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An essential overview of Jafa's sweeping, dynamic and disquieting video portraits of Black American life. Though he has worked in film and music for decades, American video artist Arthur Jafa only garnered acclaim in the art world in 2016 for his video work Love is the Message, the Message is Death. Composed of found images and videos, his oeuvre revolves around Black American culture, the history of slavery, and ongoing structural and physical violence against Black Americans. As Jafa put it in his 2003 text “My Black Death”: “The central conundrum of black being (the double bind of our ontological existence) lies in the fact that common misery both defines and limits who we are. Such that our efforts to eliminate those forces which constrain also function to dissipate much which gives us our specificity, our uniqueness, our flavor by destroying the binds that define we will cease to be, but this is the good death (boa morte) to be embraced.”
Art --- installations [visual works] --- racial discrimination --- slavery --- video art --- violence --- African American --- Jafa, Arthur
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Art --- multimedia works --- racial discrimination --- Leckey, Mark --- Tiptree, James [jr.] --- Jafa, Arthur --- Orupabo, Frida --- Hoey, Dana --- Dyson, Torkwase --- Newsome, Rashaad --- Man Ray
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Woods, Frederick ; Leo and Diane Dillon ; Imes, Birney ; Orupabo, Frida ; de Clippel, Catherine ; Riis, Jacob A. ; Henzell, Perry ; Lawson, Deana ; Bearden, Romare; Smith, Ming ; Akomfrah, John ; Hoey, Dana ; Herriman, George ; Marshall, Kerry James ; Adjaye, David ; Sayeed, Mallik Hassan.
Blacks --- Blacks in art --- Installations (Art) --- kunst --- film --- video --- video-installaties --- installaties --- fotografie --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Jafa Arthur --- 7.071 JAFA --- Installation art --- Art, Modern --- Environment (Art) --- Negroes --- Ethnology --- Race identity --- Jafa, Arthur. --- Jaffa, Arthur --- Jafa Fielder, Arthur --- Fielder, Arthur Jafa --- Exhibitions --- Arthur Jafa --- Black persons --- Negroes in art
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Dark Mirrors' assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image's relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the visual in social life. The book sets out an argument that one of the most dynamic sites of artistic invention in photographic practice over the past decade has been the photographic book, and thus many of the essays in the volume assess artistic works as they are bodied forth in that form. Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention. With essays on Deana Lawson, Dana Lixenberg, Paul Pfeiffer, Arthur Jafa, Katy Grannan, and Robert Bergman among others.
Photographic criticism --- Photobooks --- Art and photography --- kunst --- fotografie --- eenentwintigste eeuw --- fotografietheorie --- 77.01 --- Photo-books --- Illustrated books --- Photograph albums --- Photography --- Photography criticism --- Criticism --- Photography and art --- History --- Jafa, Arthur --- Lawson, Deana, --- Jude, Ron, --- Jaffa, Arthur --- Jafa Fielder, Arthur --- Fielder, Arthur Jafa --- Criticism and interpretation. --- Art --- Contemporary [style of art] --- maatschappijkritiek --- Wolukau-Wanambwa, Stanley --- anno 2010-2019 --- United States --- United States of America
