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Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.
J3000 --- J3384 --- J3389 --- Japan: History -- historiography, theory, methodology and philosophy --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- Japan: History -- Gendai, modern -- Shōwa period -- World War II -- occupation period (1945-1952) --- Japan --- Civilization
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"World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allied and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they felt firsthand its terrible impact at home"-- "World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allied and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they felt firsthand its terrible impact at home. Aaron William Moore is the Handa Chair of Japanese-Chinese Relations at the University of Edinburgh. His research has received support from the British Academy, the Arts & Humanities Research Council, and the Leverhulme Trust. In 2014, he was awarded the prestigious Leverhulme Prize for his work in comparative history"--
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History of Asia --- History of Germany and Austria --- anno 1940-1949 --- 355.012 <430> <520> --- 355.018 <430> <520> --- 812 Ideologie --- 815 Geschiedenis --- 842 Media --- 842.1 Propaganda --- 846 Identiteit --- 855 Oorlogsvoering --- 855.3 Oorlogsmisdaden/Genocide --- 856.4 Conflictresolutie --- 860 (Vredes)cultuur --- 883.2 Oost-Azië --- 884.4 West-Europa --- J3384 --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945)
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International relations. Foreign policy --- Japan --- J3384 --- J3390 --- J4850 --- J4811 --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- Japan: History -- Gendai, modern -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Japan: International law -- law of peace and war (including war crimes) --- Japan: International politics and law -- international relations, policy and security -- world and transregional
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J5933 --- J3384 --- Japan: Literature -- modern fiction and prose by individual authors (1868- ) --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- 960 --- Japon récits --- Seconde Guerre mondiale --- levensbeschrijvingen --- biographies et mémoires --- Ōoka, shōhei (1909-1988) --- Guerre mondiale (1939-1945) --- Prisonniers de guerre japonais --- Emprisonnement --- Prisonniers et prisons des américains --- Récits personnels japonais --- Campagnes et batailles --- Philippines --- Biographies --- Leyte (philippines ; île) --- 1900-1945
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"This reexamination of the controversial role Emperor Hirohito played during the Pacific War gives particular attention to the question: If the emperor could not stop Japan from going to war with the Allied Powers in 1941, why was he able to play a crucial role in ending the war in 1945?"
World War, 1939-1945 --- Hirohito, --- Shōwa Tennō, --- Shōwa, --- Yuren, --- 裕仁, --- 昭和天皇, --- 昭和, --- World War (1939-1945) --- J3384 --- J2284.80 --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Hirohito, Emperor of Japan, --- World War --- Shōwa --- Yuren --- Hirohito --- 裕仁 --- 昭和天皇 --- 昭和 --- 迪宮裕仁
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Ecrivaines italiennes --- Biographies. --- Maraini, Dacia, --- Maraini, Topazia --- Enfance et jeunesse. --- Journal intime. --- Résidences et lieux familiers --- J3384 --- J4208.275 --- J5590 --- J5992.75 --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- Japan: Sociology and anthropology -- communities -- racial and ethnic -- immigrants -- Italy and San Marino --- Japan: Literature -- foreign literature about Japan --- Europe: Literature in Italy and San Marino --- Résidences et lieux familiers
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940.53 --- Geschiedenis van Europa: Tweede Wereldoorlog--(1939-1945) (algemeen) --- 940.53 Geschiedenis van Europa: Tweede Wereldoorlog--(1939-1945) (algemeen) --- World War, 1939-1945 --- Caricatures and cartoons --- J3384 --- Japan: History -- Gendai, modern -- Shōwa period -- World War II (1931-1945) --- World War, 1939-1945 - Caricatures and cartoons
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