Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Summary: Die 1899 in Dresden geborene Malerin Elfriede Lohse-Wächtler wurde 1940 in Pirna-Sonnenstein von den Nationalsozialisten ermordet. Sie gilt heute als eine der bedeutendsten deutschen Künstlerinnen der 1. Hälfte des 20. Jahrhunderts. Erst in den letzten zwei Jahrzehnten wurde ihr Werk wiederentdeckt und gewürdigt.

Jewish women artists --- Lohse-Wächtler, Elfriede,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Phrase 1: A captivating story of Jewish women in North America and their use of the arts, the digital, and technology to reshape Orthodoxy. First translocal ethnography of the ultra-Orthodox female art scene in music, film, and dance across North America and on social media. Phrase 2: An in-depth look into a secluded religious and artistic world in North America"--

Ultra-Orthodox Jewish women --- Jewish women artists --- Media literacy --- Mass media --- Orthodox Judaism --- Intellectual life --- Social aspects --- Judaism --- Religious aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Francesca Woodman took her first photograph at the age of thirteen. From the time she was a teenager until her death at twenty-two, she produced a fascinating body of work exploring gender, representation, and the very nature of the photograph itself using her own body and those of her friends. Featuring approximately forty unique vintage prints, as well as notes, letters, postcards, and other ephemera from a pivotal moment in the artist's young career, this volume, accompanying an exhibition of the same name, details Woodman's creative and personal coming-of-age during the years 1975-79. George Lange, a close friend of Woodman's and her family's -and a photographer in his own right - introduced curator Nora Burnett Abrams to the cache of images and ephemera from his personal collection that are featured in the volume. Ranging from portraits in her studio/apartment in college to self-portraits in the bucolic Colorado landscape in which she was raised, these works, which have never been published before, capture Woodman's hallmark approach to art-making: enigmatic, rigorous, and poignant. In her essay about this extraordinary group of images and ephemera, Abrams argues that these photographs afford a rare opportunity to see an artist in formation--in them we witness the artist as she worked through an idea in many iterations to arrive at a desired result. Abrams also concludes that, importantly, this unique archive humanizes Woodman and allows the viewer to see her in the fullness of her life--laughing with friends and collaborators, being playful, and feeling joy. Drew Sawyer's essay considers the heady years of the mid-1970s and photography's increasingly important role in contemporary art discourse of the time, when serious approaches to the medium were just starting to take hold. Sawyer deftly catalogues the critical texts of the day that chronicled the move away from documentary or 'straight' photography in artistic circles emerging at the time, which privileged more personal and experimental image-making. He places Woodman in the context of her peers - such as Ana Mendieta - and the important feminist debates that were defining the era.

Woodman, Francesca --- Photography, Artistic --- Portraits, American --- Portrait photography --- Black-and-white photography --- Art, American --- Jewish women artists --- 761.2 fotografen afzonderlijk --- photography --- fotografie --- zwart-wit fotografie --- fotografen --- portretfotografie --- zelfportret --- naaktfotografie --- Photography --- Portraiture --- American portraits --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Jewish artists --- Women artists --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Portraits --- Aesthetics --- Woodman, Francesca, --- Criticism and interpretation. --- Themes, motives.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Created in close collaboration with the artist, this volume offers an in-depth examination of twenty-five years of Rachel Harrison's room-sized installations, sculptures, drawings, photographs, and books through scholarly essays and a unique plate section. The essays cover topics ranging from the artist's earliest work to recent complex installations and sculptures, which often combine quotidian objects such as metal trash cans and with sculptural elements, including large painted concrete forms, that Harrison creates herself.

Installations (Art) --- Assemblage (Art) --- Photography, Artistic --- Art, American --- Art, Modern --- Jewish women artists --- kunst --- 7.071 HARRISONI --- installaties --- Harrison Rachel --- eenentwintigste eeuw --- Verenigde Staten --- kunstenaarsboeken --- artists' books --- fotografie --- tekenkunst --- beeldhouwkunst --- assemblage --- Jewish artists --- Women artists --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Dadaism --- Found objects (Art) --- Installation art --- Environment (Art) --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Harrison, Rachel, --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- drawings [visual works] --- photographs --- sculpture [visual works] --- installations [visual works] --- color [perceived attribute] --- found object sculpture --- polystyrene --- Harrison, Rachel --- 7.07 --- Harrison, Rachel °1966 (°New York City, Verenigde Staten) --- Vrouwelijke kunstenaars --- Beeldhouwkunst ; van dagelijkse gebruiksvoorwerpen --- Intermedia ; assemblages ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