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Art --- paintings [visual works] --- collages [visual works] --- drawings [visual works] --- photographs --- sculpture [visual works] --- mixed media --- Hendricks, Barkley L. --- Wiley, Kehinde --- Abney, Nina Chanel --- Cave, Nick --- Hajjaj, Hassan --- Mahlangu, Esther --- Odita, Odili Donald --- Parks, Gordon --- Sidibé, Malick --- Thomas, Hank Willis --- Thomas, Mickalene --- Yiadom-Boakye, Lynette --- Taylor, Henry --- Odutola, Toyin Ojih --- Lawson, Deana --- Jafa, Arthur --- Orupabo, Frida --- Shabazz, Jamel --- Patterson, Ebony G. --- Self, Tschabalala --- Kaphar, Titus --- Spann, Vaughn --- Adams, Derrick --- Bailey, Radcliffe --- Barnes, Ernie --- Boyland, Jarvis --- Casteel, Jordan --- Brathwaite, Kwame --- Lagarrigue, Jerome --- Mokgosi, Meleko --- Opoku, Zohra --- Roberts, Deborah --- Sherald, Amy --- Sory, Sanlé --- Wood, Qualeasha --- Yanko, Kennedy --- Basquiat, Jean-Michel --- Simpson, Lorna --- Dean Collection
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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work--from Deana Lawson's disarmingly intimate portraits to Arthur Jafa's videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph's films and Dawoud Bey's photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson--requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering--and joy--of Black life in the present. The artists whose work Campt explores challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. These artists create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.En lire moins
Aesthetics, Black --- Arts, Black --- Arts and society --- 7.039 --- Dawoud Bey --- Roy DeCarava --- Oklahoma Grayson --- Kahlil Joseph --- Deana Lawson --- Simone Leigh --- Jenn Nkira --- Donald Rodney --- Luke Willis Thompson --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Black arts --- Negro arts --- Black aesthetics --- History --- Kunstgeschiedenis ; 2000 - 2050 --- Social aspects --- Aesthetics --- gender [sociological concept] --- #breakthecanon --- Art --- sculpture [visual works] --- photography [process] --- video art --- African diaspora --- Bey, Dawoud --- Leigh, Simone --- Thompson, Luke Willis --- Okpokwasili, Okwui --- Jafa, Arthur --- Joseph, Kahlil --- Nkiru, Jenn --- Artistes noirs --- Esthétique --- dekolonisatie --- Artists, Black --- Black people in art. --- Esthétique noire --- Arts noirs --- Arts et société --- Personnes noires dans l'art. --- Arts, Black. --- Arts and society. --- Aesthetics, Black. --- Artists, Black. --- Art and Design. --- Histoire --- 2000-2099. --- United States. --- Aesthetics. --- African American. --- African Americans. --- Art. --- Black or African American. --- Esthetics. --- Esthétique noire. --- Esthétique. --- Noirs américains.
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Kunstenaars bieden ons een unieke kijk op de wereld. Ze maken alledaagse dingen spectaculair en vinden een vorm voor de ingewikkeldste problemen van de maatschappij. Kunstenaars over kunst voert ons met een uitgekiende selectie citaten, beelden en interviews mee in de denkwijze van de invloedrijkste creatieve denkers en doeners ter wereld. In het boek komen schilders, sculpturisten, filmmakers en fotografen aan bod, elk met hun eigen onderscheidende ideeën over allerlei aspecten van kunst. Ontdek hoe de giganten uit de kunstwereld, van Louise Bourgeois tot Ai Weiwei, tot hun unieke visuele stijl zijn gekomen, wat de centrale ideeën zijn waarop hun praktijk berust en, het belangrijkst, wat hun creaties betekenen.50 topkunstenaars, onder wie:Marina AbramovicKatsushika HokusaiJenny HolzerAnselm KieferZanele MuholiNam June PaikGerhard RichterCindy Sherman
