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Mort il y a trente-cinq ans, Jean Genet est une figure majeure de la littérature du XXe siècle, et cela malgré une écriture controversée - mêlant classicisme, érotisme et pornographie provocatrice -, dépeignant l'univers carcéral et homosexuel de ce début de siècle. Nous tenterons alors, par le biais de ce travail, d’étudier et de comprendre les conceptions même de la "masculinité" et a fortiori de la "virilité", afin de démonter toute l'ambiguïté de l'univers genetien. Pour y parvenir, nous relirons les cinq premiers romans de l'auteur au prisme enchanteur de la sainte virilité, en proposant également une inévitable analyse moderne de l’homosexualité masculine.
Jean Genet --- Études de genre --- Homosexualité --- Littérature --- Masculinité --- Virilité --- XXe siècle --- Arts & sciences humaines > Littérature
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The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that "decision" is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of "unbecoming community" in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the "neutral mourning" of Barthes' Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
Arts and morals. --- Aporia. --- Art --- Art --- Philosophy. --- History and criticism. --- jean-luc nancy, queer theory, intimacy, sharing, community, separation, coexistence, loss, absence, departure, death, space, place, nonfiction, philosophy, literature, art, ethics, willem de kooning, robert rauschenberg, erased, erasure, writing degree zero, roland barthes, felix gonzalez-torres, camera lucida, catherine breillat, marguerite duras, jean genet, unmade beds, photography, blank pages, emptiness, neutral mourning, nude, nakedness.
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Cette dissertation cherche à établir les conditions qui permettent à une relation BDSM d’échange de pouvoirs de produire des effets politiques d’émancipation. À partir de la théorie butlérienne de la performativité des corps, je montre que ce dispositif culturel de réitération parodique permet la resignification d’identités, de rôles et de pratiques. Une brève recherche à travers l’histoire clinique du sadomasochisme montre quelles sont les racines culturelles de certains comportements sexuels, avec en leur centre le modèle masochiste du contrat. Par une reprise de la critique féministe de la théorie du contrat social, je montre le potentiel transgressif du contrat BDSM ainsi que ses limitations. Avec le travail de Robin Bauer et un roman de Jean Genet, je pose que les effets produits sur la subjectivité dans l’intimité peuvent avoir des effets politiques publiques. This dissertation aims at establishing the conditions allowing a power-exchange BDSM relationship to produce political effects of emancipation. From Butler’s theory of performativity of bodies, I show that this cultural dispositive allows a parodic reassigning of identities, roles and practices. A brief research through the clinical history of sadomasochism shows the cultural roots of certain sexual behaviors, centering around the notion of the masochistic contract. Through an uptake of the feminist critique of the social contract theory, I show the transgressive potential of the BDSM contract and its limitations. With Robin Bauer’s work and a novel by Jean Genet, I argue that the effects produced on the subjectivity in a private context can have public political effects.
BDSM --- domination --- soumission --- sexualité --- performativité --- masochisme --- sadisme --- sadomasochisme --- S/M --- post-porn --- Jean Genet --- émancipation --- queer --- queer theory --- sadomasochism --- sadism --- masochism --- Sacher-Masoch --- Robin Bauer --- Judith Butler --- drag king --- drag queen --- drag --- Preciado --- pornographie --- consentement --- contrat sexuel --- care --- éthique du care --- non-mixité --- psychanalyse --- Sartre --- Sex Wars --- MacKinnon --- Dworkin --- intimité --- extimité --- gode --- dyke --- LGBTQIA --- LGBT --- LGBTQIA+ --- aftercare --- subspace --- travail du sexe --- travailleuse du sexe --- TDS --- Baise-moi --- Despentes --- Genet --- Arts & sciences humaines > Philosophie & éthique
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Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.
82-312.9 --- 82.09 --- Fantastische literatuur --- Literaire kritiek --- Avant-garde (Aesthetics) --- Literature, Experimental --- Literature, Modern --- History and criticism. --- Avant-garde (Aesthetics). --- Literature, Experimental. --- Literature, Experimental - History and criticism. --- Literature, Modern - 19th century - History and criticism. --- Literature, Modern - 20th century - History and criticism. --- Literature, Modern. --- Literature - General --- Languages & Literatures --- History and criticism --- 82.09 Literaire kritiek --- 82-312.9 Fantastische literatuur --- Aesthetics --- Modernism (Art) --- literature, literary studies, art, artwork, terror, creativity, violence, violent, political extremism, cultural study, politics, criminals, terrorism, terrorists, fear, j m synge, hermann melville, frederick douglass, jean genet, francis ford coppola, joseph conrad, don delillo, aesthetics, william wordsworth, bret easton ellis, martin scorsese, fyodor dostoevsky, john cassavetes, thomas mann, social order.
