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World War --- 1914-1918 --- Poetry --- J.R.R. Tolkien. --- World War, 1914-1918 --- Tolkien, J. R. R.
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World War --- 1914-1918 --- Poetry --- J.R.R. Tolkien. --- World War, 1914-1918 --- Tolkien, J. R. R.
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Doelstelling: Deze scriptie is een vertaling van het eerste hoofdstuk en een deel van het tweede hoofdstuk uit de het eerste boek van de J.R.R.Tolkiens Lord of the Rings, aangevuld met een stilistische analyse van de belangrijkste vertaalproblemen en een vergelijking met de gepubliceerde vertaling van Max Schuchart uit 2002. Middelen of methode: Het basismateriaal is het boek The Fellowship of the Ring, de vertaling die deel uitmaakt van de scriptie en de gepubliceerde vertaling uit 2002. Als theoretisch kader werd vooral een beroep gedaan op vertaalstrategieën zoals beschreven in Langeveld (1986) en Landers (2001). Resultaten: Bij een literaire vertaling kan men niet woord voor woord vertalen. Men moet altijd rekening houden met de grammatica in de doeltaal en soms moet je ook een keuze maken of je de grammatica strikt naleeft of de stijl van de auteur bewaart.
J.R.R. Tolkien - The Lord of the Rings --- Poëzie --- Vertaling met commentaar. --- Stijl. --- Vertaalstudies. --- Vertaling van Max Schuchart. --- Vertalingen. --- Vertalen.
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An account of the Scandinavian contributions to the field of Old English studies from the eighteenth century onwards.
LITERARY CRITICISM / Medieval. --- Arthur O. Sandved. --- Bibliotecha Anglo-Saxonica. --- Cædmon. --- Frederik Hammerich. --- J. R. R. Tolkien. --- Lars Gabriel Nilsson. --- Layamon. --- Old Norse. --- Stefán Einarsson. --- alliterative poetry. --- ballad. --- homilies. --- lexicon. --- morphology. --- philology. --- pneumatology. --- syntax. --- typology.
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Tolkien, J. R. R. --- Criticism and interpretation --- Tolkien, John Ronald Reuel, --- Tolkin, Dzh. R. R. --- Толкин, Дж. Р. Р. --- Tolkin, Dzhon Ronalʹd Ruėl, --- Ṭolḳin, Dzshey. R. R., --- טולקין, ג׳.ר.ר --- טאלקין, דשיי. ר. ר., --- 瀬田貞二, --- 톨킨, J. R. R, --- Tolkien studies --- Tolkien research --- J.R.R. Tolkien --- Tʻolkʻin, Jon Ṛonald Ṛuel, --- tolkien studies --- tolkien research --- j.r.r. tolkien --- Tolkin, Dzhon Ronal�d Ru�el, --- �Tol�kin, Dzshey. R. R., --- T�olk�in, Jon �Ronald �Ruel,
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In this book, renowned anthropologist Michael Jackson draws on philosophy, biography, ethnography, and literature to explore the meanings and affordances of friendship—a relationship just as significant as, yet somehow different from, kinship and love. Beginning with Aristotle’s accounts of friendship as a political virtue and Montaigne’s famous essay on friendship as a form of love, Jackson examines the tension between the political and personal resonances of friendship in the philosophy of Hannah Arendt, the biography of the Indian historian Brijen Gupta, and the oral narratives of a Kuranko storyteller, Keti Ferenke Koroma. He offers reflections on childhood friends, imaginary friends, lifelong friendships, and friendships with animals. He ruminates particularly on the complications of friendship in the context of anthropological fieldwork, exploring the contradiction between the egalitarian spirit of friendship on the one hand and, on the other, the power imbalance between ethnographers and their interlocutors.Through these stories, Jackson explores the unpredictable interplay of mutability and mutuality in intimate human relationships, and the critical importance of choice in forming friendship—what it means to be loyal to friends through good times and bad, and even in the face of danger. Through a blend of memoir, theory, ethnography, and fiction, Jackson shows us how the elective affinities of friendship transcend culture, gender, and age, and offer us perennial means of taking stock of our lives and getting a measure of our own self-worth.
Friendship. --- Interpersonal relations. --- Anthropology of Friendship. --- Aristotle. --- C.S. Lewis. --- Childhood Friends. --- Companion Animals. --- Elective Affinities. --- Friendship and love. --- Friendship in Philosophy. --- Hannah Arendt. --- Imaginary Friends. --- J.R.R. Tolkien. --- Jacques Derrida. --- Kuranko people. --- Montaigne. --- Sierra Leone. --- ethnography. --- fieldwork. --- memoir. --- personal essay.
