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The playful element contributes significantly to the high entertainment value of the opera buffa. This aspect has so far been largely neglected by research. The generic term "dramma giocoso", which was common in the 18th century, indicates the central role of play in this form of opera. On the basis of game theories from different disciplines - anthropology, psychology, education and philosophy - Ingrid Schraffl examines the multi-layered moments of the game of opera buffa and its performance context in the repertoire of Venice, the "capital of pleasure" at the time. The concept of play thus serves as the key to interpreting the entire cultural phenomenon.
Italian opera --- 18th century --- Venice --- play --- play theories --- Italienische Oper --- 18. Jahrhundert --- Venedig --- Spiel --- Theorien des Spiels --- Opera buffa
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The playful element contributes significantly to the high entertainment value of the opera buffa. This aspect has so far been largely neglected by research. The generic term "dramma giocoso", which was common in the 18th century, indicates the central role of play in this form of opera. On the basis of game theories from different disciplines - anthropology, psychology, education and philosophy - Ingrid Schraffl examines the multi-layered moments of the game of opera buffa and its performance context in the repertoire of Venice, the "capital of pleasure" at the time. The concept of play thus serves as the key to interpreting the entire cultural phenomenon.
Music History & Criticism, Vocal --- Music --- Music, Dance, Drama & Film --- Italian opera --- 18th century --- Venice --- play --- play theories --- Italienische Oper --- 18. Jahrhundert --- Venedig --- Spiel --- Theorien des Spiels --- Opera buffa
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The playful element contributes significantly to the high entertainment value of the opera buffa. This aspect has so far been largely neglected by research. The generic term "dramma giocoso", which was common in the 18th century, indicates the central role of play in this form of opera. On the basis of game theories from different disciplines - anthropology, psychology, education and philosophy - Ingrid Schraffl examines the multi-layered moments of the game of opera buffa and its performance context in the repertoire of Venice, the "capital of pleasure" at the time. The concept of play thus serves as the key to interpreting the entire cultural phenomenon.
Music History & Criticism, Vocal --- Music --- Music, Dance, Drama & Film --- Italian opera --- 18th century --- Venice --- play --- play theories --- Italienische Oper --- 18. Jahrhundert --- Venedig --- Spiel --- Theorien des Spiels --- Opera buffa --- Italian opera --- 18th century --- Venice --- play --- play theories --- Italienische Oper --- 18. Jahrhundert --- Venedig --- Spiel --- Theorien des Spiels --- Opera buffa
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Die italienischen Opernbühnen Londons fungierten im 19. Jahrhundert als wichtigster Markt der internationalen Opernwelt. Die tragenden Säulen dieses Systems bildeten internationale Sängerstars. Das Buch analysiert im Zeitraum von 1806 bis 1867 unterschiedliche Aspekte des Sängerwesens. Faktoren wie der Zusammensetzung des Londoner Opernpublikums, der Gestaltung von Sängerverträgen und der gängigen Adaptions- und Einlagearienpraxis kommt ein besonderes Augenmerk zu.
Carl von Linné. --- Human-Animal Studies. --- Naturalien. --- Naturgeschichte. --- Netzwerke. --- Praktiken. --- Sammlungen. --- Wissensgeschichte. --- MUSIC / Genres & Styles / Opera. --- Italian opera --- London --- nineteenth century --- singers --- singers contracts --- court proceedings --- Her Majesty’s Theatre --- Royal Italian Opera House Covent Garden --- adaptation of operas --- substitution of arias --- opera audience --- opera market --- Italienische Oper --- 19. Jahrhundert --- Sänger --- Sängerverträge --- Gerichtsprozesse --- Adaptionspraxis --- Einlagearienpraxis --- Opernpublikum --- Opernmarkt --- Gesang --- Libretto --- Paris
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