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Jamaican literature. --- English literature --- Jamaican authors --- Jamaica
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This study considers cultural representations of 'brown' people in Jamaica and England alongside the determinations of race by statute from the Abolition era onwards. Through close readings of contemporary fictions and 'histories, ' Salih probes the ext.
Racially mixed people in literature. --- Jamaican literature --- English literature --- Race in literature. --- Racially mixed people --- Racially mixed people in motion pictures. --- History and criticism. --- Race identity. --- Legal status, laws, etc. --- English literature. --- Jamaican literature. --- LITERARY CRITICISM --- History and criticism --- European --- English, Irish, Scottish, Welsh. --- 1800-1899.
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Making History Happen: Caribbean Poetry in America examines Lorna Goodison's Turn Thanks (1999), McCallum's The Water Between Us (1999), and Claudia Rankine's Plot (2001) and Don't Let Me Be Lonely (2004). Engaging familiar themes and issues of time, language, and identity, the readings focus on "Signifying" moments in the works of the poets under discussion. Reflecting on some of the ways that transnational women poets of the black diaspora are using tropes of mobility to create a renewed sense of identity and a sense of belonging to a communal network, the readings also demonstrate that the
American literature --- American poetry --- Jamaican poetry --- English literature --- Agrarians (Group of writers) --- Jamaican literature --- Caribbean American authors --- History and criticism. --- Women authors, Black --- Women authors --- Goodison, Lorna. --- McCallum, Shara, --- Rankine, Claudia,
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Motion pictures --- Caribbean literature (English) --- Postcolonialism in literature. --- Sovereignty in literature. --- Jamaican literature --- History and criticism. --- English literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Jamaican authors --- History and criticism
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The fugitive slave known as "Three-Fingered Jack" terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have "thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
BIOGRAPHY & AUTOBIOGRAPHY / Criminals & Outlaws. --- HISTORY / Caribbean & West Indies / General. --- LITERARY CRITICISM / Caribbean & Latin American. --- Legends --- American literature --- English literature --- Jamaican literature --- Folk tales --- Traditions --- Urban legends --- Folklore --- History and criticism. --- Jamaican authors --- Mansong, Jack, --- Three-finger'd Jack, --- Three-fingered Jack, --- Threefingered Jack, --- Legends. --- In literature. --- Caribbean. --- freedom fighter. --- jack mansong. --- jamaica. --- mansong. --- outlaw. --- rebel. --- thief.
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