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Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone.In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton and Susan B. Anthony; the Fugitive poets; and the writers Joseph Conrad and Ford Maddox Ford. He demonstrates how the unusual interactions in these collaborative circles drew out the creativity in each member. Farrell also presents vivid narrative accounts of the roles played by the members of each circle. He considers how working in such circles sustains the motivation of each member to do creative work; how collaborative circles shape the individual styles of the persons within them; how leadership roles and interpersonal relationships change as circles develop; and why some circles flourish while others flounder.
Groepsdynamiek --- Group dynamics --- Groupes sociaux --- Social groups --- Sociale groepen --- Artistic collaboration --- Groupes, Dynamique des --- Collaboration artistique --- Social groups. --- Artistic collaboration. --- 7.01 --- Kunsttheorie : over artistieke samenwerking ; werking --- Artist' circles --- Kunstenaarsgroepen ; groepsdynamiek --- Franse Impressionisten --- The Oxford Group ; J.R.R. Tolkien en C.S. Lewis --- Freud, Sigmund ; samenwerking met J.Breuer en W. Fleiss --- The Rye Group ; groep rond Henry James, J. Conrad en Ford Maddox Ford --- The Inklings --- American women's rights movement --- The Fugitive poets --- Artistieke collaboratie en creativiteit --- Kunstenaarsverenigingen --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Association --- Groups, Social --- Associations, institutions, etc. --- Social participation --- Kunst ; theorie, filosofie, esthetica --- Friendship. --- Case studies --- Friendship --- Case studies.
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This Special Issue focuses specifically on the topic of commiseration with the “enemy” within war literature. The articles included in this Special Issue show authors and/or literary characters attempting to understand the motives, beliefs, and cultural values of those who have been defined by their nations as their enemies. This process of attempting to understand the orientation of defined “enemies” often shows that the soldier has begun a process of reflection about why he or she is part of the war experience. The texts included in this issue also show how political authorities often resort to propaganda and myth-making tactics that are meant to convince soldiers that they are fighting opponents who are evil, sub-human, etc., and are therefore their direct enemies. Literary texts that show an author and/or literary character trying to reflect against state-supported definitions of good/evil, right/wrong, and ally/enemy often present an opportunity to reevaluate the purposes of war and one’s moral responsibility during wartime.
political conflict --- fiction --- Robert Graves --- funeral songs --- contemporary Irish fiction --- oral tradition --- commiseration --- Islamophobia --- Hmong --- Herbert Read --- Lucy Hutchinson --- south-asian rhetoric --- Ford Madox Ford --- encounters --- Briseis --- Margaret Cavendish --- World War One --- rhetoric --- Second World War --- colonialism --- memoir --- fantasy --- Siegfried Sassoon --- narrative --- English Civil War --- war narratives --- interpreter --- captive-women --- Northern Ireland --- Anne Devlin --- Western American literature --- enemyship --- Italian Front --- frontier literature --- Randall Jarrell --- settler-colonialism --- First World War --- commiseration in arjun --- Afghanistan --- distance --- Sebastian Barry --- World War I --- ideology --- Will Mackin --- soldiers --- masculinity --- Luke Mogelson --- trench warfare --- Indian Wars --- Emilio Lussu --- terrorism --- Ireland --- Wilfred Owen --- Irish literature --- empathy --- war poetry --- J. R. R. Tolkien --- A Long Long Way --- war --- war writing --- Vietnam/Vietnamese --- enemies --- krishan’s rhetoric --- 1916 Easter Rising --- reconciliation --- vyas’ rhetoric --- Edna O’Brien --- cognitive dissonance --- rhetoric in the mahabharat --- George Armstrong Custer --- Keith Douglas --- war literature --- Andromache --- Robert Service --- Homer --- Joydeep Roy-Bhattacharya
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Religion and culture --- Popular culture --- Religion in literature --- Cults --- fiction --- invention --- hyper-reality --- new religions and spiritualities --- Tolkien's Legendarium --- the Elven lineage --- the Internet --- the Elven Path and the Silver Ship of the Valar --- spiritual groups --- J. R. R. Tolkien --- Tie eldalieva --- Ilsalunte Valion --- spirituality and self-realisation --- the Otherkin and Therianthropy communities --- salvation and animation --- religion --- fandom --- identity --- the romantic narratives of mystics and Soulbonders --- the development of spirituality in the Brony community --- film and television as sacred texts --- anime and religio-spiritual devotional practices --- Jediism and the Temple of the Jedi Order --- virtual knights and synthetic worlds --- Jediism in Second Life --- history of Dudeism --- Diego Maradona and the psychodynamics of football fandom in international cinema --- online mediation of invented, fiction-based and hyper-real religions --- contemporary Discordianism --- SubGenius --- The Conspiracy --- playfulness and sincerity in invented religions --- Kopimism and media devotion --- piracy --- activism --- art and critique as religious practice --- revival in virtual worlds --- countercultural personal spiritualities and religions --- African-American ufology in the music and mythos of Sun Ra --- the Church of All Worlds --- hyper-real religion
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