New York (N.Y.) --- Women immigrants --- Jewish women artists --- Arts, American --- Immigrant women --- Immigrants --- Jewish artists --- Women artists --- American arts --- Intellectual life --- Goudal, Jetta, --- Levien, Sonya, --- Yezierska, Anzia, --- Stokes, Rose Pastor, --- Goudeket, Henriette, --- Goudeket, Julie Henriette, --- Hovey, Sonya, --- Opesken, Sara, --- Stokes, Rose Pastor Wieslander, --- Wieslander, Rose Harriet, --- New York (City) --- Ni︠u︡ Ĭork (N.Y.) --- Novi Jork (N.Y.) --- Nova Iorque (N.Y.) --- Nyu-Yorḳ (N.Y.) --- Nueva York (N.Y.) --- Nu Yorḳ (N.Y.) --- Nyuyok (N.Y.) --- Nuyorḳ (N.Y.) --- New York City (N.Y.) --- Niyū Yūrk (N.Y.) --- Niyūyūrk (N.Y.) --- Niu-yüeh (N.Y.) --- Nowy Jork (N.Y.) --- City of New York (N.Y.) --- New York Stad (N.Y.) --- نيويورك (N.Y.) --- Táva Nueva York (N.Y.) --- Nyu-York Şähäri (N.Y.) --- Нью-Йорк (N.Y.) --- Горад Нью-Ёрк (N.Y.) --- Horad Nʹi︠u︡-I︠O︡rk (N.Y.) --- Нью-Ёрк (N.Y.) --- Ню Йорк (N.Y.) --- Nova York (N.Y.) --- Çĕнĕ Йорк (N.Y.) --- Śĕnĕ Ĭork (N.Y.) --- Dakbayan sa New York (N.Y.) --- Dinas Efrog Newydd (N.Y.) --- Efrog Newydd (N.Y.) --- Nei Yarrick Schtadt (N.Y.) --- Nei Yarrick (N.Y.) --- Νέα Υόρκη (N.Y.) --- Nea Yorkē (N.Y.) --- Ciudad de Nueva York (N.Y.) --- Novjorko (N.Y.) --- Nouvelle York (N.Y.) --- Nua-Eabhrac (N.Y.) --- Cathair Nua-Eabhrac (N.Y.) --- Caayr York Noa (N.Y.) --- York Noa (N.Y.) --- Eabhraig Nuadh (N.Y.) --- Baile Eabhraig Nuadh (N.Y.) --- Нью Йорк балhсн (N.Y.) --- Nʹi︠u︡ Ĭork balḣsn (N.Y.) --- Шин Йорк (N.Y.) --- Shin Ĭork (N.Y.) --- 뉴욕 (N.Y.) --- Lungsod ng New York (N.Y.) --- Tchiaq York Iniqpak (N.Y.) --- Tchiaq York (N.Y.) --- New York-borg (N.Y.) --- Nuova York (N.Y.) --- ניו יורק (N.Y.) --- New York Lakanbalen (N.Y.) --- Lakanabalen ning New York (N.Y.) --- Evrek Nowydh (N.Y.) --- Nouyòk (N.Y.) --- Bajarê New Yorkê (N.Y.) --- New Yorkê (N.Y.) --- Mueva York (N.Y.) --- Sivdad de Mueva York (N.Y.) --- סיבֿדאד די מואיבֿה יורק (N.Y.) --- Sivdad de Muevah Yorḳ (N.Y.) --- מואיבֿה יורק (N.Y.) --- Muevah Yorḳ (N.Y.) --- Novum Eboracum (N.Y.) --- Neo-Eboracum (N.Y.) --- Civitas Novi Eboraci (N.Y.) --- Ņujorka (N.Y.) --- Niujorkas (N.Y.) --- Niujorko miestas (N.Y.) --- Niuiork (N.Y.) --- Њујорк (N.Y.) --- Njujork (N.Y.) --- Bandar Raya New York (N.Y.) --- Bandaraya New York (N.Y.) --- Nuoba Iorque (N.Y.) --- Нью-Йорк хот (N.Y.) --- Nʹi︠u︡-Ĭork khot (N.Y.) --- Āltepētl Yancuīc York (N.Y.) --- Niej-York (N.Y.) --- ニューヨーク (N.Y.) --- Nyū Yōku (N.Y.) --- ニューヨーク市 (N.Y.) --- Nyū Yōku-shi (N.Y.) --- NYC (N.Y.) --- N.Y.C. (N.Y.) --- Social conditions --- Hovey, Sonya --- Opesken, Sara