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Wsrod mitow teatralnych Mlodej Polski
Authors: ---
ISBN: 8308008364 Year: 1983 Publisher: Krakow Wydawnictwo literackie

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Cracovie : Sur les traces de la Jeune Pologne : La sécession à Cracovie et environs = Krakow : Sladami Mlodej Polski : Secesja w Krakowie i okolicach
Authors: --- --- ---
ISBN: 8391483967 9788391483961 Year: 2002 Publisher: Bruxelles : CIVA éditions,

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Guide touristique de la ville de Cracovie, consacré au mouvement artistique polonais Art Nouveau appelé "La Jeune Pologne". Ce guide se présente sous la forme de promenades à travers la ville.


Book
L'avant-printemps: Pologne 1880-1920: [Exposition, Europalia 2001 Pologne-Europalia 2001 Polska, Palais des Beaux-Arts, Bruxelles, du 3 octobre 2001 au 6 janvier 2002]
Authors: --- --- ---
ISBN: 2930236108 9782930236100 Year: 2001 Publisher: s. l. Tempora

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Il existe en Pologne une courte saison intermédiaire entre l'hiver et le printemps. Elle ne dure habituellement que 8 à 10 jours mais elle marque un changement spectaculaire après l'hiver souvent froid et long. Le gel a soudain cessé, la température monte, les rivières connaissent une débacle soudaine. Puis, tout aussi subit, le printemps éclate, le soleil est soleilleux et les bourgeons bourgeonnent. Ce terme d'avant-printemps a été choisi comme symbole de l'exposition qui couvre l'art polonais de 1880 à 1920. C'est une période qui précède la résurrection de la Pologne, sa sortie du néant pour entrer dans le cercle des Etats modernes


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Misfit modernism : queer forms of double exile in the twentieth-century novel
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ISBN: 9780271087139 0271087137 0271087390 Year: 2020 Publisher: University Park, PA : The Pennsylvania State University Press,

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In this book, Octavio R. González revisits the theme of alienation in the twentieth-century novel, identifying an alternative aesthetic centered on the experience of double exile, or marginalization from both majority and home culture. This misfit modernist aesthetic decenters the mainstream narrative of modernism—which explores alienation from a universal and existential perspective—by showing how a group of authors leveraged modernist narrative to explore minoritarian experiences of cultural nonbelonging.Tying the biography of a particular author to a close reading of one of that author’s major works, González considers in turn Nella Larsen’s Quicksand, Wallace Thurman’s The Blacker the Berry, Jean Rhys’s Quartet, and Christopher Isherwood’s A Single Man. Each of these novels explores conditions of maladjustment within one of three burgeoning cultural movements that sought representation in the greater public sphere: the New Negro movement during the Harlem Renaissance, the 1920s Paris expatriate scene, and the queer expatriate scene in Los Angeles before Stonewall. Using a methodological approach that resists institutional taxonomies of knowledge, González shows that this double exile speaks profoundly through largely autobiographical narratives and that the novels’ protagonists challenge the compromises made by these minoritarian groups out of an urge to assimilate into dominant social norms and values.Original and innovative, Misfit Modernism is a vital contribution to conversations about modernism in the contexts of sexual identity, nationality, and race. Moving beyond the debates over the intellectual legacies of intersectionality and queer theory, González shows us new ways to think about exclusion.

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