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Reader-response criticism. --- Iser, Wolfgang.

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(Zielgruppe)TheologInnen. --- Architektur --- Heilige Räume --- Kirchenraumpädagogik --- Rezeptionsästhetik --- Sakraler Raum --- Sakralraum --- Wolfgang Iser

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Ce mémoire représente un prototype d'"esthétique de la réception", théorie de l'École de Constance appliquée sur "L'Étranger" avec une attention particulière portée sur la question coloniale.

École de Constance --- Jauss --- Esthétique de la réception --- Iser --- Eco --- L'Étranger --- Camus --- Barthes --- Réception --- Théorie --- Algérie coloniale --- Littérature coloniale --- Littératures postcoloniales --- Arts & sciences humaines > Littérature

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Thomas Bernhard nörgelt am Steinhof: Zwischen Sprechen und Schweigen, Atemnot und Wahnsinn, Komik und Tragik wird das österreichische Enfant terrible neu gelesen. Die in der Tradition der russischen Germanistik verfasste Studie versucht - interkulturell und interdisziplinär - aufzuzeigen, wie die kalkulierte Bernhard'sche Schreibweise zwischen seiner Produktions- und Rezeptionsästhetik oszilliert, und eröffnet dadurch überraschende Wege zu einer neuen Lektüre des vertrauten Stils. Im Spannungsfeld zwischen der "untauglichen" Sprache und dem "unmöglichen" Dialog werden von dem österreichischen Meister neue Methoden erzeugt, die seine "Textbestattung" und "Selbstgesprächigkeit" in tiefere rezeptive Funktionalität und Wirksamkeit wenden und von einem komplexen künstlerischen "System Bernhard" sprechen lassen.

Bachtin --- Buber --- Vygotskij --- Uspenskij --- Iser --- Jauß --- Kommunikationskrise --- Kommunikationstheorie --- Literaturwissenschaft --- Lotman --- Performanztheorie --- Poetik --- Produktionsästhetik --- Psychologie --- Rezeptionsästhetik --- Schizolinguistik Heidegger --- Schmid --- Sprachkrise --- Tjupa --- Sprachphilosophie --- Dialogizität --- Symptomatik --- Performativität --- Wahnsinn --- Rezeption --- Linguistic philosophy --- dialogism --- symptoms --- performativity --- madness --- reception

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Although Wolfgang Iser is one of the most influential literary theorists of the twentieth century, there is no authoritative study about his oeuvre. The present work remedies that problem by analysing Iser’s German and English writings in detail. Apart from being the first comprehensive account of his work, this study also modifies the established view of Iser’s theory. In contrast to the idea that his only contribution to literary studies is the reception theory of the 1970s, this account demonstrates the importance of Iser’s work on history and anthropology from the 1950s and 1990s. Instead of exclusively focusing on familiar terms such as ‘indeterminacy’, this analysis also discusses Iser’s view of modernity, fiction and culture. As this discussion shows, his writings develop a consistent theory of the novel and the way in which it allows its readers to articulate new views of reality. To situate this theory, Iser’s institutional and intellectual background is described as well, paying special attention to the Poetik und Hermeneutik-circle and thinkers like Blumenberg and Kermode. The continued relevance of his theory is demonstrated via comparisons with recent research on the novel and memory as well as examples from contemporary novelists like Juli Zeh and Hilary Mantel.

Esthétique de la réception --- Littérature --- Histoire et critique --- Iser, Wolfgang, --- Critique et interprétation --- Reader-response criticism. --- Criticism --- Literature --- 82.0 --- Appraisal of books --- Books --- Evaluation of literature --- Style, Literary --- Reader-oriented criticism --- Reception aesthetics --- Reading --- History --- History and criticism. --- Literatuurtheorie --- Appraisal --- Evaluation --- Iser, Wolfgang --- Criticism and interpretation. --- 82.0 Literatuurtheorie --- Reader-response criticism --- Literary style --- History and criticism --- Histoire et critique. --- Esthétique de la réception.