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Jill Johnston--cultural critic, auto/biographer, and lesbian icon--began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to discuss her life, her sexuality, and her politics. This book brings together thirty texts Johnston wrote for the Voice between 1960 and 1974, beginning with her early dance coverage and continuing though the time when, as she put it, the column moved "from the theatre of dance and happenings toward the theatre of my life." As Johnston abandoned an objective critical standpoint, her column interwove forms and formats, and political, literary, art-historical, and critical perspectives, taking turns and loops, reflecting its time and contexts--with the one constant being Johnston's unmistakable, witty, intimate voice. As a person and as a writer she pioneered a model that not only challenged notions of writerly appropriateness but also performed and created a new lesbian identity. This collection also includes texts by Ingrid Nyeboe, Johnston's long-time partner and spouse; Bruce Hainley; and Jennifer Krasinski. An appendix collects material related to a 1969 panel discussion organized by Johnston (featuring Andy Warhol, Ultra Violet, and Carolee Schneemann, among others) that gives this volume its title: "The disintegration of a critic : an analysis of Jill Johnston." --

Johnston, Jill --- Feminist art criticism --- Feminism and the arts --- Lesbian feminist theory --- Art critics --- Authors, American --- kunst --- kunsttheorie --- kunstkritiek --- feminisme --- LGBTQ+ --- homoseksualiteit --- lesbianisme --- twintigste eeuw --- Verenigde Staten --- cultuurfilosofie --- Johnston Jill --- 7.01 --- American authors --- Critics --- Lesbian feminism --- Lesbian feminist sociology --- Theory of lesbian feminism --- Feminist theory --- Arts and feminism --- Arts --- Art criticism --- Feminist criticism --- Philosophy

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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Edited by Mark Francis ; Survey by Hal Foster --- kunst --- twintigste eeuw --- pop art --- beeldhouwkunst --- schilderkunst --- literatuur --- fotografie --- installaties --- Adam Ken --- Alloway Lawrence --- Anger Kenneth --- film --- Antonioni Michelangelo --- Arbus Diane --- d'Arcangelo Allan --- Archizoom & Superstudio --- Arman --- Artschwager Richard --- Ashton Dore --- Bailey David --- Banham Reyner --- Barker Clive --- Barthes Roland --- Battcock Gregory --- Baudrillard Jean --- Ben --- Vautier Ben --- Bengston Billy Al --- Berman Wallace --- Blake Peter --- Boshier Derek --- Boty Pauline --- Boyle Mark --- Hills Joan --- Brecht George --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Buckminster Fuller R. --- Burckhardt Rudy --- Cage John --- Cammell Donald --- Roeg Nicolas --- Caulfield Patrick --- César --- Chamberlain John --- Cohn Nick --- Conner Bruce --- Coplans John --- Sister Corita --- Corita Sister --- Corman Roger --- Crumb Robert --- Danto Arthur C. --- Debord Guy --- Dine Jim --- Walt Disney Imagineering --- Disney Walt --- Drexler Rosalyn --- Duchamp Marcel --- Dylan Bob --- Eco Umberto --- Eggleston William --- Erro --- Falhström Öyvind --- Fletcher Allan --- Frank Robert --- Fried Michael --- Friedlander Lee --- Geldzahler Henry --- Ginsberg Allen --- Godard Jean-Luc --- Goldfinger Ernö --- Goode John --- Graham Dan --- Gunn Thom --- Grooms Red --- Hains Raymond --- Hamilton Richard --- Hanson Duane --- Henderson Nigel --- Hockney David --- Hollein Hans --- Hopper Dennis --- Huyssen Andreas --- Indiana Robert --- Jacquet Alain --- Jess --- Joannes Gérard --- Johns Jasper --- Johnson Ellen H. --- Johnston Jill --- Johnson Ray --- Jones Allen --- Jorn Asger --- Judd Donald --- Katz Alex --- Kelley Mike --- Kienholz Edward --- Kitaj R.B. --- Klein William --- Klüver Billy --- Kramer Hilton --- Kunitz Stanley --- Kusama Yayoi --- Laing Gerald --- Lennon John --- kunst en politiek --- Lichtenstein Roy --- Lueg Konrad --- MacDonald Ian --- McCartney Paul --- McHale John --- McLuhan Marshall --- Marcus Greil --- Mekas Jonas --- Moore Charles --- Morley Malcolm --- Mulvey Laura --- O'Doherty Brian --- O'Hara Frank --- Oldenburg Claes --- Paolozzi Eduardo --- Peenbaker D.A. --- Perkins Carl --- Phillips Peter --- Pistoletto Michelangelo --- Polke Sigmar --- Price Cedric --- Quarmby Arthur --- Ramos Mel --- Rauschenberg Robert --- Raysse Martial --- Reichardt Jasia --- Resatny Pierre --- Rice Ron --- Richter Gerhard --- Rivers Larry --- Rosenblum Robert --- Rosenquist James --- Rotella Mimmo --- Ruscha Ed --- Samaras Lucas --- Saul Peter --- Schneemann Carolee --- Schwitters Kurt --- Segal George --- Self Colin --- Selz Peter --- Sharp Martin --- Smith Jack --- Smith Richard --- Smithson Alison --- Smithson Peter --- Sontag Susan --- Spoerri Daniel --- Steinberg Leo --- Swenson G.R. --- Tashlin Frank --- Thek Paul --- Thiebaud Wayne --- Thompson Hunter S. --- Tilson Joe --- Tinguely Jean --- Velvet Underground --- Venturi, Scott Brown & Associates --- De la Villegleé Jacques --- Vostell Wolf --- Warhol Andy --- Watts Robert --- Wesley John --- Wesselmann Tom --- Whitman Robert --- Winogrand Garry --- Wolfe Tom --- 7.038 --- hedendaagse kunst --- pop-art --- Pop [fine arts styles] --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Buchloh Benjamin H.D --- Buckminster Fuller R --- Danto Arthur C --- Johnson Ellen H --- Kitaj R.B --- Peenbaker D.A --- Swenson G.R --- Thompson Hunter S