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This DVD release of the silent experimental film by Ken Jacobs begins by presenting the entire eight-shot, 10-minute 1905 short film Tom, Tom, the piper's son originally produced by American Mutoscope and Biograph Company. The filmmaker then rephotographs it in detail; some segments are run in slow motion, some enlarged, some in freeze frame, etc. Two color sequences were also added.
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1. Introduction: Ken Jacobs-A Half-Century of Cinema##- 2. "A Panorama Compounded of Great Human Suffering and Ecstatic Filmic Representation": Texts On Ken Jacobs##- 3. Texts On Ken Jacobs##- 4. A Mischievous Little-Boy Revolution: The Whirled##- 5. Ken Jacobs, Moralist##- 6. The Sky Socialist: Film as an Instrument of Thought, Cinema as an Augury of Redemption##- 7. Bigger Than Life: Between Ken Jacobs and Nicholas Ray##- 8. Acts of Delay: The Play between Stillness and Motion in Tom, Tom the Piper's Son##- 9. The Piper's Son: Content and Performance in the Films of Ken Jacobs##- 10. Ken Jacobs' Two Wrenching Departures##- 11. Photo Essay##- 12. Flo Talks##- 13. Recycling, Visual Study, Expanded Theory - Ken Jacobs, Theorist, or: The Long Song of the Sons##- 14. "Avant-Garde" Filmmaker: Ken Jacobs##- 15. Ken Jacobs and the Robert Flaherty Seminar##- 16. Nervous Ken: XCXHXEXRXRXIXEXSX and after##- 17. Jacobs' Bergsonism##- 18. Ken Jacobs and Ecstatic Abstraction##- 19. Busby Berkeley, Ken Jacobs: A Precarious, Extravagant, Populist, and Constructivist Cinema##- 20. Untitled (for Ken)##- 21. Theories of Moving Pictures: Ken Jacobs after Hans Hofmann##- 22. I Owe Ken Jacobs##- 23. Professor Ken##- 24. Annotated Filmography and Performance History##- 25. Bibliography
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Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him. It includes essays by prominent film scholars along with photographs and personal pieces from artists
Motion pictures. --- Jacobs, Ken, --- Criticism and interpretation.
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Bejenaru, Matei --- Bratescu, Geta --- Dahlberg, Kajsa --- Fontaine, Claire --- Holmkvist, Saskia --- Jacobs, Ken --- Lövin, Björn --- Ruido, Maria --- Skala, Jiri --- St.Auby, Tamas --- Todosevic, Rasa --- Ulisses, Claudia --- Todosijević, Raša Dragoljub
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Film --- United States --- film --- experimentele film --- Verenigde Staten --- Deren Maya --- Hammid Alexander --- Peterson Sidney --- Broughton James --- Anger Kenneth --- Markopoulos Gregory --- Brakhage Stan --- animatie --- Menken Marie --- Smith Harry --- Belson Jordan --- Breer Robert --- Kubelka Peter --- Lye Len --- Maclaine Christopher --- Rice Ron --- Conner Bruce --- Nelson Robert --- Jacobs Ken --- Smith Kack --- Cornell Joseph --- Snow Michael --- Sharits Paul --- 791.43 --- Experimental films --- History and criticism --- United States of America
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Experimental films --- Motion picture producers and directors --- 791.43 --- Brakhage Stan --- Broughton James --- Conner Bruce --- Deren Maya --- experimentele film --- film --- Hill Jerome --- Jacobs Ken --- Maclaine Christopher --- Menken Marie --- Peterson Sidney --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Biography
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Film --- anno 1960-1969 --- United States --- film --- Verenigde Staten --- sixties --- underground --- experimentele film --- Brakhage Stan --- Warhol Andy --- beat generation --- Mekas Jonas --- Rice Ron --- Belson Jordan --- Kuchar Mike --- Kuchar George --- Conner Bruce --- Baillie Bruce --- film en politiek --- Jost Jon --- Landow George --- Jacobs Ken --- Fisher Morgan --- Frampton Hollis --- narratologie --- feminisme --- Schneemann Carolee --- RainerYvonne --- Experimental films --- Motion pictures --- History and criticism. --- Political aspects --- History. --- History --- History and criticism --- Brakhage, Stan --- Warhol, Andy --- United States of America
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Yann Beauvais --- film --- filmkritiek --- filmtheorie --- experimentele film --- rousset Martine --- Ostrovsky Vivian --- Lowder Rose --- Mekas Jonas --- Warhol Andy --- Sharits Paul --- Markopoulos Gregory --- Anger Kenneth --- Jacobs Ken --- Lye Len --- Moholy-Nagy Laszlo --- Montez Mario --- AIDS --- Genet Jean --- Oki Hiroyuki --- gay film --- homoseksualiteit --- musicals --- film noir --- kunstfilms --- 791.41 --- Experimental films --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.
film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Vogel Amos --- Greaves William --- Belson Jordan --- Peleshian Arthur --- Burnett Charles --- Kazuo Hara --- Watkins Peter --- Jacobs Ken --- Deocampo Nick --- Kaul Mani --- Baldwin Craig --- Nelson Gunvor --- Choy Christine --- Lowder Rose --- Hutton Peter --- Export Valie --- Bokanowski Patrick --- Gianikian Yervant --- Ricci Lucchi Angela --- Merhige Elias --- Mare Aline --- Smith Cauleen --- Porter John --- Montañez Ortiz Raphael --- Arnold Martin --- Potter Sally --- Jacobs Flo --- 791.43 --- Filmologie. Filmtheorie. Esthetica van de film --- Experimental films --- History and criticism.
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