Aesthetics of art --- art criticism --- artists' statements --- philosophy of art --- creating [artistic activity] --- Vigée-Lebrun, Elisabeth L. --- Beckmann, Max --- Marshall, Kerry James --- Perry, Grayson --- Shonibare, Yinka --- Paik, Nam June --- El Anatsui --- Gates, Theaster --- Choucair, Saloua Raouda --- Hiller, Susan --- Morimura, Yasumasa --- Hokusai --- Lee, Bul --- Cao Fei --- Rothko, Mark --- Salahi, el, Ibrahim --- Bourgeois, Louise --- Gonzales-Torres, Felix --- Gupta, Shilpa --- Harsha, N.S. --- Himid, Lubaina --- Konaté, Abdoulaye --- Abramovic, Marina --- Mosquito, Nástio --- Muholi, Zanele --- Mutu, Wangechi --- Navarro, Iván --- Steyerl, Hito --- Thomas, Mickalene --- Tracey, Emin --- Richter, Gerhard --- Ward, Nari --- Odutola, Toyin Ojih --- Sin, Victoria --- Akunyili Crosby, Njideka --- Jafa, Arthur --- Sherman, Cindy --- Hatoum, Mona --- Kiefer, Anselm --- Holzer, Jenny --- Kusama, Yayoi --- Kruger, Barbara --- Orozco, Gabriel --- Rembrandt --- Marisol --- Mendieta, Ana --- Reihana, Lisa --- Saville, Jenny --- Michelangelo --- Ai Weiwei --- Buonarroti, Michelangelo --- 456.7 --- kunsteducatie --- cultuureducatie --- didactiek algemeen - expressievakken, lichamelijke opvoeding
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Art, Modern --- kunst --- 7.039 --- kunst en politiek --- eenentwintigste eeuw --- biënnale van Venetië --- biennale di Venezia --- Exhibitions --- Biënnale van Venetië (58ste ; 2019) --- Kunsttentoonstellingen ; internationale --- Beeldende kunst ; 21ste eeuw --- Kunstgeschiedenis ; 2000 - 2050 --- Beeldende kunst ; 1ste helft 21e eeuw --- Art --- art [fine art] --- Weerasethakul, Achichatpong --- Vo, Danh --- Jamie, Cameron --- Moulène, Jean-Luc --- Saraceno, Tomás --- Hein, Jeppe --- Lee, Bul --- Altindere, Halil --- Atoui, Tarek --- Bader, Darren --- Baghramian, Nairy --- Beloufa, Neïl --- Bircken, Alexandra --- Bove, Carol --- Büchel, Christoph --- Condo, George --- Eisenman, Nicole --- Epaminonda, Haris --- Favaretto, Lara --- Gaillard, Cyprien --- Gill, Gauri --- Gupta, Shilpa --- Hamilton, Anthea --- Hernandez, Anthony --- Ikeda, Ryoji --- Liu Wei --- Loboda, Maria --- Margolles, Teresa --- Muholi, Zanele --- Nkanga, Otobong --- Sun Yuan & Peng Yu --- Saputra, Handiwirman --- Steyerl, Hito --- Upson, Kaari --- Ursuţa, Andra --- Wa Lehulere, Kemang --- Yin Xiuzhen --- Abu Hamdan, Lawrence --- Atkins, Ed --- Yu Ji --- Rico Jiménez, Gabriel --- Smith, Michael E. --- Taylor, Henry --- Strachan, Tavares --- Rafman, Jon --- Cheng, Ian --- Yi, Anicka --- Serapinas, Augustas --- Singer, Avery --- Catala, Antoine --- Gutierrez, Martine --- Minoliti, Ad --- Akunyili Crosby, Njideka --- Armitage, Michael --- Arunanondchai, Korakrit --- Carbotta, Ludovica --- Da Corte, Alex --- Darling, Jesse --- Gupta, Soham --- Halawani, Rula --- Jafa, Arthur --- Joseph, Kahlil --- Kadyrova, Zhanna --- Kang, Suki Seokyeong --- Katayama, Mari --- Lolis, Andreas --- Mulleady, Jill --- Müller, Ulrike --- Nabuqi --- Norbu, Khyentse --- Orupabo, Frida --- Wertheim, Margaret --- Wertheim, Christine --- Durham, Jimmie --- Douglas, Stan --- Trockel, Rosemarie --- Marclay, Christian --- Gonzalez-Foerster, Dominique --- Mehretu, Julie --- Slavs and Tatars --- MAD-faculty 19 --- hedendaagse kunst --- Biënnale van Venetië --- catalogus --- Corte, Da, Alex --- Ji, Yu --- art [discipline]
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