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In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create.The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while als
Realism in motion pictures. --- Motion pictures --- Realism in moving-pictures --- Philosophy. --- André Bazin. --- Christian Metz. --- Gilles Deleuze. --- Jacques Rancière. --- Slavoj Žižek. --- Stanley Cavell. --- cinema. --- film theorists. --- filmic reality.
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Bilder und Narrative gehören zu unserer politischen Kultur. Viele denken aber an Inszenierung, den schönen Schein oder reinen Symbolismus, wenn man nach der Ästhetik in der Politik fragt. Entgegen dieser Intuition arbeitet Valérie Dietrich die Produktivität und den konstitutiven Beitrag der Ästhetik für eine demokratische Politik heraus. Mit Hilfe des radikaldemokratischen Politikbegriffs von Jacques Rancière bindet sie sie an die sinnliche Wahrnehmung zurück und setzt sie in ein Verhältnis zu den anderen Vermögen der menschlichen Vernunft. Damit zeigt sie, dass die Ästhetik ein zentraler Ort gesellschaftlicher Reflexivität ist, von dem aus eine neue Politik beginnen kann.
Aesthetics --- PHILOSOPHY / Political. --- Political aspects. --- Aesthetics. --- Democracy. --- Ethics. --- Immanuel Kant. --- Jacques Rancière. --- Philosophy of History. --- Philosophy. --- Political Philosophy. --- Radical Democracy. --- Society. --- Radio broadcasting Aesthetics
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"This is the first book-length study of [Laurent] Cantet's work in English. It explores his unique working method and discusses his very particular way of constructing films at the uneasy interface of the individual, the group and the broader social context. The books shows how the roots of his well-known later films can be found in his little-studied early works, and goes on to explore all his major fictions, from Ressources humaines to Foxfire, combining careful close analysis with attention to broader cinematic, social and political contexts"--
Motion picture producers and directors --- Cantet, Laurent. --- Cantet, Laurent --- Criticism and interpretation. --- France. --- French film. --- Jacques Rancière. --- Laurent Cantet. --- Melodrama. --- Mickail Bakhtin. --- Pierre Bourdieu. --- Political cinema. --- Workplace.
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Drawing on the thoughts of Jacques Rancière, this open access book seeks to understand the politics of childhood art by attending to the relational matters in children's artistic practices rather than the linear age-based developmental theories which often limit children's creativity. Weaving Rancière's ideas on pedagogy, politics, and aesthetics, with a research study at a Kindergarten classroom in the USA and the author's own art experiences in South Korea as a child, Hayon Park discusses the politics and ethics of teacher-led art projects, children's popular culture, and adult-child drawing companionship. The author argues that childhood art and in education is inherently political and relational as, from an early age, children are acutely aware of monitoring, categorisation, and the potential oppression of their art making and learning. Offering a post-structural, reconceptualist approach to art education, Park argues for new emancipatory practices and pedagogies, which encourage children's creativity and activate curiosity. The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.
Philosophy & theory of education --- Jacques Rancière;philosophy of education;art education;child development;creativity;post-structuralism;reconceptualism;early childhood education --- Rancière, Jacques --- Aesthetics. --- Art --- Study and teaching (Early childhood) --- Rancière, Jacques,
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Flaptekst: In De fabel van de cinema geeft Jacques Rancière virtuoos en scherpzinnig zijn visie op de moderne cinema. Met speels gemak analyseert hij het spanningsveld van Eisensteins politieke filmtaal en Murnaus toneelverfilming. De documentaires van Chris Marker blijken ficties van de herinnering te zijn en in het werk van Deleuze ontleedt Rancière feilloos de discrepantie tussen het denken over cinema en de daarbij aangehaalde voorbeelden. De geschiedenis van de cinema ontrolt zich als een spel van tegenstellingen, waarbij Schillers gedachtegoed steeds op de achtergrond aanwezig is. De waarde van de cinema ligt in het contrast tussen vorm en inhoud, tussen film en andere vormen van kunst, tussen het beeld en de wereld waaruit dat beeld voortkomt.
