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"Imperial tombs, Buddhist architecture, palaces, and art treasures in Korea and Japan have attracted scholars, collectors, and conservators--and millions of tourists. As iconic markers of racial and cultural identity at home and abroad, they are embraced as tangible sources of immense national pride and popular "must-see" destinations.This book provides the first sustained account to highlight how the forces of modernity, nationalism, colonialism, and globalization have contributed to the birth of museums, field disciplines, tourist industries, and heritage management policies. Its chapters trace the history of explorations, preservations, and reconstructions of archaeological monuments from an interregional East Asian comparative perspective in the past century.Hyung Il Pai is professor of East Asian languages and cultural studies at the University of California, Santa Barbara. She is the author of Constructing Korean Origins."Any scholar interested in the politics of culture in imperial Japan or colonial Korea will want this book on his or her shelf." --Robert Oppenheim, University of Texas at Austin"--

Cultural property --- J6001 --- K9800.10 --- K9803 --- Protection --- Japan: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Korea: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Korea: Art and antiquities -- cultural heritage

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"This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870s and 1880s, artists, government administrators, and others in Japan encountered the Western 'system of the arts' for the first time, as objects and information from Japan reached European and American audiences following the collapse of the shogun's regime. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools, museums, government-sponsored exhibitions, and artifact preservation policies -- and even to establish Japanese words for 'art, ' 'painting, ' 'artist, ' and 'sculpture.' Modern Japanese Art and the Meiji State represents nothing less than a reconceptualization of the field of Japanese art history. It exposes the politics through which the words, categories, and values that still structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history."--Publisher's description.

Art, Japanese --- Art and state --- J6008.70 --- J6001 --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Japan: Art and antiquities -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Government policy --- Art and state. --- Kunst. --- Moderne. --- Politik. --- Staat. --- Japanese influences. --- Historiography. --- Meiji period. --- Western influences. --- 1868-1912. --- Japan.

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J6008.60 --- J6001 --- J4600.60 --- Art, Japanese --- -Politics in art --- Art and state --- -Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867) --- Japan: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Japan: Politics and law -- history -- Kinsei, Edo, Tokugawa period, early modern (1600-1867) --- Government policy --- Tokugawa, Iemitsu, 1904-1651 --- -Art patronage. --- Politics in art. --- Tokugawa, Iemitsu, --- Art patronage. --- -Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867) --- Politics in art --- Art --- 徳川家光, --- 德川家光,

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Tze May Loo's Heritage Politics examines Okinawa's relationship with the Japanese nation-state from 1879 to 2000 through the lens of cultural heritage. This book is a study of the politics of cultural heritage: how the Japanese state and American occupation authorities used-and continue to use-heritage to govern Okinawa, and how Okinawans use it to negotiate, resist, and contest Japanese and American impositions of power.

Cultural property --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Protection --- History. --- Political aspects --- Shurijō (Naha-shi, Japan) --- Okinawa Island (Japan) --- Japan --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Ryukyu Islands --- Colonization. --- Relations --- History --- J3479 --- J6565 --- J6001 --- Japan: Geography and local history -- Okinawa prefecture and Ryūkyū region (Seinan) --- Japan: Art and antiquities -- architecture -- castles --- Japan: Art and antiquities -- policy, legislation, guidelines, codes of behavior --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс