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Although Nemesis was already revered in Archaic Greece, the main evidence for worship comes from the Roman Principate. During this period two important facets of the cult were the association of the goddess with the state, and her presence in agonistic contexts. Nemesis, the Roman State and the Games explores these aspects, discerning a possible connection between them. The author begins by discussing the origin and background of the goddess. He then clarifies the ways in which the goddess was enlisted into the service of the Roman emperor and state. Finally, he explains the presence of the goddess almost exclusively at the Roman Munus and Venatio as derived from the function of such games to express the proper order of society. Nemesis represents a significant re-evaluation of the place of Nemesis in the Roman World. The book also provides an invaluable corpus of epigraphic, literary, and iconographic evidence for the goddess.
Nemesis (Divinité romaine) --- Nemesis (Roman deity) --- Nemesis (Romeinse godheid) --- Games --- Religion and state --- Jeux --- Némésis (Divinité romaine) --- Religion et Etat --- Rome --- Religion --- -Nemesis (Roman deity) --- -292.211 --- State and religion --- State, The --- Goddesses, Roman --- Nemesis (Greek deity) --- Children --- Children's games --- Games, Primitive --- Games for children --- Pastimes --- Primitive games --- Recreations --- Entertaining --- Physical education and training --- Amusements --- Play --- Sports --- Religion Classical Greek and Roman Gods, goddesses, divinities and deities --- Religious aspects --- Recreation --- Religion. --- Némésis (Divinité romaine) --- 292.211 --- Games, Greek and Roman --- Rome - Religion. --- Religion and state - Rome. --- Games - Rome. --- Nemesis --- Invidia --- Rivalitas
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"The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes--in some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, from the cave paintings of Lascaux, the works of Renaissance masters, to modern paintings and stained glass by Mark Rothko and Josef Albers"--Inside front jacket flap.
Rouge dans l'art. --- Symbolisme des couleurs --- Couleur --- Rouge. --- Red in art. --- Symbolism of colors --- Color --- Red. --- Histoire. --- Aspect social --- Aspect psychologique --- History. --- Social aspects --- Psychological aspects --- Anthony van Dyck. --- Athanasius Kircher. --- Bestiary. --- Blason. --- Brought to Light. --- Cassone. --- Chaperon (headgear). --- Charles the Bald. --- Church Fathers. --- Cinnabar. --- Classical Latin. --- Clothing. --- Coat of arms. --- Cochineal. --- Cosmetics. --- Couleur. --- Council of Constance. --- Dionysus. --- Dyeing. --- Early modern period. --- Einhard. --- Emblem. --- Enjolras. --- Etymology. --- Flemish painting. --- Georges de La Tour. --- Giovanni Arnolfini. --- Good and evil. --- Grisaille. --- Hebrews. --- Hematite. --- Heraldry. --- Hieronymus Bosch. --- Hussites. --- Iconography. --- Invidia. --- Jacques Fabien Gautier d'Agoty. --- Kees van Dongen. --- Lacquer. --- Little Red Riding Hood. --- Lucas Cranach the Elder. --- Maurice Quentin de La Tour. --- Middle French. --- Minium (pigment). --- Mithraism. --- Museo del Prado. --- Natural History (Pliny). --- On the Eve. --- Orcein. --- Otto Dix. --- Paul Klee. --- Persecution. --- Phrygian cap. --- Pigment. --- Politique. --- Pope Leo III. --- Prostitution. --- Red Army Faction. --- Red hair. --- Reynard. --- Ridicule. --- Roman de Fauvel. --- Suetonius. --- Sumptuary law. --- Symbolic power. --- Talc. --- The Other Hand. --- Vestment. --- Victor Hugo. --- Vinegar.
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