Film --- Aesthetics of art --- 791.43.01 --- Film ; theorie ; door Jacques Rancière --- Rancière, Jacques --- Eisenstein, Sergei --- Murnau, Friedrich --- Lang, Fritz --- Mann, Anthony --- Ray, Nicholas --- Rosselini, Roberto --- Godard, Jean Luc --- Deleuze, Gilles --- Marker, Chris --- film --- filmtheorie --- Eisenstein Sergei --- Murnau Friedrich Wilhelm --- Lang Fritz --- Mann Anthony --- Deleuze Gilles --- Rossellini Roberto --- Godard Jean-Luc --- Marker Chris --- 791.41 --- Filmkunst ; theorie, filosofie, esthetica
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Aesthetics --- Philosophy --- Psychology --- kunsttheorie --- kunst en psychoanalyse --- kunst en politiek --- esthetica --- 7.01 --- 111.852 --- 1.07 --- Filosofie ; esthetica ; Jacques Rancière --- Rancière, Jacques °1940 (°Algiers, Algerije) --- Kunsttheorie ; over het esthetisch denken --- Filosofie ; Kunstfilosofie. Esthetica --- Filosofie ; filosofen (A - Z) --- Kunst ; theorie, filosofie, esthetica --- departement Beeldende Kunst 08 --- psychoanalyse --- esthetiek
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Rancière, Jacques --- kunsttheorie --- esthetica --- filosofie --- cultuurfilosofie --- Frankrijk --- Rancière Jacques --- 7.01 --- 111.852 --- 1.07 --- Filosofie ; over Jacques Rancière --- Rancière, Jacques °1940 (°Algiers, Algerije) --- Kunsttheorie ; esthetica --- Filosofie ; Kunstfilosofie. Esthetica --- Filosofie ; filosofen (A - Z) --- Kunst ; theorie, filosofie, esthetica --- departement Beeldende Kunst 08 --- esthetiek --- ethiek
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In dit boek biedt Jacques Rancière een verrassend inzicht in de betekenis van het beeld binnen de hedendaagse cultuur. Confrontatie: Rancière beroept zich op een traditie in de literatuur die is begonnen met Flaubert: een traditie die stelt dat alles gelijk is en alles onderwerp van kunst kan zijn. Hij gaat de confrontatie aan met denkers als Adorno, Barthes en Greenberg. De teksten tonen verbanden tussen schilderkunst, film, industriële ontwerpen, poëzie en getuigenissen van de Tweede Wereldoorlog. Als filosoof kiest Rancière daarbij duidelijk positie: beelden behoren tot het domein van de poëtische schepping en haar politieke uitdagingen.
Art --- Philosophy and psychology of culture --- Aesthetics, Modern. --- 7.01 --- Filosofie ; esthetica ; Jacques Rancière --- Rancière, Jacques °1940 (°Algiers, Algerije) --- Kunsttheorie ; over de betekenis van het beeld --- Cultuurfilosofie --- kunsttheorie --- beeldcultuur --- literatuur --- Flaubert Gustave --- Adorno Theodor --- Barthes Roland --- Lyotard Jean-François --- Greenberg Clement --- schilderkunst --- esthetica --- design --- industrieel design --- poëzie --- symbolisme --- wereldoorlog II --- kunst en politiek --- Kunst ; theorie, filosofie, esthetica --- MAD-faculty 14 --- kunst en filosofie --- 1.07 --- Filosofie ; filosofen (A - Z)
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Les livres de Raymond Depardon sont les oeuvres d'un photographe délivré de la commande faite au reporter, soustrait à l'obligation de donner au public les images des grands événements ou des grandes questions de l'heure.
Depardon, Raymond --- Photographie de reportage --- Photography, Artistic --- Photojournalism --- Raymond Depardon (° 1942, Villefranche-sur-Saône (Rhône), Frankrijk) --- Fotografen ; 2000 ; Raymond Depardon --- Fotojournalisme --- Fotografie ; o.a. reportage ; Magnum --- 77.092.07 --- (069) --- Fotografen A - Z --- (Musea. Collecties) --- Raymond Depardon; introduction de Jacques Rancière --- kunst --- twintigste eeuw --- Depardon Raymond --- fotografie --- film --- filmregisseurs --- documentaire --- documentaire fotografie --- Frankrijk --- 77.071 DEPARDON --- Depardon, Raymond, --- Photography, Artistic - Exhibitions --- Photojournalism - Exhibitions --- Depardon, Raymond, - 1942- - Exhibitions --- Depardon, Raymond, - 1942 --- -Photographie de reportage --- -Photography, Artistic --- -Depardon, Raymond --- Depardon, Raymond, - 1942-
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