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'Rethinking Japanese Feminisms'' offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women's history, this book offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. It will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
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In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edo-period advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The postwar period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century--the "Super Girls of Art"--is analyzed, followed by a consideration of gender ambiguity and cross-gender identification in contemporary anime and manga.
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Women --- Femmes --- Employment --- History --- Travail --- Histoire --- J4353 --- Japan: Economy and industry -- labor and employment -- women --- J4176 --- Japan: Sociology and anthropology -- gender roles, women, feminism
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Sex role --- Women --- J4176 --- J4178 --- History --- Social conditions --- Japan: Sociology and anthropology -- gender roles, women, feminism --- Japan: Sociology and anthropology -- gender, men --- Japan --- Civilization.
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Women and religion --- Japan --- Religion. --- J1714 --- J4176 --- Religion and women --- Women in religion --- Religion --- Sexism in religion --- Japan: Religion in general -- sociology of religion --- Japan: Sociology and anthropology -- gender roles, women, feminism
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