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Sartre, Jean-Paul --- Existence [Philosophie de l' ] --- Existentialism --- Existentialisme --- Existentiefilosofie --- Existenzphilosophie --- Filosofie --- Philosophie --- Philosophie de l'existence --- Liberty --- Philosophy, French --- Liberté --- Philosophie française --- Sartre, Jean-Paul, --- Sartre, Jean Paul --- Liberté --- Philosophie française --- Criticism and interpretation --- Sartŭr, Zhan-Pol --- Sartr, Zhan-Polʹ --- Sārtar, Jān-Būl --- Sārtar, Zhān-Pūl --- Sha-tʻe --- Sartre, J.-P. --- Sa-tʻe --- Sate --- Sa-tʻe, Jang-Pao-erh --- Sate, Rangbao'er --- Sāt, Chō̜ng-Pō̜n --- Sarutoru --- Sarṭr, G'on Pol --- Chō̜ng-Pō̜n Sāt --- Cārttar, L̲ān̲-Pōl --- Сартp, Жан-Поль, --- סארטר, ג׳אן פול --- סארטר, ג׳אן פון --- סארטר, ז׳אן פול --- סארטר, ז׳אן־פול, --- سارتر، جان پول --- Guillemin, Jacques --- Sārtra, Jyām̐ Pāla --- サルトル, ジャン ポール --- Sartre, Jean-Paul, - 1905-1980 --- les années 1930 --- Sartre --- phénoménologie --- Husserl --- Heidegger --- ontologie phénoménologique --- positivisme --- idéalisme --- intériorité --- intentionnalité --- la conscience --- émotion --- comédie non-thétique --- la notion de mauvaise foi --- la transcendance de l'égo --- la subjectivité transcendantale husserlienne --- phénoménologie de l'idéalité mathématique --- Merleau-Ponty --- la compréhension sartrienne du néant --- Kant --- néant dialectique --- ens realissimum --- la conscience pré-réflexive --- action réciproque --- simultaneïté --- le cogito --- Descartes --- unité diasporique de la conscience --- Mauriac --- Giraudoux --- Faulkner --- Dos Passos --- Brice Parain --- Camus --- Bataille --- Ponge --- Renard --- la magie --- la temporalité sartrienne --- l'esprit analytique --- le mystique --- Flaubert --- existentialisme --- humanisme --- la dignité humaine --- la guerre --- Roquentin --- anarcho-syndicalisme --- psychanalyse --- Poulou --- Jean Genet --- perspectives morales --- radicalisme éthique
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This title situates the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950's and 1960's.
Theater --- Politics in literature. --- Political science in literature --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Political aspects. --- Political aspects --- Genet, Jean, --- Criticism and interpretation. --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Jih-nai, Jang, --- Zhene, Zhan, --- Z'eneh, Z'an, --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- Jih-nai, Jang --- Zhene, Zhan --- Z'eneh, Z'an --- Literature --- Literary Studies: C 1500 To C 1800 --- PERFORMING ARTS / Theater / History & Criticism --- Literary studies: general --- Jean Genet. --- The Balcony. --- The Blacks. --- The Screens. --- aesthetic politics. --- decolonization. --- modernisation. --- political aesthetics. --- political transformation. --- theatre.
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"Northern Arts is a provocative exploration of Scandinavian literature and art. With intellectual power and deep emotional insights, writer and critic Arnold Weinstein guides us through the most startling works created by the writers and artists of Scandinavia over the past two centuries ... Weinstein uses the concept of "breakthrough"--Boundary smashing, restlessness, and the exploding of traditional forms and values-- as a thematic lens through which to expose the rolling energies and violence that courses through Scandinavian literature and art. Defying preconceptions of Scandinavian culture as depressive or brooding, Weinstein invites us to imagine anew this transformative and innovative tradition of art that continually challenges ideas about the sacred and the profane, family and marriage, children, patriarchy, and personal identity."--Back cover.
Arts, Scandinavian --- Scandinavian arts --- Absurdity. --- Ad nauseam. --- Adolf. --- Allegory. --- Alterity. --- An Anthropologist on Mars. --- Astrid Lindgren. --- August Strindberg. --- Barabbas. --- Bela Lugosi. --- Castration anxiety. --- Castration. --- Central conceit. --- Child abandonment. --- Code word (figure of speech). --- Creation myth. --- Criticism. --- Cubism. --- Depiction. --- Despotism. --- Disgust. --- Echo. --- Edgar Allan Poe. --- Edvard Munch. --- Edward Albee. --- Emanuel Swedenborg. --- Enmeshment. --- Erland Josephson. --- Ernst Josephson. --- Evocation. --- Existentialism. --- Explanation. --- Fairy tale. --- Family resemblance. --- Fanny and Alexander. --- Faust. --- Frauenfrage. --- G. (novel). --- Georges Bataille. --- Good and evil. --- Hamlet's Father. --- Hatred. --- Hubris. --- Humiliation. --- I Wish (manhwa). --- Incest. --- Infanticide. --- Infatuation. --- Ingmar Bergman. --- Irony. --- Jacques Derrida. --- Jean Genet. --- Karl Jaspers. --- Knut Hamsun. --- Libido. --- Literature. --- Little Eyolf. --- Madame Bovary. --- Masturbation. --- Meanness. --- Mills of God. --- Misery (novel). --- Mom and Dad. --- Munch Museum. --- Narrative. --- Negative capability. --- On the Beach (novel). --- Orgy. --- Our Hero. --- Paul Gauguin. --- Pelle the Conqueror. --- Pippi Longstocking. --- Playwright. --- Poetry. --- Pornography. --- Predicament. --- Puffery. --- Religion. --- Ridicule. --- Ronia the Robber's Daughter. --- Rosmersholm. --- Scandinavian literature. --- Superiority (short story). --- Suspension of disbelief. --- Søren Kierkegaard. --- Taunting. --- The Dead Father. --- The Emperor's New Clothes. --- The Ghost Sonata. --- The Marriage of Heaven and Hell. --- The Ultimate Truth. --- Thomas Kuhn. --- Tragicomedy. --- Two Women. --- Vanitas. --- War. --- Warfare. --- When We Dead Awaken. --- William Shakespeare. --- Writing.
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