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Otto Neurath (1882-1945), philosophe, sociologue et économiste autrichien, est l’un des créateurs de l’Isotype, un langage universel et non verbal qui vise à transformer une information en formes visuelles, pionnier dans la théorisation de l’éducation par l’image. Dans Des hiéroglyphiques à l’Isotype, qu’il qualifie d’autobiographie visuelle, Otto Neurath met en lumière l’importance des différents stimuli perçus dans l’enfance – provenant des livres illustrés, des jouets et des musées – sur les travaux dans le domaine de l’éducation visuelle auxquels il consacra les vingt dernières années de sa vie. Il en résulte un récit informel et captivant, qui dresse un tableau précis de la culture européenne au tournant du XXe siècle. Cette édition, publiée en anglais en 2010 chez Hyphen Press, est la première publication d’un texte, jusqu’alors inédit, écrit entre 1943 et 1945. C’est à partir de dix-sept dossiers d’ébauches manuscrites et dactylographiées laissés par l’auteur que le texte original a été soigneusement édité par deux chercheurs de l’université de Reading, Matthew Eve et Christopher Burke. Cette édition inclut les nombreuses illustrations qu’Otto Neurath souhaitait ajouter à son texte, ainsi qu’une annexe présentant un large ensemble de documents graphiques issus de sa collection.

Isotype (langue artificielle). --- Pictogrammes. --- Picture-writing. --- Méthodes graphiques. --- Communication visuelle. --- Visual communication --- Neurath, Otto, --- Pictogramme --- Communication visuelle --- Art graphique --- Langage --- Education --- Sémiologie --- Sociologie de la culture --- Design graphique --- Neurath, Otto --- Isotype (langue artificielle) --- Méthodes graphiques. --- Pasigraphy. --- Isotype (Picture language) --- Pictures in education --- Pasigraphie --- Isotype (Pictogrammes) --- Écriture pictographique --- Écriture idéographique --- Illustrations, images, etc. en éducation --- Philosophy. --- Philosophie

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On May 14, 1940, Otto Neurath and Marie Reidemeister fled from the harbour of Scheveningen in The Hague to England. It was the last boat that could escape from Holland before the German occupiers took the city. Years earlier, in 1934, they had fled the same danger from Vienna to Holland. Otto Neurath can be seen as the godfather of today's infographics. In the Gesellschafts- und Wirtschaftsmuseum (Social & Economic Museum) that he founded in Vienna, developments in various areas of society were shown by means of pictorial statistics to a broad audience ' rich and poor, literate and illiterate. At the Museum, Otto Neurath acted as the scientific director and inspirer, Marie Reidemeister as the 'Transformer' of data into sketches, and Gerd Arntz as the head of the graphics department which designed pictograms and layouts. These three continued that work in Holland under the acronym Isotype (International System Of TYpographic Picture Education).After internment as 'enemy aliens' on the Isle of Man, Neurath & Reidemeister were able to continue their work in the UK. Through Wolfgang Foges and his book packaging firm Adprint, they were commissioned to design Isotype charts for books supported by the Ministry of Information during the war ' what might be called 'soft propaganda'. From 1942, Isotypes were supplied for information about the embryonic welfare state (Beveridge Plan), for illustrated books about Britain's allies (USA and USSR), and on what British democracy should look like after the war.This book illustrates around 250 Isotypes from these publications and provides information about the producers, authors, editors, and designers, and not least about the working relationship between the Isotype Institute and Adprint. The examples presented show the remarkable quality of the graphics, produced under less than ideal circumstances during wartime.Bron: https://www.copyrightbookshop.be/shop/adprint-and-isotype-1942-1948-soft-propaganda-special-relationships-and-a-new-democracy/

Infographics --- Boekdesign --- Thema's in de grafische vormgeving ; politiek, ideologie en propaganda --- Thema's in de grafische vormgeving ; oorlog en propaganda --- Propaganda-affiches --- Neurath, Otto 1882-1945 (°Wenen, Oostenrijk) --- ISOTYPE International System of Typographic Picture Education --- Adprint (Isotype) --- 766:659.2 --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- Infografiek --- Reclamedrukwerk --- 766.23.042 --- Grafische industrie en ontwerp ; schrift ; logo & pictogram ; thema's ; isotype

