- Literature and collective memory --- Literature --- Memory as a theme in literature --- History and literature --- History and poetry --- Poetry and history --- History --- Adler, H. G. --- Sebald, W. G. --- זבאלד, וו. --- Sebald, Max, --- Adler, Hans Günther --- Adler, Hans G. --- Adler, Hans Ginter --- Adler, Hans Günter --- Criticism and interpretation. --- German writers. --- H.G. Adler. --- Holocaust representation. --- Joseph Brodsky. --- W.G. Sebald. --- exile tradition. --- exile. --- literary exemplars. --- meaning in banishment. --- retrospective beings.
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