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Two people who do not speak the same language meet. One writes the name of the other: a fugitive, timeless and banal scene. Only a modest written record remains. Thanks to it, however, we can, centuries later, re-experience the exact moment of this exchange. Sometimes the fugitively captured name will be the only vestige of completely extinct languages. For epigraphies of fragmentary attestation, understanding that it is a proper name, isolating it and deciphering it is in itself a first task. It is then necessary to analyze the treatment of this name in the language of reception, the required adaptations and retrace the context in which the object was written. With these few pieces, the background image of the cultural and linguistic puzzle of ancient societies is reconstituted. This book aims to constitute and leaf through the album of a dozen of these linguistic snapshots all around the ancient Mediterranean.

knowledge --- science --- humanism --- Italian influence --- popularisation --- readership --- literature --- translation --- belles lettres --- vernacularisation --- diffusion

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Painting --- Heemskerck, van, Maarten --- Vermeyen, Jan Cornelisz. --- Gast, Michiel --- Calcar, van, Jan Stefan --- Sustris, Lambert --- Scorel, van, Jan --- Posthumus, Herman --- anno 1500-1599 --- Flemish painting --- Painting, Renaissance --- Peinture flamande --- Peinture de la Renaissance --- Italian influence --- Italian influences --- Influence italienne --- Heemskerk, Martin van, --- Calcar, Jan Stephan van --- Vermeyen, Jan Cornelisz --- 759.9492 --- 758.7 --- Arts Painting Netherlands --- Arts Painting Architectural subjects and cityscapes --- Painting, Flemish --- Italian influence.

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History of the Low Countries --- History of civilization --- Nederlandse kunstenaars in Italië --- Art --- anno 1500-1799 --- Italy --- Aide culturelle --- Assistance culturelle --- Cultural exchange --- Cultural relations --- Culturele betrekkingen --- Culturele relaties --- Intercultural relations --- Relations culturelles --- Relations interculturelles --- Art, Netherlandish --- Art, Dutch --- Art, Flemish --- Art, Italian --- Art néerlandais --- Art hollandais --- Art flamand --- Art italien --- Italian influences --- Congresses --- Influence --- Influence italienne --- Congrès --- 709.03 --- Arts Modern period (1500 - ) --- Conferences - Meetings --- Art néerlandais --- Congrès --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Dutch art --- Ploeg (Group of artists) --- Art [Renaissance ] --- Netherlands --- Relations --- 16th-18th centuries --- Congresses. --- Nieuwe Ploeg (Group of artists) --- Art, Dutch - Italian influences - Congresses --- Art, Italian - Influence - Congresses --- reis en educatie --- Italie --- 16e siècle --- 18e siècle --- Pays-bas