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Otto Neurath wrote *From hieroglyphics to Isotype* during the last two years of his life: this is the first publication of the full text, carefully edited from the original manuscripts. Calling it a 'visual autobiography', Neurath documents the importance to him of visual material, from his earliest years to his professional activity with the picture language of Isotype. He draws clear connections between the stimulus he received as a boy - from illustrated books, toys, and exhibitions - to the considered work in visual education that occupied him for the last twenty years of his life. This engaging and informal account gives a rich picture of Central-European culture around the turn of the twentieth century. The edition includes the numerous illustrations intended by Neurath to accompany his text, and is completed by an extensive appendix showing examples from the rich variety of graphic material that he collected.

grafische vormgeving --- grafisch design --- grafisch ontwerp --- Neurath Otto --- Isotype --- Oostenrijk --- twintigste eeuw --- grafiek --- illustraties --- Wiener Methode --- Vienna Method --- designgeschiedenis --- 766.03 --- 766.071 NEURATH --- Graphic arts --- pictographs --- graphic arts --- Neurath, Otto --- visuele communicatie

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How can you turn dry statistics into attractive and informative graphs? How can you present complex data sets in an easily understandable way? How can you create narrative diagrams from unstructured data? This handbook of information design answers these questions.Nicole Lachenmeier and Darjan Hil condense their extensive professional experience into an illustrated guide that offers a modular design system comprised of 80 elements. Their systematic design methodology makes it possible for anyone to visualize complex data attractively and using different perspectives.At the intersection of design, journalism, communication and data science, Visualizing Complexity opens up new ways of working with abstract data and invites readers to try their hands at information design.Bron : https://birkhauser.com/books/9783035625066

Typografie --- Grafische vormgeving --- Woordenboek --- Infografiek --- ISOTYPE International System of Typographic Picture Education --- Visuele communicatie --- Infographics --- Presentatie van informatie ; diagrammen en grafieken --- Tekens ; codes ; beeldmerken ; pictogrammen --- Grafische vormgeving ; informatieweergave --- 766:659.2 --- Gebruiksgrafiek ; voorlichting ; adviezen ; dataverwerking --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- informatiedesign --- information design --- designtheorie --- 766.022 --- 766.32.044 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; infographics

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Diagrams are an essential part of the most diverse processes of communication and cognition. Indeed, today the production of all kinds of text (including this one) is mediated by diagrammatic tools to be found on computer desktops. Not surprisingly, then, diagrams have become the object of much historical and theoretical work. This book--volume 2 of the Proceedings of the 33rd International Wittgenstein Symposium--is dedicated to this quickly growing field of interdisciplinary research. It includes contributions from philosophy, sociology (space syntax), art history, and history of science. Historically, there is a focus on Otto Neurath and his famous visual language (ISOTYPE), while the new attempts at theorizing diagrams presented here are mainly inspired by Charles Sanders Peirce and Ludwig Wittgenstein.

Language, Universal --- Isotype (Picture language) --- Wittgenstein, Ludwig, --- Neurath, Otto, --- Peirce, Charles S. --- Interlinguistics --- International language --- Language, International --- Language, World --- Universal language --- World language --- Languages, Artificial --- Pasigraphy --- Peirce, Charles Sanders, --- Peirce, C. S. --- Pirs, Charlz S., --- Peirce, Charles Santiago Sanders, --- Pʻo-erh-ssu, --- Pʻo-erh-ssu, Chʻa-li-ssu, --- Purs, Charls, --- Пърс, Чарлс, --- Chaersi Sangdesi Piersi, --- 查尔斯·桑德斯·皮尔斯, --- Wei-tʻe-ken-ssu-tʻan, --- Wei-tʻe-ken-ssu-tʻan, Lu-te-wei-hsi, --- Wittgenstein, L. --- Vitgenshteĭn, L., --- Wei-ken-ssu-tʻan, --- Pitʻŭgensyutʻain, --- Vitgenshteĭn, Li︠u︡dvig, --- Weitegenshitan, --- Wittgenstein, Ludovicus, --- Vitgenshtaĭn, Ludvig, --- ויטגנשטיין, לודוויג --- 维特根斯坦, --- Wittgenstein, Ludwig Josef Johann,