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Doelstelling: Code-switching betekent dat er meerdere talen of taalvariëteiten worden gebruikt binnen dezelfde uiting. Het doel van deze scriptie is de functies van code-switching in de roman '1919' van John Dos Passos bepalen en onderzoeken hoe deze functies worden vertaald in het Nederlands. Middelen of methode: De functies van code-switching in de brontekst worden bestudeerd en worden vergeleken met het gebruik van code-switching in de doeltekst door middel van een studie van de gebruikte vertaalstrategieën. Resultaten: De analyse van de functies wijst uit dat code-switching in de brontekst meestal wordt gebruikt om te karakteriseren, om de tekst realistisch te maken, om de illocutie van de taalhandeling te versterken en om een komisch effect te krijgen. Slechts een functie wordt volledig behouden in de brontekst doordat de second-source language items behouden worden: de functie om de tekst realistisch te maken. De andere functies gaan in de vertaling grotendeels verloren omdat de vertaler culturele filtering gebruikt.

Code-switching. --- John Dos Passos. --- Literatuur. --- Second-source language items. --- Vergelijking. --- Vertaalkundige studie – Onderzoek van vertalingen – schriftelijke taal. --- Vertaalstrategieën. --- Vertaling.

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Before he attained notoriety as Dean of the Hollywood Ten-the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party-John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930's and 1940's, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.

Motion picture industry --- Theater --- Communism and literature --- Blacklisting of authors --- Screenwriters --- Dramatists, American --- History. --- History --- Lawson, John Howard, --- Lawson, J. H. --- Lewis, Edward, --- Lao-hsün, --- Lawson, John Howard, -- 1894-1977.. --- Dramatists, American -- 20th century -- Biography.. --- Screenwriters -- United States -- Biography.. --- Blacklisting of authors -- United States.. --- Communism and literature -- United States -- History -- 20th century.. --- Theater -- New York (State) -- New York -- History -- 20th century.. --- Motion picture industry -- California -- Los Angeles -- History. --- 1930s. --- 1940s. --- 1947. --- 20th century. --- america. --- antisemitism. --- biographical. --- blacklist. --- california. --- cinema. --- communism. --- communist party. --- directors. --- edmund wilson. --- ernest hemingway. --- f scott fitzgerald. --- gene kelly. --- historical nonfiction. --- hollywood ten. --- hollywood. --- house unamerican activities committee. --- imprisonment. --- infamy. --- john dos passos. --- john howard lawson. --- joseph mccarthy. --- mccarthyism. --- political figures. --- politics. --- radical politics. --- red scare. --- screenwriters. --- united states. --- us history.