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"“I didn’t even know that was a question I could ask.” That remark from a student in an introductory philosophy course points to the primary body of knowledge philosophy produces: a detailed record of what we do not know. When we come to view a philosophical question as well-formed and worthwhile, it is a way of providing as specific a description as we can of something we do not know. The creation or discovery of such questions is like noting a landmark in a territory we’re exploring. When we identify reasonable, if conflicting, answers to this question, we are noting routes to and away from that landmark. And since proposed answers to philosophical questions often contain implied answers to other philosophical questions, those routes connect different landmarks.The result is a kind of map: a map of the unknown.Yet when it comes to the unknown, and all the more so to its cartography, might it not make sense to take our orientation from Borges: What’s in question here, with respect to philosophical questions, is an incipient, unlocalizable threshold—a terrain neither subjective, nor entirely objective, one neither of representation, nor finally of simple immediacy—there where the map perceptibly fails to diverge from the territory. Amid Inclemencies of weather and fringed, as per Borges, with ruin and singular figures—with Animals and Beggars—what’s enclosed is an attempt to chart the contours of this curious immanence."
Philosophy. --- Mental philosophy --- Humanities --- Jorge Luis Borges;mapping;philosophy;territory
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"I have been forced to become . . . a librarian."--Georges Bataille. The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called "the Library" continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library's insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida's Archive Fever, a deconstruction of Fichte, a parabiographical meditation on librarianship, and a vamping on the possible "Non-Virgil," The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library's stranglehold on human knowledge and its requisite social imaginations."Let us now descend into the blind world . . . ." --Dante. Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.
Library science --- Libraries --- philosophy --- libraries --- Jorge Luis Borges --- theory --- archives --- Philosophy. --- Philosophy. --- philosophy --- libraries --- Jorge Luis Borges --- theory --- archives
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Dutch literature --- John Berger --- Jorge Luis Borges --- Literaire vertalingen --- Spaanse letterkunde --- geschiedenis en kritiek --- John Berger. --- Jorge Luis Borges. --- Literaire vertalingen. --- geschiedenis en kritiek. --- 830 --- essay --- essai
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"I have been forced to become . . . a librarian."--Georges Bataille. The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called "the Library" continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library's insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida's Archive Fever, a deconstruction of Fichte, a parabiographical meditation on librarianship, and a vamping on the possible "Non-Virgil," The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library's stranglehold on human knowledge and its requisite social imaginations."Let us now descend into the blind world . . . ." --Dante. Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.
Library science --- Libraries --- Philosophy. --- philosophy --- libraries --- Jorge Luis Borges --- theory --- archives
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"I have been forced to become . . . a librarian."--Georges Bataille. The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called "the Library" continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library's insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida's Archive Fever, a deconstruction of Fichte, a parabiographical meditation on librarianship, and a vamping on the possible "Non-Virgil," The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library's stranglehold on human knowledge and its requisite social imaginations."Let us now descend into the blind world . . . ." --Dante. Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.
Library science --- Libraries --- Philosophy. --- philosophy --- libraries --- Jorge Luis Borges --- theory --- archives
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema.
Dick, Philip K. --- Ballard, J. G., --- Criticism and interpretation. --- architecture --- design --- literature --- Jorge Luis Borges --- narrative
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema.
Theory of architecture --- architecture --- design --- literature --- Jorge Luis Borges --- narrative --- Dick, Philip K. --- Ballard, J. G., --- Criticism and interpretation. --- Criticism and interpretation. --- architecture --- design --- literature --- Jorge Luis Borges --- narrative
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La reconnaissance internationale de la littérature latino-américaine au xxe siècle a souvent été interprétée par la critique comme le résultat de l’influence du modernisme, notamment du fait de la lecture, par les auteurs latino-américains, de James Joyce et de William Faulkner. Certains auteurs du continent, pourtant, suivent des stratégies différentes : Jorge Luis Borges, Adolfo Bioy Casares et Julio Cortázar utilisent les fondements de la littérature de genre (fantastique, policier, horreur, roman d’aventure) pour opérer une reconfiguration des équilibres entre le champ littéraire et les injonctions politiques, nationales et culturelles. Dans cette optique, le travail de Robert Louis Stevenson sur les publics populaires et le croisement des genres peut être vu comme une référence idéale, du fait de sa complexité et de son souci constant d’expérimentation. Cette étude a donc pour objectif de proposer une comparaison de ces stratégies, en utilisant les outils conceptuels et théoriques de la littérature mondiale. Stevenson, de cette manière, pourra apparaître comme un modèle herméneutique pour penser et résoudre certains dilemmes géographiques et littéraires.
Literature, Romance --- théorie narrative --- Robert Louis Stevenson --- Jorge Luis Borges --- Adolfo Bioy Casares --- Julio Cortázar --- Narrative Theory
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema.
Theory of architecture --- Dick, Philip K. --- Ballard, J. G., --- Criticism and interpretation. --- architecture --- design --- literature --- Jorge Luis Borges --- narrative
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Tango Lessons is an interdisciplinary collection of essays examining the many varied perspectives that tango provides on Argentina's social, cultural, and intellectual history from the late nineteenth century to the early twenty-first.
Tango (Dance) --- Tangos --- Social aspects --- History. --- History and criticism. --- Dance --- Arts --- Argentina --- Argentine tango --- Bandoneon --- Buenos Aires --- Jorge Luis Borges --- Lunfardo --- Paris --- Tango music
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