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Le thème de la punition est traditionnellement abordé sous l'angle juridico-politique ou psychanalytique. Les études rassemblées dans ce volume renouvellent le regard en s'interrogeant sur le rôle joué par les représentations littéraires et cinématographiques dans l'élaboration des concepts de faute et de châtiment. La culture italienne, de la Renaissance à nos jours, est ici le lieu privilégié de cette enquête.
Italian literature --- Punishment in literature. --- Punishment in motion pictures. --- History and criticism. --- Pasolini, Pier Paolo, --- Criticism and interpretation. --- Motion pictures --- Pasolini, Pier Paolo --- faute --- cinéma italien --- Pier Paolo Pasolini --- Ludovico Ariosto --- culture italienne moderne et contemporaine --- Giacomo Leopardi --- Italo Svevo --- punition --- châtiment
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"While many scholars of world literature view national literary traditions as resolved and stable, Kafka's Italian Progeny takes the fluid identity of the modern Italian tradition as an opportunity to reconsider its dimensions and influencers. Exploring a distinct but unexamined Kafkan tradition in modern Italian literature, the book both brings Italian literary works into larger debates in which and reorients the critical view of the Italian literary landscape. This book calls attention to the way Kafkan themes, narrative strategies, and formal experimentation appear in a range of Italian authors. Offering new perspectives on familiar figures, such as Italo Calvino, Italo Svevo, and Elena Ferrante, it also sheds light on some less well-known authors, including Tommaso Landolfi, Paola Capriolo, and Lalla Romano. Using diverse approaches to explore thematic, generic, historical, and cultural connections between Kafka's works and those of Italian authors, the chapters argue for a new view of Italian literature that includes talking animals, parental bonds, modernist realism, literary detective novels, and lyrical microfiction. Whereas Kafka has been mobilized in discourses on minor and world literature, this book investigates the particular nature of the Italian reception of Kafka to reveal the richness and variety of modern Italian literature."--
Italian literature --- History and criticism. --- Kafka, Franz, --- Ḳafḳa, Frants, --- Kʻapʻŭkʻa, --- Kafka, F. --- Kaphka, Phrants, --- Ḳafḳa, Amshel, --- Kafka, Franc, --- Kʻa-fu-kʻa, --- Kʻa-fu-kʻa, Fu-lang-tzʻu, --- Kāk̲apkā, --- Кафка, Франц, --- Кафка, Ф., --- フランツ・カフカ, --- קאפקא, פראנץ, --- קאפקא, פרנץ, --- קאפקה, פראנץ, --- קפקא, --- קפקא, פרנץ, --- كافكا، فرانتس، --- كفكا، فرنز، --- کافکا، فرانز، --- Influence. --- Criticism and interpretation. --- Elena Ferrante. --- Elsa Morante. --- Italian literature. --- Italian studies. --- Italo Calvino. --- Italo Svevo. --- Kafka. --- Lalla Romano. --- Paola Capriolo. --- Tommaso Landolfi. --- comparative literature. --- literary history. --- world literature. --- Kafka, Franz
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Virtue, as used here, connotes integrity--that living force that issues from persons, societies, or texts in consequence of their accomplishing their distinctive ends. Professor Berthoff outlines the descent of the intuition of virtue from classical times into our own era and examines it as a formative presence in a series of major literary works.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Virtue in literature. --- Ethics in literature. --- Literature --- Didactic literature --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- History and criticism --- Theory, etc. --- Theory --- Ad hominem. --- After Virtue. --- Allegory. --- Analogy. --- Anecdote. --- Antithesis. --- Apologue. --- Assonance. --- Bildungsroman. --- Chivalric romance. --- Consummation. --- Contingency (philosophy). --- Courtly love. --- Criticism. --- D. H. Lawrence. --- Dictionnaire philosophique. --- Eloquence. --- Epigram. --- Epigraph (literature). --- Fabliau. --- Fiction. --- Figure of speech. --- Fine art. --- Flattery. --- Form of life (philosophy). --- Fortinbras. --- French moralists. --- G. (novel). --- Grandiosity. --- Hedonism. --- Hermeticism. --- Heroic couplet. --- Heroic drama. --- Heroic verse. --- Historicism. --- Idealization. --- Indulgence. --- Intentionality. --- Internal rhyme. --- Irony. --- Irving Babbitt. --- Italo Svevo. --- Karl Kraus (writer). --- Libertine. --- Literary nonsense. --- Literature. --- Memoir. --- Modernism. --- Mutability (poem). --- Narcissism. --- Narrative. --- Negative capability. --- Novel. --- Novelist. --- Of Education. --- On Truth. --- Opportunism. --- Originality. --- Phrenology. --- Poetry. --- Polonius. --- Positivism. --- Pragmatism. --- Precaution (novel). --- Pride. --- Prose. --- Proverb. --- Quixotism. --- Robert Musil. --- Romanticism. --- Rosicrucianism. --- Satire. --- Scholasticism. --- Self-Reliance. --- Sensibility. --- Soliloquy. --- Solipsism. --- Stendhal. --- Superiority (short story). --- Symbolism (arts). --- Synecdoche. --- Søren Kierkegaard. --- The Book of Thel. --- The Charterhouse of Parma. --- The Counterfeiters (novel). --- The Man Without Qualities. --- The Philosopher. --- The Sacred Fount. --- Theodore Dreiser. --- Theory of Forms. --- Truism. --- Ulrich. --- V. --- Verbosity. --- Vocation (poem). --- W. B. Yeats. --- What Is Literature?. --- William Shakespeare. --- Writing.
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